Square street gallery

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21/04/2026

An ancient grammar of 64 states once compressed the world into tendencies: advancing, retreating, blocked, open. The same logic runs in every system that classifies before it acts. Name a state often enough and the state begins to behave. The reading becomes the environment.

Closes 2 May. Square Street Gallery, Hong Kong.

ะฝั”ฯ‡ ั•ั‚ฮฑั‚ั” ั•ั”ัฮฝั”ั
Brandon Tay
Curated by Institution of Niche & Rafi Abdullah .stitution .apt
Exhibition design by Amirul Nazree
Graphic design by Darius Ou
Music by YS
Presented by Square Street Gallery, in collaboration with Yeo Workshop
20 March โ€“ 2 May, 2026

๐—ข๐—ฟ๐—ฎ๐—ป๐—ด๐—ฒ๐—ง๐—ฒ๐—ฟ๐—ฟ๐˜† ๐—ฎ๐˜ ๐—”๐—ฟ๐—ฒ๐—ฎ ๐—ฃ๐Ÿฎ | ๐—ฌ๐—ถ๐—ง๐—ฎ๐—ถ | ๐—”๐—ฟ๐˜ ๐—–๐—ฒ๐—ป๐˜๐—ฟ๐—ฎ๐—นFor Art Centralโ€™s Yi Tai Installation and Sculpture Stage, OrangeTerry will ...
23/03/2026

๐—ข๐—ฟ๐—ฎ๐—ป๐—ด๐—ฒ๐—ง๐—ฒ๐—ฟ๐—ฟ๐˜† ๐—ฎ๐˜ ๐—”๐—ฟ๐—ฒ๐—ฎ ๐—ฃ๐Ÿฎ | ๐—ฌ๐—ถ๐—ง๐—ฎ๐—ถ | ๐—”๐—ฟ๐˜ ๐—–๐—ฒ๐—ป๐˜๐—ฟ๐—ฎ๐—น

For Art Centralโ€™s Yi Tai Installation and Sculpture Stage, OrangeTerry will present the sculptural installation โ€œFound Faithโ€. Based on a church pew gifted to the artistโ€™s studio by a friend, Found Faith sits in the limbo between a functional object of devotion and a conceptual artwork. The circular, enclosed ring of church pew that rotates through wheel appendages is a symbol of many paradoxes: at the moment the church pews are joined by their ends into a communion, it also bars any visitors but from access to this innermost circle. The bench that symbolically โ€œgroundsโ€ members of the congregation in their faith now lifts them off the surface on trolley wheels, aimlessly spinning. It asks: What does it make of our commitment, when the subject of our devotions are increasingly indexed by transactional and mutable objects? In the face of ever-present uncertainty, do our faiths find us through the trappings of trends and influences that overwhelm us, or do we find our faith through a sustained search inwards?

Art Central
25 - 29 March 2026
Preview 24 March
Central Harbour Front, Hong Kong

DM us for more information or email [email protected] to request a catalogue.

Introducing Brandon Tay () Brandon Tay is a Singapore-born, Shanghai-based artist working across sculpture, installation...
18/03/2026

Introducing Brandon Tay ()

Brandon Tay is a Singapore-born, Shanghai-based artist working across sculpture, installation, moving image, and speculative systems. His practice explores how myth, technology, and historical knowledge become entangled through interfaces, infrastructures, and symbolic forms. Drawing on sources that range from scientific revelation and occult traditions to computational logics and vernacular media, he builds works that stage reality as recursive, unstable, and continually rewritten.

Working through biomorphic sculpture, simulation, text, and networked imagery, Tay creates environments that blur the line between system and symbol, archaeology and speculation. His work often examines how belief is encoded in technical systems, how memory is shaped by media, and how irrational structures persist within modern regimes of reason. Tay has exhibited individually and collaboratively at platforms including the Singapore Biennale, transmediale, and the National Communication Museum (Melbourne), among others.

ะฝั”ฯ‡ ั•ั‚ฮฑั‚ั” ั•ั”ัฮฝั”ั
Brandon Tay
Curated by Institution of Niche & Rafi Abdullah .stitution .apt
Exhibition design by Amirul Nazree
Graphic design by Darius Ou
Music by YS
Presented by Square Street Gallery, in collaboration with Yeo Workshop

Opening: March 19 6โ€“9pm, opening performance by
Exhibition period: March 19 โ€“ May 2, 2026

๐Œ๐ข๐œ๐ก๐ž๐ฅ๐ฅ๐ž ๐…๐ฎ๐ง๐  ๐š๐ญ ๐๐จ๐จ๐ญ๐ก ๐๐Ÿ๐Ÿ— | ๐€๐ซ๐ญ ๐‚๐ž๐ง๐ญ๐ซ๐š๐ฅ Square Street Gallery is delighted to present a solo booth at Art Central 2026 ...
15/03/2026

๐Œ๐ข๐œ๐ก๐ž๐ฅ๐ฅ๐ž ๐…๐ฎ๐ง๐  ๐š๐ญ ๐๐จ๐จ๐ญ๐ก ๐๐Ÿ๐Ÿ— | ๐€๐ซ๐ญ ๐‚๐ž๐ง๐ญ๐ซ๐š๐ฅ

Square Street Gallery is delighted to present a solo booth at Art Central 2026 with Michelle Fung, showcasing her Northlandia series. This will include new works made during her Arctic residency in 2026. Northlandia depicts one of the countries in Fungโ€™s dystopian/ecotopian world of 2084, populated by the Ice Queen (a polar bear ice sculpture), seal soldiers, and other inhabitants. Within the world of 2084 populated by anthropomorphic animals, and darkly humorous absurd scenarios, Fung has woven a narrative tool for viewers to project contemporary fears and anxieties onto, drawing parallels with geopolitics and climate change. At the centre of Northlandia is the struggle between greed and the landscape, self-preservation, and resource distribution.

Art Central
25 - 29 March 2026
Preview 24 March
Central Harbour Front, Hong Kong

DM us for more information or email [email protected] to request a catalogue.


Pictured: detail plus some BTS process photos showing the making of Grumpy Seal (2024-2026).

๐Œ๐ข๐œ๐ก๐ž๐ฅ๐ฅ๐ž ๐…๐ฎ๐ง๐  ๐š๐ญ ๐๐จ๐จ๐ญ๐ก ๐๐Ÿ๐Ÿ— | ๐€๐ซ๐ญ ๐‚๐ž๐ง๐ญ๐ซ๐š๐ฅ Square Street Gallery is delighted to present a solo booth at Art Central 2026 ...
14/03/2026

๐Œ๐ข๐œ๐ก๐ž๐ฅ๐ฅ๐ž ๐…๐ฎ๐ง๐  ๐š๐ญ ๐๐จ๐จ๐ญ๐ก ๐๐Ÿ๐Ÿ— | ๐€๐ซ๐ญ ๐‚๐ž๐ง๐ญ๐ซ๐š๐ฅ

Square Street Gallery is delighted to present a solo booth at Art Central 2026 with Michelle Fung, showcasing her Northlandia series. This will include new works made during her Arctic residency in 2026.

Northlandia depicts one of the countries in Fungโ€™s dystopian/ecotopian world of 2084, populated by the Ice Queen (a polar bear ice sculpture), seal soldiers, and other anthropomorphic inhabitants. Within the world of 2084 populated by anthropomorphic animals, and darkly humorous absurd scenarios, Fung has woven a narrative tool for viewers to project contemporary fears and anxieties onto, drawing parallels with geopolitics and climate change. At the centre of Northlandia is the struggle between greed and the landscape, self-preservation, and resource distribution.

Art Central
25 - 29 March 2026
Preview 24 March
Central Harbour Front, Hong Kong

DM us for more information or email [email protected] to request a catalogue.



Some BTS process photos showing the making of Happily Passed Out Seal (2024-2026). Invite photo: detail of Grumpy Seal (2024-2026).

ฯƒฯั”ฮทฮนฮทg ั•ฮฑฮฝั” ั‚ะฝั” โˆ‚ฮฑั‚ั”: 19 March (THU) 6โ€“9pm, performance by 7pmSquare Street Gallery is pleased to present โ€˜HEX STATE S...
12/03/2026

ฯƒฯั”ฮทฮนฮทg ั•ฮฑฮฝั” ั‚ะฝั” โˆ‚ฮฑั‚ั”: 19 March (THU) 6โ€“9pm, performance by 7pm

Square Street Gallery is pleased to present โ€˜HEX STATE SERVER,โ€™ Brandon Tayโ€™s first solo exhibition in Hong Kong, curated by Institution of Niche and Rafi Abdullah. At the core of โ€˜HEX STATE SERVERโ€™ is the interplay between individual agency and destiny, drawing parallels between Chinese divination and computation to probe the relationship between randomness and fate. Visitors participate in a collaborative, asynchronous fortune-telling session through an interactive sculpture connecting them to the HEX STATE SERVERโ€”an oracle simulation operating through I-Ching logic. Surrounding the exhibition, PHANTOM INDEX unfolds as a speculative timeline mapping Chinese thought from historical to speculative futures. Through these layered frameworks, Tay investigates Chinese cosmotechnics and the fundamental overlap between chance and destiny.

ๅ››ๆ–น่ก—็•ซๅปŠๆฆฎๅนธๅ‘ˆ็ป Brandon Tay ๅœจ้ฆ™ๆธฏ็š„้ฆ–ๅ€‹ๅ€‹ๅฑ• - โ€˜HEX STATE SERVER: LOVE, LORE, MANIFESTโ€™๏ผŒ็”ฑ Institution of Niche ๅ’Œ Rafi Abdullah ็ญ–ๅŠƒใ€‚ใ€ŒHEX STATE SERVER: LOVE, LORE, MANIFESTใ€ๆ˜ฏไธ€ๆฌกๅ€‹ไบบ่ƒฝๅ‹•ๆ€ง่ˆ‡ๅ‘ฝ้‹็š„ไบค็น”๏ผŒๅ…ถๅฐ‡็ฎ—ๅ‘ฝ่ˆ‡่จˆ็ฎ—็ง‘ๅญธ้€ฒ่กŒ้กžๆฏ”๏ผŒไปฅๆ‘ธ็ดข้šจๆฉŸๆ€ง่ˆ‡ๅฎฟๅ‘ฝไน‹้–“็š„้—œไฟ‚ใ€‚

LARP Activations | Guided Tours | Artists Roundtable
(RSVP ๐Ÿ”— in .stitution bio)

ะฝั”ฯ‡ ั•ั‚ฮฑั‚ั” ั•ั”ัฮฝั”ั
Brandon Tay
Curated by Institution of Niche & Rafi Abdullah .stitution .apt
Exhibition design by Amirul Nazree
Music by YS
Presented by Square Street Gallery, in collaboration with Yeo Workshop
Opening: March 19 6โ€“9pm, performance by
Exhibition period: March 19 โ€“ May 2, 2026

Graphic design by Darius Ou

03/03/2026

One week left to bathe in the confusion of language and translation at Faan1jik6 Zi1gaan1 (In Between Translations) !!! Our last day will be the 7th of March, bring your friends before it closes or you become illiterate โ€“ (oops)

่ท้›ขใ€ŠFaan1jik6 Zi1gaan1๏ผˆIn Between Translations๏ผ‰ใ€‹้–‰ๅน•ๅชๅ‰ฉไธ‹ไธ€ๆ˜ŸๆœŸโ€”โ€”ๆŠŠๆกๆœ€ๅพŒๆฉŸๆœƒ๏ผŒๆฒ‰ๆตธๆ–ผ่ชž่จ€่ˆ‡็ฟป่ญฏๅ˜…ๆททไบ‚ไน‹ไธญ๏ผๅฑ•่ฆฝๅฐ‡ๆ–ผ 3 ๆœˆ 7 ๆ—ฅ ็ตๆŸ๏ผŒ่จ˜ๅพ—ๅธถๅŸ‹ๆœ‹ๅ‹ไธ€้ฝŠๅšŸ๏ผŒ่ถไปฒๆœช้—œๅฑ•๏ผ›ๅฆๅ‰‡โ€”โ€”ไฝ ๅฏ่ƒฝๆœƒ็ช็„ถ่ฎŠๅพ—ๅ””่ญ˜ๅญ—๏ผˆOops๏ผ‰ใ€‚
่‡ณๆ–ผๅ‘ขๅ€‹็ฌ‘่ฉฑโ€ฆโ€ฆไธๅฆ‚่ฉฆไธ‹่‡ชๅทฑ็ฟป่ญฏ๏ผŸ

๐‘ญ๐’‚๐’‚๐’1๐’‹๐’Š๐’Œ6 ๐’๐’Š1๐’ˆ๐’‚๐’‚๐’1 (๐‘ฐ๐’ ๐‘ฉ๐’†๐’•๐’˜๐’†๐’†๐’ ๐‘ป๐’“๐’‚๐’๐’”๐’๐’‚๐’•๐’Š๐’๐’๐’”)
CHAN Melody, YAN Wai Yin Winnie, YIP Kai Chun
Curated by VABRE CHAU Amandine
29th January - 7th March 2026
chan_art

Video by Felix SC Wong

๐‘ถ๐’ ๐’•๐’‰๐’† ๐’†๐’™๐’‰๐’Š๐’ƒ๐’Š๐’•๐’Š๐’๐’:Faan1jik6 Zi1gaan1(In Between Translations)* is a group show on language, presenting artists working i...
24/02/2026

๐‘ถ๐’ ๐’•๐’‰๐’† ๐’†๐’™๐’‰๐’Š๐’ƒ๐’Š๐’•๐’Š๐’๐’:

Faan1jik6 Zi1gaan1(In Between Translations)* is a group show on language, presenting artists working in a translational process.

Through installations and videos, CHAN Melody, YAN Wai Yin Winnie and YIP Kai Chun explore how the transmission of information can fluctuate between being an exposing or obscuring act. Language is a negotiation of/with/in the world, an interpretation of observations and thoughts into spoken or written symbols. Often seen as a transparent line of communication, it leads us to omit its potential for distortion and rupture.

Working on what escapes clear and straightforward communication, the artists favour simultaneous interpretations instead. We are thus met with multiple forms of language converging and transforming, resulting in works reflecting on history, personal heritage, legitimacy and memory.

Chan, Yan and Yip treat language as an unstable object, using translation as a tool to dismantle its perceived reliability. In their process, they urge us to question whether incomprehension and opacity render language completely impenetrable, or if ambiguity can instead be a potent doorway to reconfigure our relationship between knowledge, visibility and understanding.

้€้Ž่ฃ็ฝฎ่ˆ‡ๅฝฑๅƒไฝœๅ“๏ผŒCHAN Melodyใ€YAN Wai Yin Winnie ๅŠ YIP Kai Chun ๆŽข่จŽ่ณ‡่จŠๅœจๅ‚ณ้ž้Ž็จ‹ไธญ๏ผŒๅฆ‚ไฝ•ๆ–ผๆญ็คบ่ˆ‡้ฎ่”ฝไน‹้–“ๆธธ็งปใ€‚่ชž่จ€ๆ—ขๆ˜ฏ่ˆ‡ไธ–็•Œ้€ฒ่กŒๅ”ๅ•†ๅ˜…ๆ–นๅผ๏ผŒไบฆๆ˜ฏๅฐ‡่ง€ๅฏŸ่ˆ‡ๆ€่€ƒ่ฝ‰ๅŒ–็‚บๅฃ่ชžๆˆ–ๆ›ธๅฏซ็ฌฆ่™Ÿๅ˜…่ฉฎ้‡‹้Ž็จ‹ใ€‚่ชž่จ€ๅพ€ๅพ€่ขซ่ฆ–็‚บ้€ๆ˜Ž่€Œ็›ดๆŽฅๅ˜…ๆบ้€šๅช’ไป‹๏ผŒๅพž่€Œไปคๆˆ‘ๅ“‹ๅฟฝ็•ฅๅ…ถๅ…งๅœจๅ˜…ๆ‰ญๆ›ฒใ€ๆ–ท่ฃ‚่ˆ‡ไธ็ฉฉๅฎšๆ€งใ€‚

่—่ก“ๅฎถ่š็„ฆๆ–ผ้›ฃไปฅ่ขซๆธ…ๆ™ฐใ€็ทšๆ€ง่กจ่ฟฐๅ˜…้ƒจๅˆ†๏ผŒ่ฝ‰่€ŒๆŽกๅ–ไธฆ็ฝฎ่ˆ‡ๅŒๆ™‚็™ผ็”Ÿๅ˜…่ฉฎ้‡‹็ญ–็•ฅใ€‚ๅคš็จฎ่ชž่จ€ๅฝขๅผๅ–บไฝœๅ“ไธญ็›ธไบ’ไบคๅŒฏใ€่ฝ‰ๅŒ–๏ผŒ็นผ่€Œๅผ•็™ผๅฐๆญทๅฒใ€ๅ€‹ไบบ่บซไธ–ใ€ๆญฃ็•ถๆ€ง่ˆ‡่จ˜ๆ†ถ็ญ‰่ญฐ้กŒๅ˜…ๅๆ€ใ€‚

Chanใ€Yan ่ˆ‡ Yip ๅฐ‡่ชž่จ€่ฆ–็‚บไธ€็จฎไธ็ฉฉๅฎšๅ˜…ๅฐ่ฑก๏ผŒไธฆไปฅ็ฟป่ญฏไฝœ็‚บๆ‹†่งฃๅ…ถ่กจ้ขๅฏ้ ๆ€งๅ˜…ๆ–นๆณ•ใ€‚ๅœจๅ‰ตไฝœ้Ž็จ‹ไธญ๏ผŒไป–ๅ€‘ๅผ•ๅฐŽ่ง€็œพๆ€่€ƒ๏ผš็•ถ่ชž่จ€้™ทๅ…ฅไธๅฏ็†่งฃ่ˆ‡ไธ้€ๆ˜Ž็‹€ๆ…‹ๆ™‚๏ผŒๆ˜ฏๅฆๆ„ๅ‘ณๅ…ถๅพนๅบ•ๅคฑๆ•ˆ๏ผ›ๆŠ‘ๆˆ–ๆจก็ณŠ่ˆ‡ๆญง็พฉๆœฌ่บซ๏ผŒๆญฃๆ˜ฏไธ€้“้‡ๆ–ฐๆง‹็ฏ‰็Ÿฅ่ญ˜ใ€ๅฏ่ฆ‹ๆ€ง่ˆ‡็†่งฃไน‹้–“้—œไฟ‚ๅ˜…ๅ…ฅๅฃใ€‚

๐‘ญ๐’‚๐’‚๐’1๐’‹๐’Š๐’Œ6 ๐’๐’Š1๐’ˆ๐’‚๐’‚๐’1 (๐‘ฐ๐’ ๐‘ฉ๐’†๐’•๐’˜๐’†๐’†๐’ ๐‘ป๐’“๐’‚๐’๐’”๐’๐’‚๐’•๐’Š๐’๐’๐’”)
CHAN Melody, YAN Wai Yin Winnie, YIP Kai Chun
Curated by VABRE CHAU Amandine
29th January - 7th March 2026
chan_art

๐‘ด๐’๐’“๐’† ๐’‚๐’ƒ๐’๐’–๐’• ๐’•๐’‰๐’† ๐’‚๐’“๐’•๐’˜๐’๐’“๐’Œๅด–๐˜ฉ๐˜ฆ๐˜ข้Ÿฟๆง“่จ€๐˜ท๐˜ฐ๐˜ช๐˜ค๐˜ฆ ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ฐ๐˜ฐ๐˜ต, ๐˜ณ๐˜ฆ๐˜ค๐˜ญ๐˜ข๐˜ช๐˜ฎ๐˜ช๐˜ฏ๐˜จส™ส สษชแด˜ แด‹แด€ษช แด„สœแดœษด ๅด–๐˜ฉ๐˜ฆ๐˜ข้Ÿฟๆง“่จ€๐˜ท๐˜ฐ๐˜ช๐˜ค๐˜ฆ ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ฐ๐˜ฐ๐˜ต, ๐˜ณ๐˜ฆ๐˜ค๐˜ญ๐˜ข๐˜ช๐˜ฎ๐˜ช๐˜ฏ๐˜จ is a...
20/02/2026

๐‘ด๐’๐’“๐’† ๐’‚๐’ƒ๐’๐’–๐’• ๐’•๐’‰๐’† ๐’‚๐’“๐’•๐’˜๐’๐’“๐’Œ

ๅด–๐˜ฉ๐˜ฆ๐˜ข้Ÿฟๆง“่จ€๐˜ท๐˜ฐ๐˜ช๐˜ค๐˜ฆ ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ฐ๐˜ฐ๐˜ต, ๐˜ณ๐˜ฆ๐˜ค๐˜ญ๐˜ข๐˜ช๐˜ฎ๐˜ช๐˜ฏ๐˜จ
ส™ส สษชแด˜ แด‹แด€ษช แด„สœแดœษด

ๅด–๐˜ฉ๐˜ฆ๐˜ข้Ÿฟๆง“่จ€๐˜ท๐˜ฐ๐˜ช๐˜ค๐˜ฆ ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ฐ๐˜ฐ๐˜ต, ๐˜ณ๐˜ฆ๐˜ค๐˜ญ๐˜ข๐˜ช๐˜ฎ๐˜ช๐˜ฏ๐˜จ is a mixed media installation centred around the artist exploring his fatherโ€™s native tongue, Hakka. Unable to speak it, language becomes a site of tension, where discovery meets loss, and the restless coupling of breakthrough and forfeiture engenders questions of legitimacy and cultural dispossession.

The artist recorded learning sessions with his father over the span of two years, transforming them into the present installation. In order to learn these new words, Yip invented a written hotchpotch of Hong Kong Cantonese, Putonghua pinyin, English and self-invented marks to pinpoint the right tones. These marks crystallise both a desire and fragmentation in his process, indicating aspiration and alienation. Words flash across the red screen, creating a sharp rhythm as if calling for us to repeat them. A hypnotic cadence takes place, inviting the audience to participate in this journey. Sitting close to the screen, we hear both the sonโ€™s and the fatherโ€™s voiceโ€“ a scratchy and nostalgic sound, distant but alive with familiarity.

ใ€Šๅด–๐˜ฉ๐˜ฆ๐˜ข้Ÿฟๆง“่จ€๐˜ท๐˜ฐ๐˜ช๐˜ค๐˜ฆ ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ฐ๐˜ฐ๐˜ต, ๐˜ณ๐˜ฆ๐˜ค๐˜ญ๐˜ข๐˜ช๐˜ฎ๐˜ช๐˜ฏ๐˜จใ€‹ไฟ‚ไธ€ไปถๆททๅˆๅช’ไป‹่ฃ็ฝฎไฝœๅ“๏ผŒ่š็„ฆ่—่ก“ๅฎถๅฐ็ˆถ่ฆชๆฏ่ชžโ€”โ€”ๅฎขๅฎถ่ฉฑโ€”โ€”ๅ˜…ๆŽข็ดขใ€‚็”ฑๆ–ผ่‡ชๅทฑ็„กๆณ•ๆตๅˆฉ่ชชๅ‡บๅ‘ข็จฎ่ชž่จ€๏ผŒ่ชž่จ€ๆœฌ่บซๆˆ็‚บไธ€ๅ€‹ๅ……ๆปฟๅผตๅŠ›ๅ˜…ๅ ดๅŸŸ๏ผš็™ผ็พๅŒๅคฑ่ฝไธฆๅญ˜๏ผŒ่€Œ็ช็ ด่ˆ‡ๅคฑๅŽปไน‹้–“ไธๅฎ‰ๅ˜…ไบค็บ๏ผŒๅผ•็™ผๅฐๆ–‡ๅŒ–ๆญฃ็•ถๆ€งๅŒๆ–‡ๅŒ–่ขซๅ‰ๅฅชๅ˜…ๆๅ•ใ€‚

่—่ก“ๅฎถๆญทๆ™‚ๅ…ฉๅนด๏ผŒ่จ˜้Œ„ไฝขๅŒ็ˆถ่ฆชไธ€้ฝŠๅญธ็ฟ’ๅฎขๅฎถ่ฉฑๅ˜…้Ž็จ‹๏ผŒไธฆๅฐ‡ๅ‘ขๅ•ฒๅญธ็ฟ’็‰‡ๆฎต่ฝ‰ๅŒ–็‚บ่€Œๅฎถๅ˜…่ฃ็ฝฎไฝœๅ“ใ€‚็‚บๅ’—ๆŽŒๆกๆ–ฐ่ฉžๅฝ™๏ผŒYip ่‡ช่กŒๅ‰ตไฝœๅ’—ไธ€ๅฅ—ๆททๅˆๆ›ธๅฏซ็ณป็ตฑ๏ผŒ็ตๅˆ้ฆ™ๆธฏ็ฒต่ชžใ€ๆ™ฎ้€š่ฉฑๆ‹ผ้Ÿณใ€่‹ฑๆ–‡๏ผŒไปฅๅŠไฝข่‡ชๅ‰ตๅ˜…็ฌฆ่™Ÿ๏ผŒ็”จๅšŸๆจ™็คบๆญฃ็ขบ่ฒ่ชฟใ€‚ๅ‘ขๅ•ฒ่จ˜่™Ÿๅ‡็ตๅ’—ไฝขๅญธ็ฟ’้Ž็จ‹ไธญๅ˜…ๆธดๆœ›ๅŒ็ ด็ขŽ็‹€ๆ…‹๏ผŒๅŒๆ™‚ๆŒ‡ๅ‘่ฟฝๆฑ‚่ˆ‡็–้›ขใ€‚่ฉž่ชžๅ–บ็ด…่‰ฒๅฑๅน•ไธŠไธๆ–ท้–ƒ็พ๏ผŒ็ฏ€ๅฅ้Šณๅˆฉ๏ผŒๅฝทๅฝฟๅฌๅ–š่ง€็œพไธ€้ฝŠ่ค‡่ชฆ๏ผ›ไธ€็จฎ่ฟ‘ไนŽๅ‚ฌ็œ ๅ˜…้Ÿปๅพ‹้šจไน‹ๅฑ•้–‹๏ผŒ้‚€่ซ‹่ง€็œพๅƒ่ˆ‡ๅ‘ขๆฎตๆ—…็จ‹ใ€‚็•ถๆˆ‘ๅ“‹ๅ่ฟ‘ๅฑๅน•๏ผŒๅฏไปฅๅŒๆ™‚่ฝๅˆฐๅ…’ๅญๅŒ็ˆถ่ฆชๅ˜…่ฒ้Ÿณโ€”โ€”่ฒ็ทšๅธถ้ปžๆฒ™ๅ•ž๏ผŒๅ……ๆปฟๆ‡ท่ˆŠๆ„Ÿ๏ผŒ้™้ ๅปๅˆ็†Ÿๆ‚‰๏ผŒๅฝทๅฝฟไป็„ถๆดป่‘—ใ€‚

๐‘ญ๐’‚๐’‚๐’1๐’‹๐’Š๐’Œ6 ๐’๐’Š1๐’ˆ๐’‚๐’‚๐’1 (๐‘ฐ๐’ ๐‘ฉ๐’†๐’•๐’˜๐’†๐’†๐’ ๐‘ป๐’“๐’‚๐’๐’”๐’๐’‚๐’•๐’Š๐’๐’๐’”)
CHAN Melody, YAN Wai Yin Winnie, YIP Kai Chun
Curated by VABRE CHAU Amandine
Opening: 29th January 6-8pm
29th January - 7th March 2026

๐‘ฎ๐’†๐’• ๐’•๐’ ๐’Œ๐’๐’๐’˜ ๐’•๐’‰๐’† ๐’‚๐’“๐’•๐’Š๐’”๐’• ๐’๐’ ๐’”๐’‰๐’๐’˜: ๐’€๐’Š๐’‘ ๐‘ฒ๐’‚๐’Š ๐‘ช๐’‰๐’–๐’Yip Kai Chun is a Hong Kong artist-curator working across a variety of mediu...
17/02/2026

๐‘ฎ๐’†๐’• ๐’•๐’ ๐’Œ๐’๐’๐’˜ ๐’•๐’‰๐’† ๐’‚๐’“๐’•๐’Š๐’”๐’• ๐’๐’ ๐’”๐’‰๐’๐’˜: ๐’€๐’Š๐’‘ ๐‘ฒ๐’‚๐’Š ๐‘ช๐’‰๐’–๐’

Yip Kai Chun is a Hong Kong artist-curator working across a variety of mediums, including mixed media installation, moving images and sound. With a research oriented and socially engaged approach, the artist is interested in peripheral communities and the idea of locality.

A primary quest of his work is the inheritance and transformation of culture and language in the context of migration โ€” migrants in Hong Kong, Hong Kongers & Chinese people as overseas migrants, and Hong Kong as an essentially migrant city. The major example of this is his continuous exploration of the disconnection, mutation and possibilities of the Hakka identity and language; which has brought him to communities in Hong Kong, Singapore and Indonesia.

Yip co-founded the Inter-island Festival (2021, 2023 & 2026)and has been to residencies in Indonesia (2025), USA (2024),Singapore (2022), India (2018 & 2019) and Armenia (2016) among others. He was awarded Special Mention, Media Art Category, The 21st ifva Media Art Exhibition, Hong Kong (2016). He is the winner of the 3rd VT Open Call, VT Artsalon, Taiwan (2017) and Open Call for Young Curators by Mur Nomade, Hong Kong (2015).

๐‘ญ๐’‚๐’‚๐’1๐’‹๐’Š๐’Œ6 ๐’๐’Š1๐’ˆ๐’‚๐’‚๐’1 (๐‘ฐ๐’ ๐‘ฉ๐’†๐’•๐’˜๐’†๐’†๐’ ๐‘ป๐’“๐’‚๐’๐’”๐’๐’‚๐’•๐’Š๐’๐’๐’”)
CHAN Melody, YAN Wai Yin Winnie, YIP Kai Chun
Curated by VABRE CHAU Amandine
Opening: 29th January 6-8pm
29th January - 7th March 2026



่‘‰ๅ•ŸไฟŠ๏ผˆ1984ๅนด็”Ÿ๏ผ‰ๆ˜ฏไพ†่‡ช้ฆ™ๆธฏ็š„่—่ก“ๅฎถๅ…ผ็ญ–ๅฑ•ไบบ๏ผŒๅ…ถๅ‰ตไฝœ่š็„ฆๆ–ผ้‚Š็ทฃ่ˆ‡่ขซๅฟฝ่ฆ–็š„็คพ็พคๅŠๅœฐๅŸŸ๏ผŒๅฐคๅ…ถ้—œๆณจ้›ขๆ•ฃ็พค้ซ”่ˆ‡ๅณถๅถผ่ญฐ้กŒใ€‚ไป–ไปฅๆฐ‘ๆ—่ชŒ็‚บๅŸบ็คŽ๏ผŒๆŽกๅ–็ ”็ฉถๅฐŽๅ‘่ˆ‡็คพๆœƒๅƒ่ˆ‡็š„ๅฏฆ่ธ่ทฏๅพ‘๏ผŒๅ‰ตไฝœๅ‡บ่žๅˆๅ‹•ๆ…‹ๅฝฑๅƒใ€่ฒ้Ÿณ่ˆ‡็พๆˆ็‰ฉ็š„ๆททๅˆๅช’ไป‹่ฃ็ฝฎใ€‚
ๅ…ถไฝœๅ“็š„ๆ ธๅฟƒๅ‘ฝ้กŒ๏ผŒๅœจๆ–ผๆŽข็ดข้ทๅพ™่„ˆ็ตกไธ‹ๆ–‡ๅŒ–่ˆ‡่ชž่จ€็š„ๅ‚ณๆ‰ฟ่ˆ‡่ฎŠๅฝขโ€”โ€”ๅŒ…ๆ‹ฌ้ฆ™ๆธฏ็š„็งปๆฐ‘็พค้ซ”ใ€ไฝœ็‚บๆตทๅค–็งปๆฐ‘็š„้ฆ™ๆธฏไบบ่ˆ‡่ฏไบบ๏ผŒไปฅๅŠ้ฆ™ๆธฏไฝœ็‚บๆœฌ่ณชไธŠ็š„็งปๆฐ‘ๅŸŽๅธ‚ใ€‚ๆœ€ๅ…ทไปฃ่กจๆ€ง็š„ๅฏฆ่ธๆ˜ฏไป–ๅฐๅฎขๅฎถ่บซไปฝ่ˆ‡่ชž่จ€็š„ๆ–ท่ฃ‚ใ€ๆต่ฎŠๅŠๅฏ่ƒฝๆ€ง็š„ๆŒ็บŒๆŽข็ดข๏ผŒ้€™้ …็ ”็ฉถๆ›พๅผ•้ ˜ไป–ๆทฑๅ…ฅ้ฆ™ๆธฏใ€ๆ–ฐๅŠ ๅกๅŠๅฐๅฐผ็š„ๅฎขๅฎถ็คพ็พคใ€‚
่‘‰ๅ•ŸไฟŠๅ…ฑๅŒๅ‰ต่พฆไบ†ใ€Œ้›ขๅณถ่—่ก“็ฏ€ใ€๏ผˆ2021ใ€2023ๅŠ2026ๅนด๏ผ‰ใ€‚ไป–ๆ›พ้งๆ‘ๆ–ผๅฐๅฐผ๏ผˆ2025ๅนด๏ผ‰ใ€็พŽๅœ‹๏ผˆ2024ๅนด๏ผ‰ใ€ๆ–ฐๅŠ ๅก๏ผˆ2022ๅนด๏ผ‰ใ€ๅฐๅบฆ๏ผˆ2018ๅŠ2019ๅนด๏ผ‰ใ€ไบž็พŽๅฐผไบž๏ผˆ2016ๅนด๏ผ‰ใ€ๆ ผ้ญฏๅ‰ไบž๏ผˆ2016ๅนด๏ผ‰ใ€ๅ‰็ˆพๅ‰ๆ–ฏๆ–ฏๅฆ๏ผˆ2016ๅนด๏ผ‰ๅŠ่‘ก่„็‰™๏ผˆ2016ๅนด๏ผ‰ใ€‚ไป–ๆ›พ็ฒ้ ’้ฆ™ๆธฏ็ฌฌไบŒๅไธ€ๅฑ†ifvaๅช’้ซ”่—่ก“ๅฑ•ๅช’้ซ”่—่ก“็ต„ๅˆฅ็‰นๅˆฅ่กจๆš๏ผˆ2016ๅนด๏ผ‰๏ผŒไบฆๆ˜ฏๅฐ็ฃVT้žๅธธๅปŸ่—ๆ–‡็ฉบ้–“็ฌฌไธ‰ๅฑ†ๅ…ฌ้–‹ๅพตไปถๅ„ช้ธ๏ผˆ2017ๅนด๏ผ‰ๅŠ้ฆ™ๆธฏMur Nomade้’ๅนด็ญ–ๅฑ•ไบบๅ…ฌ้–‹ๅพตไปถๅพ—ไธป๏ผˆ2015ๅนด๏ผ‰ใ€‚

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Wednesday 13:00 - 19:00
Thursday 13:00 - 19:00
Friday 13:00 - 19:00
Saturday 13:00 - 19:00

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