4Most Gallery

4Most Gallery UF's off-campus gallery empowering students to share their creative work with the broader community.

The University of Florida School of Art + Art History's storefront art gallery features a variety of student, graduate, and alumni artwork for sale to the general public. The Post-Graduate Artist-in-Resident for the 2019/2020 academic year is Ashley Ortiz-Diaz (MFA Printmaking). Ashley can be reached at [email protected] for questions, concerns, and comments.

Join us for the FINAL 4Most exhibition of the season next Friday, May 29 from 6 – 8 pm for the duo exhibition, “Loading ...
05/22/2026

Join us for the FINAL 4Most exhibition of the season next Friday, May 29 from 6 – 8 pm for the duo exhibition, “Loading Proxies….” by Lindsay Carlton and Komal Goswami!

“Loading Proxies…” is a duo exhibition between artists exploring the proxy as both embodied and simulated.

Lindsay Carlton: My work utilizes self-portrait photography as a method of avatar performance, where I use my own body as a tool to construct and perform characters that are separate from myself; proxies rather than representations of my own identity. Through these works, I explore how femininity is performed through digital media, cinema, and the history of visual culture. Throughout my work, I also remix and reference existing imagery from popular culture, using these visual languages to construct my characters. The works exist in the tension between seduction and abjection, where femininity is both performed and distorted, exposing the constructed nature of idealized beauty.

Komal Goswami: My work employs 3D/CG generation, creative coding, and digital imaging processes to further investigate “living in the hyphen” culturally and tangibly, exploring the evolving landscape of human expression, meaning, and thought within an increasingly digitally assimilated world. These works emerge from experimentation with the detachment of the self through busts that are 3D-rendered, 3D-animated, or digitally replicated. Using my own likeness and animal-based mythic forms as source material, and referencing both Hindu and Western portrait conventions, I create abstract self-portraiture and portrait forms that deny autobiography. Instead, these figures – suspended between portrait, avatar, idol, and simulation – operate as provisional proxies through which identity and embodiment are continuously generated, processed, and displaced between the “reel” and the “real” world. 

Shots from “The Way Things Are”, a solo exhibition by Dylan A. Taylor ()
05/18/2026

Shots from “The Way Things Are”, a solo exhibition by Dylan A. Taylor ()

Join us this Friday, May 15 from 6 – 8 pm for the solo exhibition, “The Way Things Are” by Dylan A. Taylor!Statement fro...
05/11/2026

Join us this Friday, May 15 from 6 – 8 pm for the solo exhibition, “The Way Things Are” by Dylan A. Taylor!

Statement from the artist:

My art employs narrative storytelling to investigate the construction of social reality — primarily through short-form filmmaking and tableau photography. I observe how cultural and cinematic codes are arbitrarily naturalized to perpetuate a particular status quo characterized by artificiality, absurdity, and mundanity. Additionally, I explore how this contemporary discontent manifests itself as a motivation to reproduce and control the world through visual media. As representations increasingly pervade and supersede the ‘real world’, my work argues that the reality we collectively inhabit is as fabricated and narratively controlled as film itself.

In collaboration with film production crews, my practice applies the visual language and logistical operations of traditional cinema. Through this methodology, apparatus and fictionality are foregrounded — supporting an interrogative intersection between artifice and actual. Additionally, through the engagement of antimimetic narrative, I survey the properties of temporality, continuity, and metafiction in visual storytelling; this ultimately contributes to the evolving dialogue on how cinematic language can be reinterpreted across contemporary film, photography, and visual art.

Shots from “Viridescent”, a solo exhibition by Chloe J. Harpst ()
05/04/2026

Shots from “Viridescent”, a solo exhibition by Chloe J. Harpst ()

Join us this Friday, May 1 from 6 – 8 pm for the solo exhibition, “Viridescent” by Chloe J. Harpst!Statement from the ar...
04/27/2026

Join us this Friday, May 1 from 6 – 8 pm for the solo exhibition, “Viridescent” by Chloe J. Harpst!

Statement from the artist:

Viridescent is an assemblage of encounters and correspondences. Some of the work is pieced together and altered, while others take form as entirely conjured images, blurring the line between painting object and installation. The green originally emerged from synchronicity, morphing into an expensive language: flourishing, toxicity, vegetation, enveloping, calming, color of night. I questioned my relationship to the natural and the experience becomes both secret and strange here.

Request from the artist: Wear as much green as possible to the opening! 💚

04/09/2026

Clips from “Foyer”, a solo exhibition by Claire Moody ()

Join us this Friday, April 3 from 6 – 8 pm for the solo exhibition, “Foyer” by Claire Moody!Statement from the artist:Th...
03/30/2026

Join us this Friday, April 3 from 6 – 8 pm for the solo exhibition, “Foyer” by Claire Moody!

Statement from the artist:

The quiet can attract uninvited notions– I have found that banishing these visitors can be futile. This exhibit invites them inside and gives them a place to rest, with the knowledge that their stay is only temporary. The rendering of obscure sensations is how we accept that we may not be able to define them, but we can harness them, and feel them. My work stems from obsession, and is resolved through the embrace of uncertainty. I am drawn to the medium of video due to its synthesis of painting, sound, sculpture, and photography, and the infinite permutations that this synthesis makes possible. I am informed and influenced by the surrealist movement beginning in the 1920’s, the psychology of the subconscious, and expressionist film. Although these bodies of thought have been explored many times over, they are deeply and intrinsically human, which is a characteristic that we will never evolve from or sidestep, making these realms just as relevant and fascinating to traverse today. It is lonely to experience and agonize over thoughts that we don’t understand. I hope to articulate our most obscure and elusive sensations onto an Earthly-accessible plane and bring emotional liberation to audiences.

Join us this Friday, February 27 from 6 – 8 pm for the solo exhibition, “Woven Continuum” by Changil Kim!Statement from ...
02/23/2026

Join us this Friday, February 27 from 6 – 8 pm for the solo exhibition, “Woven Continuum” by Changil Kim!

Statement from the artist:

Changil Kim explores the relationship between line and weaving through sculpture, investigating mass, tension, and void in relation to memory and rhythm. Working in three-dimensional space, he constructs continuously spreading woven structures that build tension between line (wire) and emptiness, forming new spatial configurations. Drawing inspiration from the practices of Gego and Ruth Asawa, he reimagines what sculpture can be and what line can do in space. Using steel frameworks and woven wire, he develops sculptural metaphors that occupy space.

The work shifts between frame and surface. Across the openings, planes of woven aluminum wire appear—some pulled tight like a mat, others open, as if the weave loosened and started to breathe. Light passes through these areas and turns them into changing screens: dense sections cast soft, grid-like shadows, while sparse ones barely interrupt the white wall behind. The artwork emphasizes the time and labor inherent in craft, drawing attention to investments that are often overlooked or undervalued, while underscoring the importance of craft, its cultural and traditional significance within a place, and its ability to shape one’s cultural identity. By bringing craft-based work into a fine art context, he wants his artworks to be an experience of spatial writing and cross-cultural dialogues.

Shots from “Mom, I had a Nightmare.”, a solo exhibition by Taylor Baxley (.baxley_art)
02/18/2026

Shots from “Mom, I had a Nightmare.”, a solo exhibition by Taylor Baxley (.baxley_art)

Join us this Friday, February 13 from 6 – 8 pm for the solo exhibition, “Mom, I had a Nightmare.” by Taylor Baxley!State...
02/09/2026

Join us this Friday, February 13 from 6 – 8 pm for the solo exhibition, “Mom, I had a Nightmare.” by Taylor Baxley!

Statement from the artist:
My artwork explores the realm of physical and psychological experience; it contemplates the boundaries between consciousness and the unknown. Dreams are a fundamental part of our subconscious; they reveal our hidden desires, fears, and thoughts. Central to my work are themes of the subconscious, loss of control, collective night horror, the relationship between sleep and death, and the distinction between the physical body and the soul. I seek to articulate the line between clarity and confusion; the misperception of reality. Coming from a family of 6 children, my siblings and I collectively experienced parasomnia, consisting of nightmares, night terrors, sleep walking, and sleep paralysis. This shared familial experience built a connection as our subconscious states intersected nightly.

Through self-portraiture, I confront these unsettling moments, drawing from both personal and a shared subconscious memory. I question the lines between reality and the illusions of the psyche. I invite the viewer to meditate on the forces that shape the subconscious’ unsettling thoughts, desires, and fears and to find beauty inside its control.

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534 SW 4th Avenue
Gainesville, FL
32601

Opening Hours

Tuesday 12pm - 5pm
Thursday 12pm - 5pm
Friday 9am - 1pm

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