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https://www.artendlesstreasure.com/

無盡藏藝術空間, 內湖路一段120巷13號, Taipei (2026)

29/07/2026

「最深沉的史詩，往往藏在最平凡的日常煙火裡｜The deepest epics are often hidden within the quiet rituals of everyday life.」

有些記憶，不以故事存在，而以溫度被保存。
Some memories do not exist as stories, but remain as warmth.

蔣友以沉靜而細膩的筆觸，將日常器物、生活片段與歲月痕跡，轉化為關於時間的觀看。
With a calm and exquisite brush, Jiang You transforms everyday objects, fragments of life, and traces of time into a contemplation of time.

他不描繪宏大的敘事，而是將目光投向廚房的微光、案頭的陰影，以及那些被歲月撫摸過的痕跡。
He does not depict grand narratives, but instead turns his gaze toward the faint light of the kitchen, the shadows resting upon the tabletop, and the traces left behind by time.

在動與靜的臨界點上，蔣友用最內斂的筆觸，為現世浮躁的心靈，構築了一處可以卸下防備、安然呼吸的澄明之境。
At the threshold between stillness and motion, Jiang uses his restrained brushwork to create a sanctuary of stillness and clarity—a place where the restless contemporary mind may let down its guard and simply breathe.

時間並非向前奔流，而是在一次次回望之中，緩慢沉澱成生命的溫度。
Time does not merely rush forward; through each act of remembrance, it slowly settles into the lingering warmth of life.

那些被光照亮的器物、被歲月磨潤的痕跡，不只是生活的片段，也是記憶最安靜的容器。
Those objects illuminated by light and smoothed by the years are more than fragments of daily existence; they become the quietest vessels of memory.

讓人在蓦然回首間發現，原來歲月留金，最好的時光一直就在身邊。
In a sudden moment of looking back, one realizes that time does leave behind its gold, and that the finest days have been beside us all along.

➀ 憶．溫度之一 Reminiscence: The Warmth Within I｜2011
40 x 80 cm F16

➁ 憶．溫度之二 Reminiscence: The Warmth Within II｜2011
40 x 80 cm F16

➂ 憶．溫度之三 Reminiscence: The Warmth Within III｜2011
40 x 80 cm F16

➃ 憶．溫度之四 Reminiscence: The Warmth Within IV｜2011
40 x 80 cm F16

➄ 時間有寬度之一 Timeless Warmth I｜2012
70 x 25 cm F9

➅ 時間有寬度之二 Timeless Warmth II｜2012
70 x 25 cm F9

➆ 時間有寬度之三 Timeless Warmth III｜2012
70 x 25 cm F9

➇ 時間有寬度之四 Timeless Warmth IV｜2012
70 x 25 cm F9

➈ 歲月留金之一 Golden Years: Traces of Time I｜2012
60 x 60 cm F18

➉ 歲月留金之二 Golden Years: Traces of Time II｜2012
60 x 60 cm F18

⑪ 廚之交響之四 Kitchen Symphony IV｜2012
50 x 60 cm F15

蔣友 Jiang You
油彩・畫布
Oil on canvas

#無盡藏藝術空間 #蔣友 #憶溫度 #時間有寬度 #歲月留金 #廚之交響 #當代藝術

22/07/2026

「世事如煙，與其追逐喧囂，不如在迷離間自成宇宙｜The world fades like smoke; rather than chasing the noise, one may find an entire universe within the haze. 」

劉寶軍的作品，散發著一種歷經歲月淘洗後的放鬆與淡然。
Liu Baojun’s work exudes a sense of ease and detachment, washed clean by the passage of time.

以細緻而帶有復古色調的油彩，勾勒出一位位身形豐腴、神情自得的煙斗女子。
With delicate, vintage-toned oils, he sketches voluptuous women with pipes, each immersed in her own quiet contentment.

那些裊裊升起的青煙，模糊了現實的疆界；女子迷離而若有所思的眼神，則將世俗的規訓悄然屏除在外。
The curling plumes of smoke gently blur the boundaries of reality, while the women’s hazy, contemplative gazes quietly shut out the expectations of the mundane world.

她們不迎合任何人的凝視，只是在煙斗的微光裡，旁若無人地享受著屬於自己的孤獨與慵懶。
They do not exist for the viewer’s gaze; instead, bathed in the faint glimmer of their pipes, they savor their own solitude and languor, entirely oblivious to the world around them.

這種圓潤與從容，是劉寶軍留給當代人的一種愜意哲學。
This sense of fullness and composure reflects a philosophy of inward freedom that Liu offers to our restless age.

畫面遊走於具象與荒誕之間，讓觀者在煙香繚繞的視覺錯覺中，找到一處可以卸下防備、安然呼吸的澄明之境。
Hovering between the figurative and the absurd, his paintings invite viewers into a smoke-laden illusion, offering a space of clarity where one can let down their guard and simply breathe.

➀ 抽煙斗的女人 No. 106 Pipe-Smoking Woman, No. 106｜2011
100 x 100 cm F50

➁ 抽煙斗的女人 No. 122 Pipe-Smoking Woman, No. 122｜2012
70 x 70 cm F25

➂ 抽煙斗的女人 No. 130 Pipe-Smoking Woman, No. 130｜2013
70 x 70 cm F25

➃ 抽煙斗的女人 No. 131 Pipe-Smoking Woman, No. 131｜2013
70 x 70 cm F25

➄ 抽煙斗的女人 No. 132 Pipe-Smoking Woman, No. 132｜2013
70 x 70 cm F25

➅ 抽煙斗的女人 No. 133 Pipe-Smoking Woman, No. 133｜2013
70 x 70 cm F25

➆ 抽煙斗的女人 No. 134 Pipe-Smoking Woman, No. 134｜2013
70 x 70 cm F25

➇ 抽煙斗的女人 No. 139 Pipe-Smoking Woman, No. 139｜2015
70 x 70 cm F25

劉寶軍 Liu Baojun
油彩・畫布
Oil on canvas

#無盡藏藝術空間 #劉寶軍 #抽煙斗的女人 #當代藝術 #復古美學

15/07/2026

「寂靜是一面鏡子，照見萬物最初的風骨｜Stillness is a mirror, reflecting the essential spirit of all things. 」

觀看徐松波的作品，需要一份慢下來的心境。
Viewing Xu Songbo’s work requires a mind willing to slow down.

他將唐風的含蓄，揉入粗獷而充滿力量的筆觸之中，在動與靜的臨界點上，構築了一處安放心靈的精神聖殿。
Into bold, powerful brushstrokes, he weaves the refined restraint of Tang aesthetics, constructing a spiritual sanctuary at the threshold between stillness and motion.

畫筆拂過寒冬，《雪霽》記錄了雪停時天地初醒的微光，那是一種洗盡鉛華後的純淨秩序；
In “Cease Snowing", the brush moves through winter, capturing the faint light of a world awakening after snowfall—a quiet order revealed once all excess has fallen away.

視線轉向《正面》，一種不迴避、不退讓的精神力量迎面而來。
Turning to “Front”, one encounters a spirit that neither retreats nor yields, meeting the world with unwavering resolve.

他融匯了東方壁畫的風骨與西方油彩的沉鬱，讓畫面不再只是當代的風景，而是一次與歷史精神的深沉對話。
Blending the enduring character of Eastern mural traditions with the depth of Western oil painting, Xu transforms the canvas into more than a contemporary scene; it becomes a profound dialogue with the spirit of history.

這是不被時間洪流所吞噬的意志，
亦是人在閱盡風霜後，
內心最為豁達的安頓。
Here resides a will untouched by the torrent of time, and a state of inner ease attained only after weathering life’s seasons.

➀ 雪霽 Cease Snowing｜2016
112 x 162 cm F91

➁ 正面 Front｜2016
140 x 170 cm F119

徐松波 Xu Songbo
油彩・畫布
Oil on canvas

#無盡藏藝術空間 #徐松波 #當代藝術

08/07/2026

「歲月揉入泥土，每一道弧度，都是記憶在時光裡的微瀾｜Years are kneaded into the earth; every contour is a gentle ripple of memory within time.」

雕塑，是空間的詩。
Sculpture is the poetry of space.

余連春以指尖的溫度與極簡的線條，在泥土、鐵件與金屬的轉化之間，捕捉女性內在情感與形體之間最動人的平衡。
With the warmth of his fingertips and a language of minimalist lines,
Yu Lienchun captures a delicate balance between feminine emotion and form through the transformation of terracotta, iron, and metal.

他的作品彷彿停駐於時間的一瞬，卻仍保有流動未止的韻律。
His works seem suspended in a single fleeting moment of time, yet they retain a rhythm that flows unceasingly.

有時，身姿於《弄姿》與《萬種風情》中輕輕舒展，線條在光影之間劃出優雅的節奏；有時，《恬靜》與《懷想》凝住了時間，將女性沉思的片刻化為靜謐而悠長的凝視；而《獨坐》與《獨坐閣樓》則將情緒沉澱，在靜默之中留下安然的餘韻。
At times, the figures stretch gently within “Graceful Gestures” and “Myriad Charms”, their lines tracing an elegant rhythm between light and shadow.
At times, “Serenity” and “Reminiscence” seem to suspend time itself, transforming moments of reflection into tranquil and enduring contemplation.
Meanwhile, “Sit Alone” and “Sit Alone in the Attic” allow emotions to settle, leaving behind a peaceful resonance in the silence.

他讓厚重的土塑燒蘊藏如羽毛般的輕盈，亦讓《巧顏盼兮》的玫瑰銀色系不銹鋼流露出古典而含蓄的詩意。
He imbues the weight of terracotta with a lightness akin to feathers,
while the rose-toned stainless steel of “Qiao Yan Pan Xi” reveals a quiet, classical lyricism.

觀看余連春的雕塑，不只是觀看形體，更是觀看泥土、鐵與金屬如何承載情感。
To view Yu Lienchun’s sculptures is to look beyond physical form and witness how terracotta, iron, and metal become vessels for human emotion.

當我們轉換視角，在線條的轉折與光影的流動之間，看見的已不只是姿態，而是生命留下的溫度。
As we shift our perspective, amid the turn of lines and the flow of light, what we see is no longer just a posture, but the enduring warmth left behind by life.

➀ 恬靜 Serenity｜2016
28 x 36 x 88 cm

➁ 懷想 Reminiscence｜2025
23 x 23 x 70 cm

➂ 芙蓉 Hibiscus｜2013
27 x 27 x 101 cm

➃ 弄姿 Graceful Gestures｜2013
25 x 25 x 84 cm

➄ 萬種風情 Myriad Charms｜2014
25 x 24 x 68 cm

➅ 纖纖女孩 Slender Girl｜2025
35 x 27 x 86 cm

➆ 髮髻女孩 Hair Bun Girl｜2014
25 x 24 x 77 cm

➇ 曼妙 Wonderful｜2012
20 x 30 x 93 cm

➈ 怯在汝邊 Fear in Your Side｜2011
44 x 26 x 49 cm

余連春 Yu Lienchun
雕塑・土塑燒
Sculpture・Terracotta

➉ 水漾風情 Ripples of Grace｜2018
21 x 41 x 82 cm

⑪ 獨坐閣樓 Sit Alone in the Attic｜2012
22 x 30 x 80 cm

⑫ 獨坐 Sit Alone｜2011
24 x 23.5 x 70 cm

余連春 Yu Lienchun
雕塑・土塑燒、鐵
Sculpture・Terracotta and iron

⑬ 巧顏盼兮 Qiao Yan Pan Xi｜2013
22 x 22 x 85 cm

余連春 Yu Lienchun
雕塑・玫瑰銀色系不銹鋼
Sculpture・Rose Stainless Steel

#無盡藏藝術空間 #余連春 #當代藝術 #雕塑藝術 #土塑燒

01/07/2026

「黃河有黃河的遼闊，花開有花開的溫柔。｜ The Yellow River holds its own vastness, while the blooming flowers possess their own tenderness. 」

林建的畫布上，始終有一股歷經時光淘洗的韌性與從容。
Upon Lin Jian’s canvas resides an enduring resilience and quiet composure, shaped through the passage of time.

他的創作，是身體對大地的親履，也是靈魂對傳統的深沉回應。
His art is both a direct encounter with the land and a profound response of the soul to tradition.

有時是黃河洶湧澎湃，大地以最遼闊的姿態鋪展；有時是一聲鷺鳴，打破山澗長久的寧靜；有時則是三月花開，將春天悄悄帶回人間。
At times, the Yellow River surges forward with immense force, as the earth unfolds in its most expansive form; at times, the cry of a heron breaks the long-held stillness of a mountain ravine; and at times, the blossoms of March quietly announce the return of spring.

他以細膩而沉穩的筆觸，記錄自然之中那些無聲流轉的瞬間。
With meticulous yet restrained brushwork, he captures those moments in nature that resist words.

畫面遊走於動與靜之間，時間在此緩緩流轉，空間則向著無垠延伸。
His paintings move between stillness and motion; time seems to slow, while space extends toward the boundless.

於是，這些作品所描繪的，不只是景色，更是生命在天地之間留下的痕跡。
Thus, these works portray more than landscapes alone—they are traces of life itself, inscribed between heaven and earth.

➀ 黃沙滾滾金印象 The Golden Torrent｜2024
220 x 90 cm F99

林建 Lin Jian
油彩・畫布
Oil on canvas

➁ 鷺鳴澗 The Heron’s Ravine｜2020
36 x 12 inches F14

➂ 三月蒔花 Still Life: March Blooms｜2023
10 x 20 inches F6

林建 Lin Jian
油彩・木板
Oil on wood

#無盡藏藝術空間 #林建 #當代藝術 #山水禪意

無盡藏藝術空間

29/07/2026

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