Woodstock Counsel of Elders Local Tribe #1969

Woodstock Counsel of Elders Local Tribe #1969 Wisdom for life and other unsolicited advice. Woodstock and the 60’s and other items of interest ☮️

Woodstock performer Edgar Holland Winter (born December 28, 1946) is an American multi-instrumentalist, working as a voc...
10/16/2026

Woodstock performer Edgar Holland Winter (born December 28, 1946) is an American multi-instrumentalist, working as a vocalist along with playing keyboards, saxophone, and percussion. His success peaked in the 1970s with his band the Edgar Winter Group and their popular songs "Frankenstein" and "Free Ride". He is the brother of late blues singer and guitarist Johnny Winter.

Winter was born to John Winter II and Edwina Winter on December 28, 1946, in Beaumont, Texas. Both he and his older brother Johnny were born with albinism. By the time he left the family home, Winter had mastered numerous instruments and reading and writing music.

Winter composed and performed songs of numerous genres, including rock, jazz, blues, and pop. In late 1972, Winter brought together Dan Hartman, Ronnie Montrose and Chuck Ruff to form The Edgar Winter Group, who created such hits as the number one "Frankenstein" and "Free Ride" (with lead vocals by its writer Hartman). Released in November 1972, They Only Come Out at Night, peaked at the number 3 position on the Billboard Hot 200 and stayed on the charts for 80 weeks. It was certified gold in April 1973 by the RIAA, and double platinum in November 1986.

Winter invented the keyboard body strap early in his career, an innovation that allows him the freedom to move around on stage during his multi-instrument high-energy performances.

After They Only Come Out at Night, Winter released Shock Treatment, featuring guitarist Rick Derringer in place of Ronnie Montrose. That album contained Winter's third and final Top 40 single "River's Risin'", again sung by Hartman. Later albums included Jasmine Nightdreams, The Edgar Winter Group with Rick Derringer, Together: Edgar Winter and Johnny Winter Live, Recycled, a reunion with White Trash, Standing on Rock, Mission Earth, Live in Japan, Not a Kid Anymore, The Real Deal, Winter Blues and Rebel Road.

Winter also kept busy doing session work, playing saxophone on Meat Loaf's "All Revved Up with No Place to Go", Dan Hartman's solo hit "Instant Replay", Tina Turner's "Simply the Best" and David Lee Roth's remake of "Just a Gi**lo", as well as appearing on material by Rick Derringer, Johnny Winter, Ronnie Montrose, Todd Rundgren, Michael McDonald and many others.

Winter also played with Ringo Starr in the ninth (2006), tenth (2008), eleventh (2010-2011) and fifteenth (2022-) iterations of his All-Starr Band. The band's 2010–11 tour featured the reunion of Winter and Rick Derringer. From August to early-September 2017, The Edgar Winter Band toured as the opening act for both Deep Purple and Alice Cooper as they performed several North American tour dates as part of The Long Goodbye Tour.

Edgar performed at Woodstock 1969 as part of the Johnny Winter Group. They were act number five on the day three schedule but because of all the weather related delays they didn’t take the stage until midnight on Monday morning August 18, 1969. They played an 8 song set which featured Edgar on the last four numbers.

Johnny Winter Band Members at Woodstock:

Johnny Winter: guitar, vocals
Edgar Winter: keyboards
Tommy Shannon: bass
"Uncle" John Turner: drums

Johnny Winter Woodstock Setlist:

Mama, Talk to Your Daughter
Leland Mississippi Blues
Mean Town Blues
You Done Lost Your Good Thing Now/Mean Mistreater
I Can't Stand It (featuring Edgar Winter)
To***co Road (featuring Edgar Winter)
Tell the Truth (featuring Edgar Winter)
Johnny B. Goode (featuring Edgar Winter)

Winter and his wife, Monique, live in Beverly Hills, California. The couple have no children. Winter stated in an interview: "I can see how that would be a wonderful rewarding thing, but I think there are enough people in the world" and that "it might have been more problematical if I had children with a career and all of it. I tour all the time. If I were to have children, I would want to be home all the time."

Photo shows Edgar performing in 2009.

Edward Hopper’s Five A.M. (1937) is an oil-on-canvas painting measuring 25 ⅛ x 36 ⅛ inches (63.8 x 91.8 cm). It is a sta...
10/16/2026

Edward Hopper’s Five A.M. (1937) is an oil-on-canvas painting measuring 25 ⅛ x 36 ⅛ inches (63.8 x 91.8 cm). It is a stark landscape that masterfully captures the isolation, stillness, and quiet light of dawn.

The painting features a quiet, industrial-coastal scene at dawn. Hopper based this composition on his personal memories of ferry boat rides taken through the Long Island Sound on transit routes between Manhattan and Boston.

The canvas features a prominent, towering lighthouse structure alongside a cluster of low-slung, industrial buildings situated on a dark, rocky shore against a hazy morning sky.

True to Hopper’s signature style of New Realism, the work strips away unnecessary detail to focus on geometric mass, dramatic directional light, and a deep sense of solitude.

The painting resides in the permanent collection of the Wichita Art Museum in Wichita, Kansas, as part of the Roland P. Murdock Collection.

The Roland P. Murdock Collection serves as the historic backbone and "crown jewel" of the Wichita Art Museum (WAM) in Wichita, Kansas. It is widely celebrated as one of the premier public collections of American art in the United States.

Edward Hopper"Blackwell's Island" 1928Oil on canvas 87,6 x 151,1 cm The painting depicts Blackwell’s Island (now known a...
10/16/2026

Edward Hopper
"Blackwell's Island" 1928
Oil on canvas 87,6 x 151,1 cm

The painting depicts Blackwell’s Island (now known as Roosevelt Island) in New York City’s East River, viewed across the water.

It highlights a cluster of institutional and healthcare buildings that stood on the island at the time, including a penitentiary, an asylum, and a smallpox hospital.

The austere, isolated structures and quiet tension reflect Hopper’s signature focus on urban alienation, solitude, and the realist condition of mid-century American life.

The painting is part of the permanent collection at the Crystal Bridges Museum of American Art in Bentonville, Arkansas. Crystal Bridges Museum of American Art is substantially funded and supported by Walmart wealth and the Walton family fortune.

Steely Dan, 1972. (Classic lineup)The band posing on an ornate "eagle throne" prop chair in the garden of Ed Caraeff's h...
10/16/2026

Steely Dan, 1972. (Classic lineup)

The band posing on an ornate "eagle throne" prop chair in the garden of Ed Caraeff's home.

📷 by Ed Caraeff

“The acrostic heard round the world”🌎 One of the most enduring and interesting parts of Woodstock folklore is the surviv...
10/16/2026

“The acrostic heard round the world”🌎

One of the most enduring and interesting parts of Woodstock folklore is the surviving stories concerning who didn’t make it to Woodstock and why. The routine shorthand answer about how Iron Butterfly missed Woodstock is that they got “stuck at the airport” and couldn’t travel the traffic-choked 100 miles of highway from New York City to Upstate New York in time. The longstanding consensus on the rest of the story, however, is supported by festival co-creator Michael Lang in his book The Road to Woodstock:

“Iron Butterfly was booked for Sunday afternoon, but John Morris [production coordinator and stage MC] told me that their agent had called with a last-minute demand for a helicopter to pick them up.… Apparently the agent had a real attitude, and we were up to our eyeballs in problems. So I told John to tell him to forget it; we had more important things to deal with.”

In Pete Fornatale’s Back to the Garden, released this June, John Morris explained that his telegram was only a conclusive response to the Butterfly people: “They sent me a telegram saying, ‘We will fly to LaGuardia. You will have helicopters pick us up. We will fly straight to the show. We will perform immediately, and then we will be flown out.’ And I picked up the phone…got a cooperative lady at Western Union…and said:

‘F or reasons I can’t go into
U ntil you are here
C larifying your situation
K nowing you are having problems

Y ou will have to find
O ther transportation
U nless you plan not to come.’ ”

Conference At NightEdward HopperDate: c.1949Style: New RealismSeries: 'Window' paintingsGenre: genre paintingMedia: oil,...
10/16/2026

Conference At Night
Edward Hopper
Date: c.1949
Style: New Realism
Series: 'Window' paintings
Genre: genre painting
Media: oil, canvas
Location: Wichita Art Museum, Wichita, KS, US
Dimensions: 101.6 x 70.49 cm

Bubble Gum Ci**rs.
10/16/2026

Bubble Gum Ci**rs.

Edward Hopper Cold Storage Plant, 1933Edward Hopper's Cold Storage Plant (1933) is a watercolor over graphite painting h...
10/15/2026

Edward Hopper
Cold Storage Plant, 1933

Edward Hopper's Cold Storage Plant (1933) is a watercolor over graphite painting housed in the collection of the Harvard Art Museums in Cambridge, Massachusetts.

• Medium: Watercolor over graphite on heavy white wove paper.

• Dimensions: 55.3 x 68.5 cm (21 3/4 x 26 15/16 in.).

• Subject: A large red-brick fish-processing and freezing plant with a tall chimney located in North Truro, Cape Cod.

• Composition: The massive industrial structure contrasts sharply against the blue of the bay and distant Provincetown shore, while smaller vernacular buildings settle into the surrounding sand dunes.

• Provenance: Sold by Edward Hopper to Rehn Galleries in New York in 1933 before entering the Fogg Art Museum collection.

This performance from sixty years ago today (October 15, 1966), captures the final show featuring original co-lead vocal...
10/15/2026

This performance from sixty years ago today (October 15, 1966), captures the final show featuring original co-lead vocalist Signe Toly Anderson, who left the band to focus on raising her family and was succeeded by Grace Slick the following day.

• Band Members Pictured (left to right):

• Paul Kantner (Rhythm guitar, vocals)
• Marty Balin (Vocals, rhythm guitar)
• Spencer Dryden (Drums)
• Jack Casady (Bass guitar)
• Signe Toly Anderson (Vocals, percussion)
• Jorma Kaukonen (Lead guitar, vocals)

Gordon Lightfoot was a central figure in the folk-pop and folk-rock movements of the 1960s and 1970s, famous for penning...
10/15/2026

Gordon Lightfoot was a central figure in the folk-pop and folk-rock movements of the 1960s and 1970s, famous for penning classic tracks like "Early Morning Rain," "Sundown," and "The Wreck of the Edmund Fitzgerald".

Bob Dylan and Gordon Lightfoot shared a profound mutual admiration and a lasting friendship that spanned over 50 years, rooted deeply in their shared respect for songwriting.

The two musicians first crossed paths in 1964 and 1965. Both were part of the famous management stable run by Albert Grossman in New York. They shared the stage at the historic 1965 Newport Folk Festival, cementing a musical connection that bypassed any perceived industry rivalry.

Dylan has been one of Lightfoot's most vocal champions. In the liner notes for his 1985 box set Biograph, Dylan publicly credited the Canadian songwriter as a long-term mentor. He famously stated: "I can't think of any Gordon Lightfoot song I don't like. Every time I hear a song of his, it's like I wish it would last forever." Following Lightfoot's passing in 2023, Dylan beautifully noted that Lightfoot left us "without ever having made a bad song."

Lightfoot warmly returned the sentiment, frequently describing Dylan as a "leader" and a "superhuman" songwriter whose productivity was unparalleled. When asked to name his all-time favorite songwriter, Lightfoot routinely answered, "Of all the multitudes around, I'd have to go with Bob Dylan."

📷 Canadian singer-songwriter and guitarist Gordon Lightfoot is shown performing with a 12-string acoustic guitar at the Mariposa Folk Festival - 1965

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