Venice Architecture Biennale Taiwan 威尼斯建築雙年展臺灣館

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Venice Architecture Biennale Taiwan 威尼斯建築雙年展臺灣館 18th Venice Architecture Biennale Taiwan Exhibition - Diachronic Apparatuses of Taiwan

Taiwan Pavilion concludes successfully!The Taiwan Pavilion at the 18th Venice Biennale, "Diachronic Apparatuses of Taiwa...
27/11/2023

Taiwan Pavilion concludes successfully!
The Taiwan Pavilion at the 18th Venice Biennale, "Diachronic Apparatuses of Taiwan," has concluded its run. On behalf of all the participants, the National Taiwan Museum of Fine Arts would like to thank everyone who visited over the past six months. Your support and feedback are our greatest source of motivation. We look forward to seeing you again next time!

圓滿成功!臺灣館「地景中未完成的協議─台灣改裝」展期結束,主辦單位國立臺灣美術館代表所有參與人員,謝謝六個月來到訪參觀的所有朋友,您們的支持與回饋是我們最大的推動力量,期待下一屆與大家的見面!



#威尼斯建築雙年展臺灣館

Would you like to know more about the curatorial concept, fieldwork, teaching alliance, and exhibition design of Taiwan ...
02/11/2023

Would you like to know more about the curatorial concept, fieldwork, teaching alliance, and exhibition design of Taiwan Exhibition? You can find exhibition brochures on the site as well as buy it on line.

想更全面了解「地景中未完成的協議─台灣改裝」的策展理念、田野調查、教學聯盟到展覽設計等等面向?歡迎收藏本次展覽專輯。

第18屆威尼斯建築雙年展─臺灣館
「地景中未完成的協議─台灣改裝」展覽專輯
👉購買通路:國家書店 https://www.govbooks.com.tw/books/140033

#威尼斯建築雙年展臺灣館

16/10/2023

#展場設計
40-day countdown to the closing of Biennale Architettura 2023! Haven't you set off yet? Let's take a walk through the Taiwan Pavilion again with its design concepts of the exhibition!

“A large table is placed horizontally in the exhibition space, defining several clear horizontal lines above and below. The black gauze nets underneath slightly reveal the lighting, suggesting the entire line of table supports. As a metaphor for an island, the table appears to levitate on its foundation similar to the rafts in Venice, echoing the geomorphological overlap of the two places.
The heights of the models and flatten geographic information sheet on the table alternate with one another. The transversal view reveals the cacophonous overlapping and continuous elements on the whole table. Only a line is placed on the table in a long approach, just like the central mountain range quietly divides into two sides to establish the field model of Taiwan and the ideological creation of the teaching alliance, magnifying the time axis of Taiwan's modification, and the reconstruction of the land is always in progress.”

展覽結束倒數40天,您還不啟程?讓我們跟著展場設計概念,再走一回臺灣館!

「偌大的展桌橫放於展間,界定出之上與之下幾條清晰的水平線,下方微微透光的黑紗網布將桌腳支架整列暗示出來,如島嶼般漂浮在威尼斯的木筏基礎上,閱讀到同為島嶼地理重合的寓意。
桌上各自的模型與地理資訊高低起伏,從短向看整張桌子既層層疊疊又綿延連續,保持這樣紛雜的狀態,只純粹的用一條線長向的置入桌面,如同中央山脈靜靜分出兩面置放臺灣的田野模型與教學聯盟的思想創作,將臺灣改裝的時間軸放大,對於土地的重構永遠在進行式中。」
https://architecture.ntmofa.gov.tw/2023/zh-tw

#威尼斯建築雙年展臺灣館

   #論壇摘錄Symposium 2 - "Modification"11:00-12:30, 19 May at Palazzo delle PrigioniHost: TSENG, Wei / Curator; Head of Dep...
16/08/2023

#論壇摘錄
Symposium 2 - "Modification"
11:00-12:30, 19 May at Palazzo delle Prigioni

Host: TSENG, Wei / Curator; Head of Department of Architecture, Tunghai University
Lecture: HE, Wei / Director of School of Architecture, Central Academy of Fine Arts, CAFA
Pecha Kucha
Tunghai University (HSIEH, Ming-Hao, CHEN, Hsuan-Ting, CHEN, Huan-Lun, )
Tamkang University (HUANG, Cheng-Yang)
Chung Yuan University (CHANG, Ning)
Feng Chia University (HUO, Yu-Wei)
National Cheng Kung University (HUANG, Tzu-Yu)


Moderator: SU, Meng-Tsun / Co-curator; Assistant Professor of Department of Architecture, Tunghai University
Panelists: HE, Wei / Director of School of Architecture, Central Academy of Fine Arts, CAFA, TSANG, Thomas / Department of Architecture, Hong Kong University, TSENG, David / Curator of Taiwan Exhibition of 15th International Architecture Exhibition – La Biennale di Venezia

展場論壇(二):
2023.5.19 於 普里奇歐尼宮
流程:
策展人曾瑋開場
中央美術學院建築系主任何崴簡報
Pecha Kucha:東海大學謝旻澔、陳煥綸、陳宣庭;淡江大學黃正揚;中原大學張寧;逢甲大學郭又維;成功大學黃子祐

對談:
主持:協同策展人 #蘇孟宗
與談人:中央美術學院建築系主任何崴、香港大學建築系建築設計與視覺文化教授Thomas Tsang(曾慶豪) 、第15屆威尼斯建築雙年展臺灣館策展人曾成德

何葳以「從發現日常,到顯化設計」為題,展示與解說他在中國觀察到的匿名建築與臺灣館所展示的常民建築有共同的特質。他引用Bernard Rudofsky 的著作《沒有建築師的建築》,認為常民建築常常帶給建築師啟發,建築常常用技術的字眼切入,但其實許多常民建築展現的常民智慧/思考方式,也是技術的一部分。將日常中的發現轉化為創作的現象,他稱為顯化設計(Transfiguration Design),並解釋為:關注日常生活匿名建造中的智慧和趣味,主張設計是一種對日常的超常化,重視民眾參與,強調與在地工匠的密切合作。樂於以一種輕鬆、自由甚至幽默的態度,將日常空間、材料、工廠、行為進行適度的陌生化,並與色彩、光影緊密結合,塑造具有戲劇性、敘事性的空間。

論壇第二階段,進行20張簡報,每張20秒的Pecha Kucha,由七位學生以英語講解各自展出的計畫,各組主題分別為:東海大學謝旻澔的「What is Temprature?」、東海大學陳煥綸「Tobacco Barn- the Third Space」、東海大學陳宣庭「清泉崗機場附近社區(YO)U - TURN」;淡江大學黃正揚「Timer for Islands- the Timescape of Taiwan」; 中原大學張寧「The Other Side of the City」; 逢甲大學郭又維「Beyond The Absurd: Reasonable Prototypes of Pseudo-Architecture」; 成功大學黃子祐「The envelope wall: Evolution as preservation」。最後由協同策展人蘇孟宗主持,與談人包括中央美術學院建築系主任何崴、香港大學建築系建築設計與視覺文化教授Thomas Tsang(曾慶豪) ,及第15屆威尼斯建築雙年展臺灣館策展人曾成德,三位與談者輪流回應對學生簡報的感想,分享各自對於建築系學生於專業學習上的看法。

#威尼斯建築雙年展臺灣館

   #論壇摘錄Symposium I - "Modification"11:00-12:00, 18 May at Palazzo delle PrigioniHost: KO, Sheng-Chieh / Co-curator; Ass...
09/06/2023

#論壇摘錄
Symposium I - "Modification"
11:00-12:00, 18 May at Palazzo delle Prigioni
Host: KO, Sheng-Chieh / Co-curator; Assistant Professor of Department of Architecture, Tunghai University
Lecture: Takahiro TAJI / Department of Architecture and Architectural Engineering, Kyoto University

Moderator: HO, Jeong-Der / Co-curator; Assistant Professor of Department of Architecture, Tunghai University
Panelists:
TAJI, Takahiro / Department of Architecture and Architectural Engineering, Kyoto University
HE, Wei / Director of School of Architecture, Central Academy of Fine Arts, CAFA
WU, Kwang-Tyng / Consultant

KO first explained that the theme of "Modification" was developed by the curatorial team in the process of finding Taiwan’s identity.
TAKAHIRO TAJI analyzed four types of huts including the West, Taiwanese, Japanese, and the future huts. The Japanese tea ceremony and tea house involve ritual performances and Taoist thinking. Tea house responds to the natural as well as the karaoke huts in Taiwanese countryside. He hoped that through the conscious excavation and "cultivation" of architects, Taiwan's huts will become symbols of Taiwanese culture like Japanese tea houses in the future.
HE pointed out that in the Chinese world, civilization often developed from the countryside rather than from the cities. When we look back at the wisdom of the countryside, it will bring us a lot of interesting inspiration.
WU responded that the works exhibited this time may not be fully mature, but it is the first time that a relatively large efforts are made to investigate and study the architectural landscape in Taiwan. It is an important decision and process, and a pursuit for the future architecture.

展場論壇(一):台灣改裝
2023.5.18 於 普里奇歐尼宮
流程:
協同策展人 #郭聖傑 講解改裝
京都大學大學院工學研究科建築學專攻教授 #田路貴浩 演講
主持:協同策展人 #何炯德
與談人:京都大學大學院工學研究科建築學專攻教授 #田路貴浩、中央美術學院建築系主任 #何崴、臺灣館評選委員 #吳光庭

郭聖傑開場首先說明此次以「台灣改裝」為題,是由團隊在找尋臺灣自身認同和文化核心的過程中所發展出來。
田路貴浩以「On Four Huts」為題,分析西方、台灣、日本與未來的四種小屋。日本茶道和茶屋,包涵了儀式性的表演以及道家的思維,與台灣鄉間的卡拉OK小屋,同樣因應四季自然的變化,希望透過建築師有意識的挖掘和「培育」(cultivate),台灣的小屋未來也能如日本的茶屋一樣成為台灣文化的象徵。
何崴認為,工業革命後大多生活圍繞著城市展開,所有的建築設計都是出於一種技術中心。此次展覽重新回到人和時間、土地的關係,同樣是一種技術和智慧,是非常有趣的對比。在華人的世界中,文明往往是從鄉村發展出來,而非從城市。當我們重新回看鄉村的智慧,會給我們帶來很多有趣的啟發。
吳光庭回應,此次展出的學生作品或許不是完全成熟,但卻是第一次花相對大量的精力去調查與研究當下建築的狀況,是很重要的一個決定和過程,也是對於未來建築的一種追尋。

#威尼斯建築雙年展臺灣館

感謝媒體報導典藏Artouch/嚴瀟瀟「開幕當日,文化部政務次長王時思、駐義大利代表處大使蔡允中、國立台灣美術館長廖仁義、東海大學校長張國恩、評選委員吳光庭、第15屆威尼斯建築雙年展策展人曾成德教授,以及此次的策展人曾瑋、協同策展人郭聖傑、...
24/05/2023

感謝媒體報導
典藏Artouch/嚴瀟瀟
「開幕當日,文化部政務次長王時思、駐義大利代表處大使蔡允中、國立台灣美術館長廖仁義、東海大學校長張國恩、評選委員吳光庭、第15屆威尼斯建築雙年展策展人曾成德教授,以及此次的策展人曾瑋、協同策展人郭聖傑、何炯德、蘇孟宗及參展團隊等均出席盛會。同時,參與開幕式的國際貴賓包括威尼斯市政府參事暨前國會議員Alex Bazzaro、藝術家協會主席Stefano Bellato、威尼斯重要藝術建築藝評人Luciano Francalanci、京都大學大學院工學研究科建築學專攻教授田路貴浩、中央美術學院建築系主任何崴、香港大學建築系建築設計與視覺文化教授曾慶豪等。台灣館開幕當日上午,已有來自日本、法國等國家館的策展人前來細細觀看展覽,並與策展人曾瑋深入交談;開幕期間也吸引德國、法國、喬治亞、蒙特內哥羅、香港等場館策展人,以及多國媒體記者前來參觀,與會和來訪的國際人士均對今年台灣館呈現出迥異於其他展場的形式與內核表現高度興趣。」

//延伸閱讀//
威尼斯建築雙年展國家館精選:過去與未來的交匯,實驗與現實的碰撞/典藏Artouch 嚴瀟瀟

本屆威尼斯建築雙年展中的一些國家館,同樣主題集中、觀念性強,且在脈絡化的展現與實踐上同樣具備相當的完成度和感染力,互動性也相當受重視,顯現建築終究是與人的身體與感知、情感有著不可磨滅的關聯。

感謝媒體報導自由時報/凃盈如「台灣擁有最複雜的生態系統和氣候,超過3,000公尺的高峰多達260餘座,氣候型態也囊括寒帶高地到熱帶低地,曾瑋引領學生嘗試採集所有這些從農村、山海之間,農漁民為了生產而與環境打交道的民間智慧。曾瑋從自己每天去運...
24/05/2023

感謝媒體報導
自由時報/凃盈如
「台灣擁有最複雜的生態系統和氣候,超過3,000公尺的高峰多達260餘座,氣候型態也囊括寒帶高地到熱帶低地,曾瑋引領學生嘗試採集所有這些從農村、山海之間,農漁民為了生產而與環境打交道的民間智慧。曾瑋從自己每天去運動經過所見的一座改裝冷凍車為分享,在春夏改裝成KTV小屋;每當夏天蚊子太多時,農民則加入可以防蚊蟲的透明帆布遮蔽;到了秋天,農民則搬來高腳椅,空間頓時化作小酒吧,在不同季節的日常裡,極其柔軟而快速地去應對周遭環境。」

//延伸閱讀//
威尼斯建築雙年展台灣館開幕 日常地景走向國際/自由時報 凃盈如
https://art.ltn.com.tw/amp/article/paper/1583832

第18屆威尼斯建築雙年展-台灣館於昨(18日)晚舉辦開幕記者會,於「普里奇歐尼宮」(Palazzo delle Prigioni)展開,今年主題為〈地景中未完成的協議-台灣改裝〉,為首次由5校組成之教學聯盟開展,集結東海大學、國立成功大學....

Diachronic Apparatuses of Taiwan kicked off on May 18th2023威尼斯建築雙年展臺灣館5/18正式開幕     #威尼斯建築雙年展臺灣館Supervisor: Ministry of C...
21/05/2023

Diachronic Apparatuses of Taiwan kicked off on May 18th
2023威尼斯建築雙年展臺灣館5/18正式開幕



#威尼斯建築雙年展臺灣館

Supervisor: Ministry of Culture
Organizing Institution: National Taiwan Museum of Fine Arts
Date: 20th May – 26th November 2023, Closed on Mondays
Venue: Palazzo delle Prigioni (Castello 4209, San Marco, 30122 Venice, Italy)

Curator: Wei TSENG
Co-Curators: Sheng-Chieh KO, Jeong-Der HO, Meng Tsun SU

Participating Exhibitors: (Department of Architecture, Tunghai University) Wei TSENG, Ming-Hao HSIEH, Ding-Che MA, Yung-Yu CHENG, Jeong-Der HO, Yong-Xuan LI, Han ZHENG, Huan-Lun CHEN, Sheng-Chieh KO, Ciao-Ming SHU, Yun-Hsi WU, Ci-Jhen LAI, Cai-Hui LIN, En-Yu JIAN, Tzu-Ching CHEN, Hsuan-Ting CHEN, Yan-Jun LU, Tsung-Yenh SIEH, (Department of Architecture, National Cheng Kung University) Cheng-Luen HSUEH, Yen-Chih CHEN, Ying-Tse WU, Ting-Ta HO, Wei-Lun CHEN, Li- Siang HUANG, Pak-Hei WONG, (Department of Architecture, National Cheng Kung University) Chueh-Chih GUU, Tzu-Yu HUANG, (School of Architecture, Feng Chia University) Po-Jen CHENG, Yu-Wei KUO, Jr-Jiun WANG, Yi-Hu CHEN, (Department of Architecture, Chung Yuan Christian University) Xuan-Cheng CHEN, Ning CHANG, Yun-An LAI, Yen-Chieh CHI, (Department of Architecture, Tamkang University) Kerby Shuh-Sien CHOU, Min CHANG, Cheng-Yang HUANG, (Department of Music, Tunghai University) Tak-Cheung HUI

Exhibition Space Design: Tsung-Yen HSIEH, Yi-Chien LEE
Structure Advisor: Ming-Chang LAI

指導單位│文化部
主辦單位│國立臺灣美術館
展覽期間│2023.5.20-11.26
展覽地點│義大利威尼斯普里奇歐尼宮 (Palazzo delle Prigioni)
Castello 4209, San Marco, 30122 Venice, Italy

策展團隊│
策展人:曾瑋
協同策展人:郭聖傑、何炯德、蘇孟宗
展場設計:謝宗諺、李懿倩
展覽顧問:賴銘昌

參展創作者│
曾瑋+謝旻浩、馬鼎喆、鄭詠友(東海大學)
何炯德+李擁璿、鄭翰、陳煥綸(東海大學)
郭聖傑+許喬銘、吳昀曦、賴琪蓁、林采卉、簡恩予、陳子晴、陳宣廷、盧妍君(東海大學)
謝宗諺(東海大學)
薛丞倫+陳嬿之、吳映澤、何定達、陳韋綸、黃立翔、黃柏熹(成功大學)
古爵誌+黃子祐(成功大學)
鄭博仁+郭又維、王之君、陳宜慧(逢甲大學)
陳宣誠+張寧、賴韻安、冀彥潔(中原大學)
周書賢+張敏、黃正揚(淡江大學)
音樂設計:許德彰(東海大學)

合作單位│
東海大學音樂學系、東海大學建築學系、國立成功大學建築學系、逢甲大學建築專業學院、中原大學建築學系、淡江大學建築學系

The pre-event press conference at the end of April was attended byShih Che, Minister of Culture, Liao Jen-i, Director of...
06/05/2023

The pre-event press conference at the end of April was attended by
Shih Che, Minister of Culture, Liao Jen-i, Director of NTMoFA, Chin-Hsiang Yao, Director-general of European Affairs Vincent, curatorial team and others.

Minister Shih stated that the team's participation in the International Architecture Exhibition coincides with a period when Taiwan's international reputation is at its peak. This year's exhibition could be considered "the most uniquely Taiwanese architecture biennial" and expressed his hope that the exhibition will stand out at the event.

來回顧四月底行前記者會的盛況,當日出席者包括指導單位文化部長史哲、主辦單位國立臺灣美術館長廖仁義、協辦單位外交部歐洲司長姚金祥、內政部營建署副署長徐燕興、評選委員黃健敏、徐明松;建築學家曾成德、東海大學創意設計暨藝術學院長許和捷、策展人曾瑋、協同策展人郭聖傑、何炯德、蘇孟宗等。

史哲部長表示,此次臺灣參與威尼斯建築雙年展是在臺灣於世界能見度最高的時候參展,可說是「最臺灣的一次建築雙年展」,期待今年的臺灣館在建築界的奧林匹克競技場域的威尼斯建築雙年展上大放異彩。

此刻首批策展團隊成員日前已經抵達普里奇歐尼宮,展開布展工作。「台灣改裝」即將登場!
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Diachronic Apparatuses of Taiwan – Architecture as on-going details within landscape
地景中未完成的協議-台灣改裝
20 May - 26 Nov. 2023
Palazzo delle Prigioni, Venice, Italy


#威尼斯建築雙年展臺灣館

06/05/2023
   #未來實驗室 “New technologies continuously appear and disappear giving us unfiltered glimpses of life in parts of the glob...
26/04/2023

#未來實驗室

“New technologies continuously appear and disappear giving us unfiltered glimpses of life in parts of the globe we will likely never visit, much less understand." - Lesley Lokko

The 18th International Architecture Exhibition, titled The Laboratory of the Future, is curated by Lesley Lokko. Here is how the curatorial team responses to the theme: The development of technology presented optimistic confidence that strides forward without nostalgia. After years of optimism, however, we recognize that the future is not all about the progressive movement of the avant-garde. The built forms are caged in a concrete box mired in unconscious planar thinking and blind adherence to regulations. Proper responses to the environment are reduced to mere numerical considerations. We must take a detour and pay attention to the surroundings that were left behind by the confident strides. The project encourages a dialogue between synthetic and real ground.

2023年大會主題為「未來實驗室」,總策展人Lesley Lokko 主張:新科技的出現與消失是連續不殆的;「它」能帶給我們一種未篩選的管見來窺探我們可能永遠無法造訪的世界,更不用說要去理解它。

呼應主題,策展團隊對「未來」是如此思考的:科技的發展始終呈現一種積極樂觀,大步向前的線性軌跡,而樂觀的自信來自於不帶鄉愁或是懷舊情懷的科學性格。然而在度過那段樂觀進取的歲月後21世紀的我們回望過去,我們意識到「未來」不全然只具有積極向前的特性,「未來」也不一定只存在於前方。21世紀的「未來」可能需要我們踏上迂迴的道路,留意並拼湊我們周遭因大步向前而遺忘的事物。為此,本次策展計畫希望能促成建成地景與真實土地之間的對話。

#未來實驗室是建立在我們遺忘但是存在的真實

Diachronic Apparatuses of Taiwan – Architecture as on-going details within landscape
地景中未完成的協議-台灣改裝
20 May - 26 Nov. 2023
Palazzo delle Prigioni, Venice, Italy


#威尼斯建築雙年展臺灣館

2023威尼斯雙年展-臺灣館 系列論壇2主題:建成生態(II):花園與田野Constructed Ecologies: Garden and the Field2023/4/22 (六) 10:00-17:00東海大學法律學院波錠廳*活動自...
18/04/2023

2023威尼斯雙年展-臺灣館 系列論壇2

主題:建成生態(II):花園與田野
Constructed Ecologies: Garden and the Field

2023/4/22 (六) 10:00-17:00
東海大學法律學院波錠廳

*活動自由入場。僅持有邀請函者可開車入校,其餘來賓請步行入校或善用Ubike通行,不便之處,請見諒。

#議程
09:30-09:50 報到
09:50-10:00 開場致詞: #曾瑋 (第展人,東海大學建築系 副教授)
10:00-10:30 講者: #蘇孟宗 (共同策展人,東海大學建築系助理教授)/2023年威尼斯雙年展台灣館簡介
10:30-11:30 主講人: #洪伯邑 (台灣大學地理學系 副教授)/主題:傷痛地景的驅力:氣候變遷下的降水與茶山社會的韌性
11:30-13:30 午餐
13:30-14:00 講者: #賴怡芃 (中山大學外文學系 助理教授)/主題:家園的可能:文學中的花園與森(伐)林
14:00-14:30 講者: #陳穎禎 (東海大學歷史系 助理教授)/主題:大地與聚落紋理的歷史交織: 從秀姑巒溪流域談起
14:30-15:00 講者: #黃同弘 (詩人)/主題:地景的復返:歷史航照中的棲居與流離
15:00-15:15 評論人: #陳恆安 (成功大學歷史學系 副教授)
15:15-15:45 午茶
15:45-16:30 圓桌論壇:主持人: #蘇孟宗;參與者: #洪伯邑、 #賴怡芃、 #陳穎禎、 #黃同弘、 #陳恆安

   #策展關鍵字In Diachronic Apparatuses of Taiwan – Architecture as on-going details within landscape, the curatorial team ex...
11/04/2023

#策展關鍵字

In Diachronic Apparatuses of Taiwan – Architecture as on-going details within landscape, the curatorial team examines Taiwan’s agricultural landscapes at varying altitudes through a “cross-sectional” perspective, discovering the “modified” aspects to them. Be it the oyster farm shelters off the coast of Chiayi, the greenhouses on the Chianan Plain, or the tea plantations in Lishan, they can all be considered humanity’s tectonic responses to the environment, “modifications” resulting from the identification and understanding of, as well as adaptation to, the characteristics and timing of the solar terms and other natural processes.

The curatorial team has proposed six key words, namely “negotiator”, “duality”, “prosthesis”, “domesticity”, “intermediary” and “filter”, in response to how people clash with nature and also make compromises to facilitate mutual prosperity across different landscapes in Taiwan, thereby unearthing possibilities for the future development of Taiwanese architecture.

臺灣位處於亞熱帶與熱帶,但超過3000公尺的高峰多達260餘座,氣候型態因此囊括寒帶高地到熱帶低地。從海岸的前緣到最高峰的玉山頂峰,短短100餘公里卻可以察覺地球規模中10000公里的14種氣候風貌。然而臺灣的建築,卻彷彿受困在混凝土造一種解方中久久無法自救,策展團隊認為,若能重新與大地連結,臺灣的剖面可能存在新建築的各種線索。

在《地景中未完成的協議-台灣改裝》中,策展團隊以「剖面」的視角聚焦臺灣不同海拔的農業地景,發現其中存在的「改裝」性格。無論是嘉義外海的蚵棚、嘉南平原上的溫室或是梨山的茶園,都可以說是人類指認、理解並適應自然作用的節氣與時序後,進一步加以「改裝」的構築性回應。策展團隊提出「協調者」、「二元性」、「義肢」、「內在性」、「中介」、「濾器」六大關鍵字回應這些發生在臺灣山海之間人們如何與自然衝突、妥協進而共榮的事物,提煉出面對臺灣建築未來發展的可能方法。


#威尼斯建築雙年展臺灣館

(Image Courtesy of Department of Architecture, Tunghai University。圖檔由東海大學建築學系提供)

Organized by the National Taiwan Museum of Fine Arts, the 18th International Architecture Exhibition – La Biennale di Ve...
10/03/2023

Organized by the National Taiwan Museum of Fine Arts, the 18th International Architecture Exhibition – La Biennale di Venezia, Taiwan’s official collateral event will present exhibition ‘Diachronic Apparatuses of Taiwan – Architecture as on-going details within landscape’ curated by the Architectural Department of Tunghai University and will take place at Palazzo delle Prigioni in Venice from 20 May to 26 Nov. 2023. Follow us for details.

由國立臺灣美術館主辦,東海大學建築系團隊策畫的「第18屆威尼斯建築雙年展-臺灣館」參展計畫《地景中未完成的協議-台灣改裝》,將於2023年5月20日至11月26日在義大利威尼斯普里奇歐尼宮(Palazzo delle Prigioni)展出。2月17日首度公開發表展出作品的試組裝。本屆展覽透過在臺灣不同高度與緯度的農業地景調查,呈現人們運用各自的科學知識,為馴服環境帶來多元的建築風貌。目的在讓建成地景與真實土地之間對話,重新向鄉村學習。

(官網即將上線,敬請期待)


#威尼斯建築雙年展臺灣館

And that’s a wrap! After defying many obstacles against the backdrop of the pandemic, Taiwan’s response exhibition to th...
21/11/2021

And that’s a wrap! After defying many obstacles against the backdrop of the pandemic, Taiwan’s response exhibition to this year’s Venice Architecture Biennale successfully ran from May to November 2021. The curatorial team and would like to thank everyone for visiting and supporting us during our journey.

Until we meet again in 2023!

完滿結束!臺灣館克服了疫症大流行的各種障礙,於威尼斯建築雙年展的展覽於2021年5月至11月成功舉行。策展團隊與國立臺灣美術館在此感謝在旅途中所有人的到訪和支持。

於2023年再次見面!

La Biennale di Venezia


#台灣郊遊
#臺灣館
#國立臺灣美術館

14-day countdown to the closing of Venice Architecture Biennale 2021! As the sweltering weather has subsided, there coul...
07/11/2021

14-day countdown to the closing of Venice Architecture Biennale 2021! As the sweltering weather has subsided, there couldn't be a better time to make your first visit at the 17th edition of Venice Architecture Biennale.

Be sure to visit Taiwan’s contribution, , which offers an enclosed space for respite and to explore different means of creating environmentally friendly buildings.

距離威尼斯建築雙年展閉幕還有14天!隨著悶熱的天氣消退,現在是到訪第十七屆威尼斯建築雙年展的最佳時機。

你必定要到訪臺灣館的「台灣郊遊」展覽,他提供寧靜而略帶有原始感受的場所,讓訪客休息,引領訪客進入一趟原始的遷徙探索。

La Biennale di Venezia


#台灣郊遊
#臺灣館
#國立臺灣美術館

  unfolds as a process of constant relocation, as the camera captures trajectories that transform itself throughout the ...
02/11/2021

unfolds as a process of constant relocation, as the camera captures trajectories that transform itself throughout the film. Nomadism – an unstable and unpredictable order, romanticized, cannibalized, and mythologized – is defined by movement and migration, not only in space but also in thought, and it serves as a dimension through which the film establishes a variety of connections. Although the camera is fixed on a tripod, it documents displacement, reconstructing a trajectory that alternates between documentary and science-fiction. (YouTube link in bio).

《置身物種間的建築》是一個不斷重新定位的過程,是攝影機在整部影片中不斷移動所捕捉到的軌跡。游牧,以行動和移動來定義,不但是空間上也是思想上的,那是一種既不固定也無法預測的秩序,帶點浪漫、野蠻與傳說的色彩,更是片中建立各種不同聯繫之間的樞紐。儘管攝影機固定在腳架上,但它記錄了移動的影像,重建了介於紀錄片和科幻片之間的一種拍攝軌跡。(訪問簡介中的YouTube連結)。

La Biennale di Venezia


#台灣郊遊
#臺灣館
#國立臺灣美術館

“While languages and cultures divide humans, we are a single species”, explains the curatorial team of Primitive Migrati...
30/10/2021

“While languages and cultures divide humans, we are a single species”, explains the curatorial team of Primitive Migration. “A return to our fundamental feelings and emotions, can help us understand ourselves without words. Siu Siu Lab of Primitive Senses is a manifesto that we did not write but built with the intention of reconnecting with nature inside a refuge. It is a space that speaks for itself and allows you to experience, with your senses, the beauty of nature.” Read about the curators’ interview with Belgian magazine

台灣郊遊的策展團隊解釋:「雖然語言和文化把人類區分了,但我們其實是同一個物種。回歸到最根本的感覺和情感有助我們在沒有文字的情況下認識自己。少少-原始感覺研究室是一個宣言,我們並不是把它寫出來,而是在避難所內與自然重新聯繫而建立出來。避難所這個空間不言而喻,同時讓你用自己的感官去感受自然之美。」閱讀策展人在比利時雜誌 Feeling Wonen / Gael Maison的訪問

La Biennale di Venezia


#台灣郊遊
#臺灣館
#國立臺灣美術館

Zero in on Taiwan! On the contribution to this year’s  ,   director Liang Yung-fei commented, “We want to focus on the e...
23/10/2021

Zero in on Taiwan! On the contribution to this year’s , director Liang Yung-fei commented, “We want to focus on the exhibition to achieve greater international visibility…We will also strengthen our collaborations with other global institutions.” is just one of many activations that grabbed the limelight in the fields of art and architecture from Taiwan. Read more report.

把注意力都放到台灣吧!有幸參與今年 #威尼斯建築雙年展的國立台灣美術館 館長梁永斐說:「我們希望透過展覽能大大提升國際知名度…同時我們也會加強與全球不同機構合作。」 只是其中一個讓台灣藝術和建築引起關注的項目。 閱讀更多ARTnews的報導

La Biennale di Venezia


#台灣郊遊
#臺灣館
#國立臺灣美術館

‘Primitive Migration from/to Taiwan’ is a manifestation of Divooe Zein Architects’ collective and transdisciplinary rese...
09/10/2021

‘Primitive Migration from/to Taiwan’ is a manifestation of Divooe Zein Architects’ collective and transdisciplinary research-based practices of more than 20 years with artists, musicians and perfumers.

One prime example is Japanese cellist Jun Ashikari’s documentation of Taiwanese artist A-Kun, who dedicated his entire life to art performance in nature and lived in a micro-home that blends in with the surrounding natural environment. A universal dialogue on architecture begins to form when we contemplate the way humans teach each other and other species, embrace different opinions and live with different mindsets (YouTube link in bio).

《台灣郊遊 - 原始感覺共同合作場域計劃》是一個由自然洋行建築事務所與藝術家、音樂家和調香師共同進行了超過20年的跨學科研究項目。

當中一個主要的例子是由日本大提琴家芦刈純為台灣藝術家阿庚拍的紀錄片。阿庚奉獻了他的一生於大自然中進行藝術表演和居住在一個與自然環境融合在一起的微型住所。當我們沉思人類與人類及其他物種互相教導,接受不同的意見並以不同的心態生活時,關於建築的對話便開始了(訪問簡介中的YouTube連結)。

La Biennale di Venezia


#台灣郊遊
#臺灣館
#國立臺灣美術館

Happy  ! Originally conceived to pay tribute to the architecture industry, the celebration has parlayed into a global re...
04/10/2021

Happy ! Originally conceived to pay tribute to the architecture industry, the celebration has parlayed into a global reminder of our collective responsibility for the future of the human habitat.

Intersecting this year’s World Architecture Day is the 17th edition of , which seeks to explore concepts of community and collectivity and to highlight architecture’s potential in conflict resolution.

#國際建築日快樂!國際建築日最初設立是為了向建築業致敬,直到今天,國際建築日已成為一個提示我們對未來的人類棲息地有共同責任的全球提醒。

今年的國際建築日剛好碰上第17屆 #建築雙年展。本屆雙年展主要探索社區及集體兩個概念和突出建築在解決衝突方面的潛能。




#台灣郊遊
#臺灣館
#國立臺灣美術館

Whether in rainforests, grasslands or sand dunes, luxury resorts in the wild are often coated with an earthy colour to b...
26/09/2021

Whether in rainforests, grasslands or sand dunes, luxury resorts in the wild are often coated with an earthy colour to blend in with its surrounding. The coalescence of architecture, nature and landscape not only maximizes a sense of wilderness for visitors but also harmonizes the overall environment.

In the context of our symbiotic relationship with nature, explores how mankind and architecture can create sustainable buildings that are compatible with the environment. spoke to about how architecture can pique our curiosity in exploring the wild nature (Link in bio, via United Daily News)

無論是在雨林、草地還是沙丘,建於郊外的野奢度假勝地經常被塗上一層泥土色,與周圍環境融為一體。建築、自然和景觀的結合不僅最大化了訪客們的荒野感,也使整體環境和諧。

在我們與自然共生關係的語境之下,「台灣郊遊」探索了人類和建築如何創造與環境兼容的可持續建築。策展人曾志偉與《旅讀OR》分享了建築如何激發我們探索大自然的好奇心。(訪問簡介中的連結,透過聯合新聞網閱讀文章)

La Biennale di Venezia


#台灣郊遊
#臺灣館
#國立臺灣美術館

穿過雨林、越過草原,撥開棕櫚葉現樹屋,拂過細沙見營帳。野奢建築往往有著天然保護色,一草一木取自周遭,極大化了「野」,也極大化了住客的探索之心。

Exploring the profound interaction between Taiwan’s rich geological and ecological make up, as well as the ethnically di...
25/09/2021

Exploring the profound interaction between Taiwan’s rich geological and ecological make up, as well as the ethnically diverse cultures that have made Taiwan a unique place to inhabit, dives deeper into the topic of migration from human civilization to nature. Zero in on the best pavilions from Asia and the Middle East at this year’s Venice Architecture Biennale ’s round-up! (Link in bio)

《台灣郊遊 - 原始感覺共同合作場域計劃》更深入研究人類文明向自然遷徙的主題,探討臺灣豐富的地質與生態風貌,以及其多元民族文化,而令臺灣成為獨一無二的居住地。閱讀De51gn 發佈聚焦本年度威尼斯建築雙年展中來自亞洲及中東的最佳展館的匯總!(訪問簡介中的連結)




#台灣郊遊
#臺灣館
#國立臺灣美術館

The interventions from   have collectively tackled the biennale’s theme through a wide array of specific yet timeless to...
11/09/2021

The interventions from have collectively tackled the biennale’s theme through a wide array of specific yet timeless topics, including the examination of pine frames, the ubiquitous placement of QR codes, the study of cyclic water system and the proposition for a sustainable use of cement. Domus provides a comprehensive guide to year’s biennale and other useful travel tips! (Link in bio)

2021年威尼斯建築雙年展主題透過一系列特定但永恒的方式,共同解決了雙年展的主題,包括研究松木框架、無處不在的二維碼放置、循環水系統的研究和可持續使用水泥的提議。《Domus》提供了本年度建築雙年展的全面指南以及其他有用的旅行小貼士! (訪問簡介中的連結)




#台灣郊遊
#臺灣館
#國立臺灣美術館

As for how the Taiwan contribution fits into the overarching theme of  , co-curators of    and .weilun, said that the ar...
06/09/2021

As for how the Taiwan contribution fits into the overarching theme of , co-curators of and .weilun, said that the architectural spaces have been very much based on the study of our behaviours and interaction with nature. Through field surveys, artistic collaborations, experimentations with locally sourced materials, they have gradually discovered sustainable propositions that respect local customs, cultures, environments whilst fulfilling the industrial needs of the present.

While international travel is slowly resuming, we hope you have a chance to visit this year’s Venice Architecture Biennale. In the meantime, enjoy this silent, meditative look at !

「台灣郊遊」聯合策展人曾志偉與黃偉倫曾就臺灣如何融入2021年建築雙年展的主題表示,建築空間很大程度上是基於對人類行為和與自然互動的研究。透過田野調查、藝術合作、使用當地材料實驗,他們逐漸發現了尊重當地習俗、文化和環境的可持續主張,同時滿足當前的工業需求。

國際旅遊正在逐步恢復,我們希望你們有機會參觀今年的威尼斯建築雙年展。與此同時,享受這個安靜且令人沉思的「台灣郊遊」觀看之旅!

La Biennale di Venezia


#台灣郊遊
#臺灣館
#國立臺灣美術館

17th International Architecture Exhibition – La Biennale di VeneziaPrimitive Migration from/to TaiwanMay 21st to Nov. 21st , 2021 at the Palazzo delle Prigio...

How can our habitats keep up with the world’s rapid changes and movements?Presented in a miniature scale model at  , ‘Se...
01/09/2021

How can our habitats keep up with the world’s rapid changes and movements?

Presented in a miniature scale model at , ‘Semi-ecosphere glass house for isolation and meditation’ revisits mankind's very-basic social unit: home. The multi-functional living unit was built in 2017 by Divooe Zein Architects in collaboration with Spring Pool, a glass recycling factory in Hsinchu, Taiwan.

The pod is a sustainable sanctuary that redefines the concept of our homes through the unique attributes of the glass: though transparent, the glass allows enough light to pass through whilst ensuring privacy for the inhabitants inside.

我們賴以生存的棲息地如何才能緊貼世界快速的變革與進程?

「類生態光學冥想屋」在2021年威尼斯建築雙年展上以微型模型的形式呈獻,重新審視了人類最為基本的社會單位:家。這座多功能生活單位由自然洋行建築事務所與臺灣新竹的春池玻璃回收廠合作於2017年建成。

這個莢體是一個可持續的庇護所,透過玻璃的獨特屬性重新定義了我們對家的概念:雖然透明,但玻璃允許足夠的光線穿過,同時確保內部居民的隱私。




#台灣郊遊
#臺灣館
#國立臺灣美術館

The curatorial team of   deliberately left vast spaces in its exhibition setting to retain as much of the original chara...
25/07/2021

The curatorial team of deliberately left vast spaces in its exhibition setting to retain as much of the original characteristics of the Palazzo Prigioni’s interior whilst exhibiting new works that aesthetically matches with the building. Much akin to Divooe Zein’s principle of drawing barriers between nature, humanity and architecture, the curatorial ethos of the exhibition strives to create a symbiotic relationship with its original/natural setting. Read all about it at ELLE Taiwan's article!

《台灣郊遊》策展團隊特意在展覽設計中留下了寬敞空間,以保留普里奇歐尼宮內部的原有質感,同時展出與其建築美學互配的新作品。對應曾志偉在自然、人文與建築間劃分的理念,展覽的策展主題致力於營造與原始/自然環境的共生關係。閱讀ELLE Taiwan的文章了解更多!



#台灣郊遊
#臺灣館
#國立臺灣美術館

展場位於原為古老監獄的普里奇歐尼宮裡面!

  is located on the south side of the Shangri-la Paradise theme park in Miaoli and takes shape as an experimental commun...
22/07/2021

is located on the south side of the Shangri-la Paradise theme park in Miaoli and takes shape as an experimental community. The side features a Taiwan pine forest, a manmade forest, an aquatic ecosystem, and abandoned recreational facilities. The area is transformed into a forest serving as a model intersecting both human and natural experiences and the gathering of knowledge.
「勤美學—森大」位於苗栗的香格里拉樂園南側,是一個實驗基地場域。側面有臺灣松林、人造林、水生生態系統以及老舊的遊樂設施。該區域被改造成森林,成為人與自然生活體驗及知識交聚的示範。



#台灣郊遊 #臺灣館
#國立臺灣美術館

19/07/2021

At La Biennale di Venezia architect Hashim Sarkis asked participants in 2019 to address “widening political divides and growing economic inequalities”, which has taken on a new relevance since the onset of the pandemic. Contemporary art magazine ArtAsiaPacific takes a deep dive into the national pavilions from Asia-Pacific and the Middle East that address this pertinent theme.

在2021年的威尼斯建築雙年展上,策展人Hashim Sarkis向2019年的參與者們提出解決“日漸擴大的政治分歧與日益加劇的經濟不平等”,而這一主題自疫情開始以來亦有了新的關聯。亞太藝術雜誌ArtAsiaPacific就這一議題對來自亞太以及中東的國家展館進行了深度探討。



#台灣郊遊 #臺灣館
#國立臺灣美術館

ArtAsiaPacific magazine is the leading English-language periodical covering contemporary art and culture from the Middle East and Asia-Pacific.

Built in an experimental field in the mountains and plains that combines natural culverts and explores the beauty of the...
18/07/2021

Built in an experimental field in the mountains and plains that combines natural culverts and explores the beauty of the surrounding area of the Great Wall of China, uses a Binchōtan charcoal board to filter air particles as a way of tackling Beijing’s air pollution. The stone walls of the work evokes an illusion of infinite darkness that is interrupted by the light that emanates through the porous layer, while the air it exudes smell of moist soil and fragrance of flowers from rare and exotic plants.

「野長城-原始知覺研究室」建在山野間的一個實驗場域中,融合了天然的涵管,探索中國長城周邊地區的美景,以備長炭板過濾空氣顆粒,成為解決北京空氣污染的一種方法。作品的石砌牆喚起了無限陰暗的幻覺,卻被穿透多孔層的微光打斷,同時空氣中散發著潮濕土味和珍奇異株的花香。







#臺灣館
#國立臺灣美術館
#台灣郊遊

At the crux of the Taiwan showcase at   La Biennale di Venezia is the exploration of the effects of human and nature int...
16/07/2021

At the crux of the Taiwan showcase at La Biennale di Venezia
is the exploration of the effects of human and nature interaction. is an ongoing proposition of how architecture can be more inclusive of its natural surroundings and local cultures. Read all about it at designboom’s article!

探索人與自然之間的相互作用便是2021年威尼斯建築雙年展臺灣館的核心所在。《台灣郊遊》是一個關乎建築如何能夠更加包容其自然環境與當地文化的持續命題。閱讀designboom的文章了解更多!





#臺灣館
#國立臺灣美術館
#台灣郊遊

at the 2021 venice architecture biennale, taiwan’s collateral event explores the effects of human and nature interaction and the role of architecture between the civilized world and environment. the national taiwan museum of fine arts (NTMoFA) has collaborated with curatorial teams divooe zein ar...

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Palazzo Delle Prigioni, Castello 4209, San Marco
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17th Venice Architecture Biennale Taiwan: Primitive Migration from/to Taiwan

People who yearn to live closer to nature, find themselves oscillating between urban and rural areas. This kind of spontaneous and ever-changing nomadic lifestyle is characteristic of travellers, spiritual practitioners, and those who pursue their sanctuary in nature.

Situated in East Asia, Taiwan is located at the convergent point of the Eurasian Plate and the Philippine Sea Plate. As one of the homelands of the Austronesian people, Taiwan is surrounded by sea and approximately 70% of the landscape is covered in verdant Alpine forests and rolling hills. As the 38th largest island in the world, Taiwan has an overall marine tropical climate, where the northern and central regions of Taiwan are subtropical, the southern region is tropical, and the mountainous regions are temperate. Taiwan is also home to over 4,077 species of native vascular plants, 800 species of vertebrates, and 20,000 recorded species of insects.

There is a fine line between the balance of development and conservation of nature that is worthy of exploring.

Taiwan-based interdisciplinary design team Divooe Zein Architects studio is committed to researching and planning projects in nature and rural fields for years. In 2014, the studio established “siu siu – Lab of Primitive Senses”, an experimental base with a core value of generating a “nature-based learning field”. The success of interdisciplinary collaboration between botanists, traditional medicine practitioners, aboriginal artists, climatologists, spiritualists, yoga instructors, and many others, is shared with the public through this experimental base. In 2017, the team collaborated with CMP Village on the project “The Forest BIG” which integrated multiple industries with the concept of “learning from nature”, further demonstrating the values and the influence of this concept. Through observing the everchanging landscape and environment of each unique architecture work and carrying out in-depth fieldworks, the team discovered that, the “tranquillity of mind” is an essential framework that co-exists with nature, ultimately ensuring that we can continue to develop yet not overly exploit nature.

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