wamono art

wamono art Contemporary Japanese art gallery Online Gallery

10/06/2026

山上渡 ×袁璟:我的学校是街头、自然和人们的日常
山上渡近日接受艺术评论家、译者袁璟专访,文章发表于《信睿周报》林叶与袁璟主理的“艺与思”专栏。

对话双方围绕山上渡的成长经历与创作实践展开,探讨其如何在街头文化、自然观察与跨地域经验的影响下形成独特的艺术语言,并围绕“连接”“边界”等贯穿其创作的重要命题展开讨论。

林叶和袁璟作为长期深耕中日当代艺术的写作者与策展人,他们曾译介包括杉本博司《艺术的起源》、奈良美智《始于空无一物的世界》在内的多部重要著作。持续通过研究、翻译、评论与访谈工作,向中文世界介绍日本当代艺术的发展脉络与重要实践。

🔗 阅读完整专访,请点击主页(Bio)链接。

07/06/2026

wamono art and BUNDLE STUDIO held a special talk event to commemorate the screening of a documentary film about the “Japanese Avant-Garde Art 1910-1970” exhibition held at the Centre Pompidou in 1986.

Part 1 featured Aomi Okabe, one of the commissioners (curators) of the “Japanese Avant-Garde Art 1910-1970” exhibition, with art journalist Yoshio Suzuki serving as moderator.

The theme was “Exploring the Exhibition that Opened Japanese Avant-Garde Art to the World.”

The discussion delved into the behind-the-scenes story of how the legendary “Japanese Avant-Garde Art 1910-1970” exhibition came to be, and explored its impact on the art world that followed. Ms. Okabe also shared anecdotes from that time, including his interactions with participating artists and memorable events during the exhibition.

This was a unique opportunity to trace the trajectory of expression that has been passed down through generations, through the words of Aomi Okabe, who continues to work energetically on cross-border curation as an independent curator.

In the second part, we invited architect Noriaki Okabe, who was part of the design team for the Centre Pompidou and also designed the venue for the “Japanese Avant-Garde Art 1910-1970” exhibition, as our guest. The moderator of the talk was architect Kenichi Teramoto, who curated the UAE Pavilion at the 2021 Venice Biennale International Architecture Exhibition and won the Golden Lion Award.

The theme was “From the Centre Pompidou Site: Considering Architecture as Exhibition Space.”

We were able to hear stories that only someone who has actually experienced museum architecture and the relationship between art and space can tell. Furthermore, through a dialogue between architects with extensive international experience, we explored the possibilities of architecture as a physical space that connects the past, present, and future.

Event date: 8 December 2025 at BUNDLE STUDIO, Chiba

Kei Hasegawa has installed “Rising” 2026, Bamboo (Madake), 170 x 143 x 35 cm at the Takafuji, a plant engineering-center...
28/05/2026

Kei Hasegawa has installed “Rising” 2026, Bamboo (Madake), 170 x 143 x 35 cm at the Takafuji, a plant engineering-centered technolory group in Oita prefecture, Japan. 長谷川絢氏が、「游う」(ゆう), 2026年、真竹、170 x 143 x 35 cmを大分の株式会社タカフジ様本社ビルへ設置いたしました。

wamono art has published a book about Noriyuki Haraguchi “How freely I can open up this space and time I am sharing”, wr...
26/05/2026

wamono art has published a book about Noriyuki Haraguchi “How freely I can open up this space and time I am sharing”, written by Yasuyuki Nakai, Curator, The National museum of Art, Osaka.
wamono artは、国立国際美術館研究員の中井康之氏が執筆した原口典之氏の本 “原口典之であること”を2022年に出版しました。
64 pages. English / 中文 / 日本語

wamono art has published a book about Kei Hasegawa, written by  Art Critic, Curator Aomi Okabe.wamono artは、美術評論家の岡部あおみ氏が...
26/05/2026

wamono art has published a book about Kei Hasegawa, written by Art Critic, Curator Aomi Okabe.
wamono artは、美術評論家の岡部あおみ氏が執筆した長谷川絢氏の本を2020年に出版しました。
40 pages. English / 日本語

wamono art has published a book about Takao Inoue, written by biologist Shin-ichi Fukuoka.wamono art は、生物学者の福岡伸一氏が執筆した井上...
26/05/2026

wamono art has published a book about Takao Inoue, written by biologist Shin-ichi Fukuoka.
wamono art は、生物学者の福岡伸一氏が執筆した井上隆夫の本を2020年に出版社しました。

14/05/2026
24/04/2026

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