Tokyo National Museum IR

Tokyo National Museum IR Welcome to TNM! Did you know our museum has the longest history of any museum in Japan?

This figure represents the Bodhisattva of Sunlight, a lesser god who serves Yakushi, the Buddha of Medicine. Artisans ma...
31/07/2026

This figure represents the Bodhisattva of Sunlight, a lesser god who serves Yakushi, the Buddha of Medicine. Artisans made the figure over 1,200 years ago from a putty-like mixture of natural lacquer and sawdust, giving the body and robes a soft, naturalistic appearance. Later, this technique fell into disuse because it was extremely fragile and expensive.

The Bodhisattva of Sunlight
Nara period, 8th century
Until October 4, 2026, in Room 11, Japanese Gallery


此作品采用“木心干漆造”，先以木材雕出基本形态，再于表面涂敷漆膏加以塑造。此法盛行于奈良时代，以发丝刻画流畅、体态丰润富有弹性、衣纹自然柔和著称，展现优美的艺术风格。

奈良时代 8世纪　
主馆第11展室 展至10月4日

#东京国立博物馆 #佛像 #展示中

나무로 대략적인 형태를 만든 뒤 겉면에 풀처럼 갠 반죽을 여러 번 덧칠하는 목심건칠조 기법으로 만든 불상입니다. 이는 8세기에 성행했던 기법으로, 부드러운 머리카락과 몸통, 의상 표현 등에서 그 특색이 잘 드러납니다. 본관 11실에서 10월 4일까지 전시합니다.

일광보살 좌상, 나라시대 8세기

#도쿄국립박물관 #전시중 #일본 #불상

Tsuchida Bakusen (1887–1936) studied under famous Japanese-style painting (nihonga) artists such as Suzuki Shōnen (1848–...
28/07/2026

Tsuchida Bakusen (1887–1936) studied under famous Japanese-style painting (nihonga) artists such as Suzuki Shōnen (1848–1918) and Takeuchi Seihō (1864–1942). A major figure of Kyoto art, he was active in many significant exhibitions. This painting is one of his representative works, portraying a maiko girl from Kyoto's geisha district.

Dressed Up
By Tsuchida Bakusen
Shōwa era, 1930
Until September 6, 2026, in Room 8, Japanese Gallery


土田麦仙（1887—1936）是近代京都画坛最具代表性的日本画家之一。本作以京都老字号料亭“瓢亭”为舞台，描绘了祇园舞妓的优雅风姿，是其代表作之一。

盛装 土田麦仙
昭和时代 1930年　

主馆第8展室 展至9月6日

#东京国立博物馆 #日本绘画 #展示中

작가인 쓰치다 바쿠센은 니가타현의 사도섬 출신으로, 교토시립회화전문학교를 졸업한 뒤 여러 전시회에서 활약하며 교토 지역 화단의 중심인물이 되었습니다. 기생 견습생인 마이코를 그린 이 작품은 바쿠센의 대표작입니다. 본관 8실에서 9월 6일까지 전시합니다.

단장, 쓰치다 바쿠센, 쇼와시대 1930년

#도쿄국립박물관 #전시중 #일본 #회화

Thematic ExhibitionFloral Motifs in Buddhism: Lotus and Hōsōge FlowersBuddhist art is richly adorned with floral motifs....
24/07/2026

Thematic Exhibition
Floral Motifs in Buddhism: Lotus and Hōsōge Flowers

Buddhist art is richly adorned with floral motifs. Among them, the lotus flower holds the most significance, appearing on many Buddhist implements and objects in diverse forms. Another typical floral motif that is featured uniquely in Buddhist art is the hōsōge flower. Originating in Chinese floral motifs from the Tang dynasty (618–907), the hōsōge flower, together with lotus flowers, was adopted into Buddhist designs, enriching the art of Buddhism. We invite you to immerse yourself in the charm of these floral motifs that bloom magnificently on Buddhist art objects.

Until August 30, 2026, in Room 4, Japanese Gallery


专题展 佛教之花——莲花与宝相花
在佛教美术中，花卉纹饰的运用可谓无处不在，极尽繁美。其中，尤以莲花最为尊崇，其以千姿百态之形展现于各类载体之上。此外，宝相花亦为佛教中特有之花，由中国唐代的唐花纹样融入佛教后演变而成；其与莲花交相辉映，共同装点了丰富而华美的佛教美术世界。此专题展旨在呈现工艺品上瑰丽绽放的佛教之花，诚邀观众沉浸其中，感受其独特魅力。

主馆第4展室 展至8月30日

#东京国立博物馆 #佛教 #展示中

특집

불교미술에서는 꽃이 무척 자주 등장합니다. 그중에서도 연꽃은 가장 중요한 존재로, 여러 곳에서 다양한 모습으로 나타납니다. 이에 더해, 불교 특유의 꽃인 ʻ보상화’가 있습니다. 중국 당시대에 성립한 넝쿨무늬가 불교로 유입되면서 탄생한 것으로, 연꽃과 함께 불교미술을 다채롭게 장식했습니다. 이번 특집에서는 공예품 속에서 불교의 가르침을 화려하게 꽃피운 꽃들의 매력을 즐겨보시길 바랍니다. 본관 4실에서 8월 30일까지 전시합니다.

#도쿄국립박물관 #전시중 #일본 #불교 #연꽃 #보상화

This cup is carved from rhinoceros horn. Its form—broad at the rim and curving inward toward the base—makes use of the h...
21/07/2026

This cup is carved from rhinoceros horn. Its form—broad at the rim and curving inward toward the base—makes use of the horn’s natural shape. Its surface features an intricately carved scene of an elderly man and a child in a pine grove. Rhinoceros horn was believed to have medicinal properties, including reducing fevers and removing toxins, and was therefore sometimes fashioned into cups.

Cup with Figures in a Landscape
Qing dynasty, 18th century
Until September 13, 2026, in Room 9, Asian Gallery


犀角色泽深沉润泽，是珍贵的雕刻材料。古人认为其具有清热解毒的功效，因此常被制成杯具。据说以犀角杯盛酒，还能使酒香更加浓郁。

犀角雕山水人物纹杯
清代 18世纪

东洋馆第9展室 展至9月13日

#东京国立博物馆 #犀角 #展示中

코뿔소의 뿔을 뜻하는 서각의 형태를 살려 조각한 잔으로, 소나무 숲에 노인과 아이가 있는 풍경을 정교하게 새겼습니다. 서각은 해열 및 해독 효과가 있다고 여겨져, 이처럼 잔으로 만들어지곤 했습니다. 동양관 9실에서 9월 13일까지 전시합니다.

서각 산수와 인물무늬 잔, 청시대 18세기

#도쿄국립박물관 #전시중 #중국 #서각 #코뿔소

This work was compiled in the late 1800s by the Museum Bureau, the predecessor of the Tokyo National Museum. Comprising ...
17/07/2026

This work was compiled in the late 1800s by the Museum Bureau, the predecessor of the Tokyo National Museum. Comprising 16 volumes bound as one booklet, it contains 1,864 pasted illustrations of various fish. Many are cutouts from Edo-period catalogs, with works by shogunate physician Kurimoto Tanshū (1756–1834) as the primary source.

Volume 3 of The Museum's Illustrations of Fish
Compiled by the Museum Bureau; illustrated by Kurimoto Tanshū (1756–1834) and others
Edo period–Meiji era, 19th century
Until August 23, 2026, in Room 5, Japanese Gallery

An adorable monkey rests on a tree branch. A closer look reveals the remarkable technique behind this charming painting:...
14/07/2026

An adorable monkey rests on a tree branch. A closer look reveals the remarkable technique behind this charming painting: Sansetsu (1590–1651) skillfully controlled the absorption of ink into the paper, using subtle blurring effects to render the monkey’s soft, furry body.

Monkey

By Kanō Sansetsu (1590–1651)
Edo period, 17th century

Until August 30, 2026, in Room 18, Japanese Gallery


在牧溪的影响下，许多画家都创作了描绘长臂猿的作品，但本作尤其可爱，颇为突出。描绘时通过控制墨在纸上的渗透，表现出蓬松的毛发，画技极其出众。本作曾藏于京都妙心寺海福院。

猿猴图 狩野山雪
江户时代 17世纪

主馆第18展室 展至8月30日

#东京国立博物馆 #猿 #展示中

중국의 승려 화가인 목계의 그림을 바탕으로 많은 화가들이 긴팔원숭이를 그렸는데, 그중에서도 특히 귀여운 작품입니다. 종이에 스며드는 먹을 조절하여 번짐을 통해 털의 양감을 훌륭히 표현했습니다. 고도의 기술이 탄생시킨 사랑스러운 그림입니다. 본관 18실에서 8월 30일까지 전시합니다.

원숭이, 가노 산세쓰, 에도시대 17세기

#도쿄국립박물관 #전시중 #일본 #수묵화 #원숭이

Join us in protecting the future of cultural heritage!Tokyo National Museum is thrilled to announce the launch of our ne...
11/07/2026

Join us in protecting the future of cultural heritage!

Tokyo National Museum is thrilled to announce the launch of our new donation page dedicated to our international supporters.

👉 Visit here: https://donation.tnm.jp/en/

Tokyo National Museum collects, houses, and displays over 120,000 comprehensive collection of art works and antiquities from Japan and Asian countries. To ensure these cultural heritages are conserved, researched, and passed down to inspire future generations, we need your support.
Find out more on the website.

This basin was used for washing one’s hands and face, as well as for applying makeup. The four “horns” made the basin ea...
10/07/2026

This basin was used for washing one’s hands and face, as well as for applying makeup. The four “horns” made the basin easier to carry. During use, they would also catch the sleeves of one’s kimono, preventing them from getting wet. The surface decoration consists of flowers rendered in gold dust and gold flakes suspended in natural Japanese lacquer.

"Horned" Basin with Chrysanthemums
Edo period, 17th century
Until September 6, 2026, in Room 18, Japanese Gallery


这是盥洗、化妆时用来盛水的器具，盆上有四角，便于移动搬运，也能防止在使用时弄湿衣袖。本作运用平莳绘、手绘、绘梨子地等技法来表现纹饰，内侧饰有桐花纹和三簇菊花，充满生机。

莳绘菊纹角盥　江户时代 17世纪

主馆第18展室 展至9月6日

#东京国立博物馆 #漆工 #莳绘 #展示中

뿔 모양 손잡이가 달린 대야는 얼굴과 손을 씻거나 화장을 할 때 사용했습니다. 4개의 뿔은 손잡이로서의 역할과 함께 손을 뻗었을 때 소매가 젖지 않도록 하는 역할도 했습니다. 안쪽에도 오동나무무늬와 국화무늬를 생기 있게 나타냈습니다. 본관 18실에서 9월 6일까지 전시합니다.

마키에 국화무늬 뿔 모양 손잡이 대야, 에도시대 17세기

#도쿄국립박물관 #전시중 #일본 #옻칠 #옻칠공예

Japan’s imperial family and nobility considered poetry an essential cultural pursuit. They competed in poetry contests, ...
07/07/2026

Japan’s imperial family and nobility considered poetry an essential cultural pursuit. They competed in poetry contests, communicated with their lovers through poems, and spent countless hours studying and practicing this literary art.

In the mid-900s, a master poet named Mibu no Tadamine wrote an influential guide titled Ten Styles of Japanese Poetry. The original version no longer exists, making the oldest surviving copy, displayed here, a priceless resource for the study of early Japanese poetry.

As the guide shows, the beauty of the calligraphy and paper was as important as the poetry itself. During the papermaking process, an artisan incorporated purple and indigo fibers to create a rhythmic pattern of stylized clouds. Over this, the calligrapher transcribed the guide in elegant script using a soft-tipped brush.

Ten Styles of Japanese Poetry
Heian period, 11th century
Until July 20, 2026, in Room 12, Japanese Gallery


此作品成书于平安时代前期，是一部将和歌的吟咏风格分为十种并加以论述的歌论著作。在现存的《和歌体十种》抄本中，本作年代最为久远。其书法行笔流畅，纸张采用被称为“飞云”的装饰，极具鉴赏价值。

《和歌体十种》《和歌体十种》断简
平安时代 11世纪

主馆第12展室 展至7月20日

#东京国立博物馆 #国宝 #展示中

‘와카’는 일본의 정형시입니다. 『와카체 10종』은 헤이안시대(794~1192) 전기에 성립한 와카의 작풍을 10종류로 나누어 논한 연구서입니다. 이 작품은 『와카체 10종』의 전래본 중에서도 가장 오래된 사본으로, 유려한 글씨와 구름을 닮은 무늬를 넣은 종이가 특징입니다. 본관 12실에서 7월 20일까지 전시합니다.

와카체 10종, 헤이안시대 11세기

#도쿄국립박물관 #전시중 #일본 #와카

Consisting of fifteen goldfish carved from agate, this string skillfully utilizes the stone's contrasting red and white ...
03/07/2026

Consisting of fifteen goldfish carved from agate, this string skillfully utilizes the stone's contrasting red and white layers to evoke the mottled scales of the fish. In China, goldfish are popular as symbols of good fortune and abundant wealth.

Goldfish
Qing dynasty, 18th–19th century
Until September 13, 2026, in Room 9, Asian Gallery


这些金鱼巧妙地利用玛瑙的红白双色表现其体色。“鱼”与“余”谐音，因此鱼的形象在中国传统文化中象征富贵有余，具有吉祥寓意。

玛瑙金鱼　清代 18-19世纪

东洋馆第9展室 展至9月13日

#东京国立博物馆 #金鱼 #玛瑙 #展示中

마노의 붉은 부분과 흰 부분을 절묘하게 살려 금붕어의 반점을 표현했습니다. 중국어로 물고기 '어(魚)'와 남을 '여(餘)'는 발음이 같아, 금붕어는 넘치는 부를 의미하는 길상의 상징으로 여겨집니다. 동양관 9실에서 9월 13일까지 전시합니다.

마노 금붕어, 청시대 18~19세기

#도쿄국립박물관 #전시중 #중국 #마노

住所

13-9 Ueno Park
Taito-ku, Tokyo
110-8712

営業時間

火曜日 09:30 - 17:00
水曜日 09:30 - 17:00
木曜日 09:30 - 17:00
金曜日 09:30 - 17:00
土曜日 09:30 - 17:00
日曜日 09:30 - 17:00

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