Prajna Ocean Buddhist Art Centre Thangka Art 慧海佛教藝術中心唐卡工畫坊

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Prajna Ocean Buddhist Art Centre Thangka Art  慧海佛教藝術中心唐卡工畫坊 Prajna Ocean Buddhist Art Centre

(Formerly known as Namkhyen Gyaldar Buddhist Art Centre) He was born in the city of Kuching, Sarawak, Malaysia in 1982.
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Karma Sherab Gyaltso @ Kenny Ng, hails from the exotic mystical island of Borneo in South-East Asia. He grew up in a traditional Chinese family and is the elder of his three siblings. From a young age, Karma has been drawing with a natural artistic flair and passion. His drawings usually depict God and Goddess deities, Buddha and Bodhisattvas. As time progresses, the seed of Buddha grew in Karma a

nd his relationship with Buddha became much closer. In 1997, under the spiritual guidance of Tibetan Buddhism of Karma Kagyud Tradition, The Red Hat Lama late 14th Shamar Rinpoche, he (Karma) took the refuge vow in Buddhism. In May 2000, Karma offered body, speech and mind and started to use his creative artistic talents in Buddhist charity activities. With the blessings of the Triple Gem, Karma founded "Namkhyen Gyaldar Buddhist Art and Cultural Centre" to promote Buddhist Art. Karma uses mixed art media such as metallic gold and silver pens, crayons, colour pencils and water colours to create his artworks. His artworks include Tibetan Thangkas, Chinese and Tibetan Calligraphy, Mahayana Buddhist Art, Thai Buddhist Art, Japanese Buddhist art and other Buddhist Art. Since 2005, he embarked on a pilgrimage to learn more about the Buddha Dharma, Buddhist Culture and Buddhist Art. He visited and resided in other states of Malaysia, Singapore, Indonesia, Thailand,Taiwan, Si-Chuan, Er Mei Mountain,Tibet, China, India, Nepal and other places until nowsday to learn and research different type & cultural of Buddhist. In year 2008, with a deeper understanding of the Buddha Dharma, Karma returned to Kuching. With his strong faith in Buddhism and the inner calling to propagate the Buddha Dharma, he started to create more Buddhist Artworks with the aspiration that, through his Buddhist Artworks, the Buddha Dharma will continue to flourish to benefit all sentient beings. In May 2016, H.E The 4th Jamgon Kongtrul Rinpoche, the dharma son of Karma Kagyud Tradition named Karma a title as “Lo-Chenpa” which is mean a “Great Buddhist Translater” and at the same time Karma also been title as “Malaysian Thangkas Art Promoter” by The Supreme Head of Tibetan Buddhism of Karma Kagyud His Holiness the 17th Gyalwa Karmapa Trinley Thaye Dorje, and changed the centre name with “Prajna Ocean Buddhist Art Centre”. Karma also provides consultancy in setting up shrines and shrine rooms.Karma’s beautiful Artworks are for sale. Some of the proceeds from the sale of Karma’s artworks will be donated to Karmapa School Project, Medical in hospital, education & Monastery in Kalimpong, India. To view Karma’s creative Artworks, visit: http://karmathangkaart.blogspot.com/p/about-artist.html
page : Prajna Ocean Thangka Art

黄文宗,藏名:噶瑪舍喇嘉措,本地砂拉越人,来自猫城之都。出生在一个普通華人傳統的家庭于1982 年。含有藝術細胞的他,从小就特别喜爱畫畫,尤其神像畫、天女仙畫、佛像及菩薩像、壁畫等宗教藝術。

與佛緣成熟之下,1997年在藏傳佛教噶瑪噶舉派紅帽法王已故第14世夏瑪巴仁波切陛下皈依了三寶,成為佛教徒。直到2000年 5 月的那一刻開始,以在家居士決心把身、口、意、禮敬三寶,供養三寶,把生命奉獻給佛教,依歸佛菩薩的加持,並成立了“仁坊佛教文物中心”。

他擅长使用金和银色鋼笔、黑白工畫紙、高級水彩、蜡筆、高等顏色筆等繪畫唐卡,藏文書法,漢式佛教藝術、敦煌佛教繪畫、泰式佛教藝術、日本佛教文化等各國佛教藝術文化。

就在2005年,黄居士開始他的“法海探索”,出游到西馬於吉隆坡、森美蘭、马六甲、柔佛、檳城、怡保、北马等一带,和沙巴,中砂、北砂等。在同期也有遨游到國外的新加坡、印度尼西亞、泰國、台灣、中国四川、峨嵋、 西藏、 东藏、印度,尼泊尔等各地參學佛法的奧妙和考察各個不同的佛教文化及生活藝術一直到今。

在2008年,他再次的開始另外一个“ 旅程”,希望把正信的佛教及教誨通過佛教藝術和美術,佛教的传统文化来弘揚佛法,正法久住於世,悲智雙運,利益六道有情眾。並在2016年由藏傳佛教噶瑪噶舉派法子尊貴的第4世蔣貢康楚仁波切命名“洛千巴”和藏傳佛教噶瑪噶舉派法脈持有者尊貴的第17世噶瑪巴大寶法王泰耶多傑陛下榮獲取名為“马来西亞唐卡藝術推介者”並為該中心命名為“慧海佛教藝術中心”。

黄居士在自己的畫廊售賣佛畫的總額的一部分將會作為捐獻給大寶法王在印度的卡林邦噶瑪巴教育中心辦學經費,醫院設施和寺廟的需要。

除此之外,黃居士還有帮人們設計他人的家庭式的佛堂裝飾和佈置。

欲知更多详情可浏览官方网页 : http://karmathangkaart.blogspot.com/p/about-artist.html
https://www.facebook.com/pages/Namkhyen-Gyaldar-Thangka-Art

23/08/2026

💙 On this auspicious Medicine Buddha Day

May the gentle blue light of Medicine Buddha touch every heart with healing, peace, and hope.

May those who are suffering find relief, those who are worried find peace, and those who feel weary find renewed strength. May we cultivate compassion not only for ourselves, but for every living being.

Happy Medicine Buddha Day. 🪷

SKU: 23859

For more details, contact us:
Email: [email protected]
WhatsApp: +977 9709047261
Website: enlightenmentthangka.com

[enlightenmentthangka, medicine buddha, medicine buddha day, medicine buddha blessings, medicine buddha prayer, medicine buddha healing, healing buddha]

10/08/2026

《展訊》

2006那年夏天,我在印度開始了長達將近六年的唐卡繪畫學習,直到2011年底,告別老師回台設立工作室,創作、教學至今⋯

這20年間,我真的是親身感受著唐卡藝術在台灣的發展,尤其是近十年間,看到越來越多台灣人投入唐卡的學習,也出現幾位很有水準的台灣籍唐卡畫師,唐卡藝術漸漸受到藝文界的重視,甚至這次我的作品,能有幸跟很多藝術前輩們一起在別具意義的場所展出,我感到無比的榮幸呀~~

歡迎大家有空前往指教😌

@頭號粉絲
#瑪嘉藏傳唐卡文物工作室 #瑪嘉 #唐卡 #林之助紀念館

日前前往觀賞《龍藏經:皇權・信仰・藝術的盛世交響》展覽概述展前導讀康熙六年(1667),在太皇太后孝莊文皇后的慈諭與方甫親政的康熙皇帝推動下,清宮啟動一項規模浩大的佛教文化工程——修造泥金寫本藏文《甘珠爾》(bka’ ’gyur),此即世人...
06/08/2026

日前前往觀賞《龍藏經:皇權・信仰・藝術的盛世交響》

展覽概述
展前導讀

康熙六年(1667),在太皇太后孝莊文皇后的慈諭與方甫親政的康熙皇帝推動下,清宮啟動一項規模浩大的佛教文化工程——修造泥金寫本藏文《甘珠爾》(bka’ ’gyur),此即世人所熟知的《龍藏經》。這部鉅作耗費鉅資,動用無數頂尖藝匠與高僧參與,歷時兩年方成,旨在祈求皇圖永固、帝道遐昌,並以此鞏固當時滿蒙間的政治與宗教聯盟。

這特展嘗試突破過往僅簡單展示經葉及護經板的框架,首度於故宮北院將《龍藏經》結合其全套裝幀配件完整呈現,並結合故宮同仁近年的針對各部分所進行的檢測分析與比對研究。將視角從單純的文獻典籍,提升至「總體藝術品」的高度,引領觀眾層層解構這部曠世經典。

從磁青紙上莊嚴的泥金經文,到繪有精細壇城的護經板;從層層包裹、繡工卓絕的黃緞織花經衣,到色彩斑斕的五色經簾,每一處細節皆是清初宮廷工藝的極致展現。展覽亦將並陳與之相關的明代內府的御製經典、亦於清代製作的《諸品積咒經》、《乾隆甘珠爾》、乃至形制相近的滿文藏經,藉以呈現皇室信仰在不同朝代與語文間的流轉與傳承。

這是一場關於皇權威儀與虔誠信仰的對話,也是一次穿越三百餘年時光,重新凝視盛世工藝巔峰的視覺饗宴。

國立故宮博物院北部院區舉辦《龍藏經:皇權・信仰・藝術的盛世交響》特展。第二檔期於2026年8月8日至11月8日展出,因觀展人潮熱絡,8月8日至9月13日試辦預約制,並每日延長開放至19:00。展覽核心資訊展出地點:國立故宮博物院 北部院區(第一展覽館 103、104 展廳)第二檔期:2026年8月8日至11月8日預約與開放:8月8日至9月13日試辦預約制與分流,每日延長開放至 19:00(16:30 後入館享票券 8 折優惠)。

06/08/2026
06/08/2026

訂唐卡的客人表示希望在畫中,能畫上老虎;因為畫中的主尊是四臂觀音,本來想找找看,有沒有一些觀音菩薩跟老虎有互動的故事來畫進去,但是在藏傳的體系中好像沒找到⋯⋯

既然是要畫在寂靜尊為主的唐卡中,那今天就不讓老虎吃肉了,讓牠靜靜的在樹下睡覺好了☺️

@頭號粉絲
#瑪嘉藏傳唐卡文物工作室 #瑪嘉 #唐卡 #老虎

24/07/2026

Address

Kuching

Opening Hours

Tuesday 19:00 - 21:00
Wednesday 19:00 - 21:00
Thursday 19:00 - 21:00
Friday 19:00 - 21:00
Saturday 09:00 - 21:00
Sunday 09:00 - 21:00

Telephone

+60168830867

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