wamono art

28/07/2026

We are delighted to share that Yoshikatsu Ikeuchi was recently interviewed by Hiroki Yamamoto, one of Japan’s most prominent contemporary art critics, ahead of Ikeuchi's highly anticipated upcoming museum solo exhibition in Kyoto.
Stay tuned for the insightful conversation.

#山本浩貴 #池内ヨシカツ

03/07/2026

本次展覽展出了兩位駐巴黎的當代日本藝術家作品，分別是阿琦．路迷和奧諾黛拉．有機。阿琦．路迷運用攝影、繪畫和素描等媒介，探討何為人工以及我們所看到的事物等問題。奧諾黛拉．有機不斷創作出引發關於攝影是什麼以及影像是什麼的基本問題的作品。她透過實驗性的攝影創作各種作品，探索從這些問題中浮現的主題。儘管這兩位藝術家共享同一個創作空間和時間，但他們各自追求著個人的創作。他們的作品擁有各自獨特的特質，背後則是他們自己的哲學、思想和表達方法。這個展覽在同一空間中介紹了他們的代表性系列作品，如阿琦．路迷的《traceryscape》和奧諾黛拉．有機的《世界並不小 - 1826》，從而營造出一種神秘的聯覺之感。
聯覺
阿琦．路迷x奧諾黛拉．有機

– 2026年6月20日 
星期六，12:00 – 18:00 
星期一至星期五 | 僅限預約（WhatsApp +852 6822 2962） 
星期日及公眾假期休息

This exhibition features works by two contemporary Japanese artists based in Paris, Aki Lumi and Yuki Onodera.  Aki Lumi uses photography, drawings and sketches to explore questions such as what is artificial and what we see. Yuki Onodera constantly creates works that raise fundamental questions about what photography is and what images are. She uses photography to experimentally create a variety of works that explore themes that emerge from these questions.  While these two artists share the same creative space and time, they each pursue their own individual creative endeavors. Their works each possess unique qualities, backed by their own philosophies, ideas, and methods of expression. This exhibition introduces their representative series such as Aki Lumi's "Traceryscape" and Yuki Onodera's "The World Is Not Small - 1826," in the same space, creating a mysterious sense of synesthesia.

Synesthesia
Aki Lumi x Yuki Onodera
– 20 June 2026
Saturdays, 12:00 – 18:00
Mon – Fri | Appointments only (WhatsApp + 852 6822 2962)
Closed on Sun and Public Holidays

10/06/2026

山上渡 ×袁璟：我的学校是街头、自然和人们的日常
山上渡近日接受艺术评论家、译者袁璟专访，文章发表于《信睿周报》林叶与袁璟主理的“艺与思”专栏。

对话双方围绕山上渡的成长经历与创作实践展开，探讨其如何在街头文化、自然观察与跨地域经验的影响下形成独特的艺术语言，并围绕“连接”“边界”等贯穿其创作的重要命题展开讨论。

林叶和袁璟作为长期深耕中日当代艺术的写作者与策展人，他们曾译介包括杉本博司《艺术的起源》、奈良美智《始于空无一物的世界》在内的多部重要著作。持续通过研究、翻译、评论与访谈工作，向中文世界介绍日本当代艺术的发展脉络与重要实践。

🔗 阅读完整专访，请点击主页（Bio）链接。

07/06/2026

wamono art and BUNDLE STUDIO held a special talk event to commemorate the screening of a documentary film about the “Japanese Avant-Garde Art 1910-1970” exhibition held at the Centre Pompidou in 1986.

Part 1 featured Aomi Okabe, one of the commissioners (curators) of the “Japanese Avant-Garde Art 1910-1970” exhibition, with art journalist Yoshio Suzuki serving as moderator.

The theme was “Exploring the Exhibition that Opened Japanese Avant-Garde Art to the World.”

The discussion delved into the behind-the-scenes story of how the legendary “Japanese Avant-Garde Art 1910-1970” exhibition came to be, and explored its impact on the art world that followed. Ms. Okabe also shared anecdotes from that time, including his interactions with participating artists and memorable events during the exhibition.

This was a unique opportunity to trace the trajectory of expression that has been passed down through generations, through the words of Aomi Okabe, who continues to work energetically on cross-border curation as an independent curator.

In the second part, we invited architect Noriaki Okabe, who was part of the design team for the Centre Pompidou and also designed the venue for the “Japanese Avant-Garde Art 1910-1970” exhibition, as our guest. The moderator of the talk was architect Kenichi Teramoto, who curated the UAE Pavilion at the 2021 Venice Biennale International Architecture Exhibition and won the Golden Lion Award.

The theme was “From the Centre Pompidou Site: Considering Architecture as Exhibition Space.”

We were able to hear stories that only someone who has actually experienced museum architecture and the relationship between art and space can tell. Furthermore, through a dialogue between architects with extensive international experience, we explored the possibilities of architecture as a physical space that connects the past, present, and future.

Event date: 8 December 2025 at BUNDLE STUDIO, Chiba

28/05/2026

Kei Hasegawa has installed “Rising” 2026, Bamboo (Madake), 170 x 143 x 35 cm at the Takafuji, a plant engineering-centered technolory group in Oita prefecture, Japan. 長谷川絢氏が、「游う」（ゆう）, 2026年、真竹、170 x 143 x 35 cmを大分の株式会社タカフジ様本社ビルへ設置いたしました。

26/05/2026

wamono art has published a book about Noriyuki Haraguchi “How freely I can open up this space and time I am sharing”, written by Yasuyuki Nakai, Curator, The National museum of Art, Osaka.
wamono artは、国立国際美術館研究員の中井康之氏が執筆した原口典之氏の本 “原口典之であること”を2022年に出版しました。
64 pages. English / 中文 / 日本語

26/05/2026

wamono art has published a book about Kei Hasegawa, written by Art Critic, Curator Aomi Okabe.
wamono artは、美術評論家の岡部あおみ氏が執筆した長谷川絢氏の本を2020年に出版しました。
40 pages. English / 日本語

26/05/2026

wamono art has published a book about Takao Inoue, written by biologist Shin-ichi Fukuoka.
wamono art は、生物学者の福岡伸一氏が執筆した井上隆夫の本を2020年に出版社しました。

24/04/2026

18/04/2026