BARTHA CONTEMPORARY

BARTHA CONTEMPORARY Bartha Contemporary, Founded 2000

Ahead of our forthcoming presentation of works by Giulia Ricci and Sarah Chilvers, we have published a new journal explo...
01/09/2026

Ahead of our forthcoming presentation of works by Giulia Ricci and Sarah Chilvers, we have published a new journal exploring the relationship between musical notation and modern and contemporary art.

From experimental scores and the legacy of John Cage to drawing as rhythm, instruction and performance, the text places Ricci’s recent Rastrum Drawings within a broader art-historical context. Made with a five-line nib traditionally used to draw musical staves, these works borrow the visual language of notation while evoking fields, waterways and the landscape of Emilia-Romagna.

I hope you enjoy reading it, and we look forward to showing the works in London from 12–19 September.

Read the journal:
https://www.barthacontemporary.com/journals/giulia-ricci-rastrum

29/08/2026

We first showed Giulia Ricci and Sarah Chilvers together at our former Margaret Street gallery ten years ago. This September, we are very pleased to bring their work into conversation once again.

Both artists use structure and repetition while allowing chance, movement and time to influence the outcome. Ricci’s recent Rastrum Drawings transform a five-line musical notation nib into a tool for tracing rhythm and landscape. Chilvers uses dice to determine aspects of colour, direction and composition, introducing uncertainty into an otherwise carefully considered process.

It is fascinating to see how their individual practices have developed over the past decade, and how naturally the works continue to speak to one another.

Giulia Ricci & Sarah Chilvers
12–19 September 2026
Bartha_contemporary, London

Explore the accompanying online showcase:
https://www.barthacontemporary.com/shows/sarah-chilvers-giulia-ricci-_-revisited

06/08/2026

At Bartha_contemporary, we have been exploring how emerging technologies can support a more informed and engaging experience of contemporary art.

One of our latest experiments is an integrated Augmented Reality feature on our website, allowing collectors to visualise selected works in their own spaces before arranging a viewing.

We see this not as a substitute for experiencing art in person, but as a practical tool that helps bridge the gap between the screen and the gallery. Scale, proportion and context all influence how a work is perceived, and AR offers another way to begin that conversation.

Technology cannot replace the experience of standing in front of an artwork. It can, however, make discovering, understanding and living with art a little more accessible.

As we continue to develop our digital platform, we are interested in technologies that enhance engagement while keeping the artwork itself at the centre of the experience.

31/07/2026

Sarah Chilvers & Giulia Ricci _ Revisited
Extended until August 22nd
Online at barthacontemporary.com

Sarah Chilvers + Giulia Ricci _ RevisitedOnline Viewing Room continues until July 11th (link in bio)Ten years after Sara...
19/06/2026

Sarah Chilvers + Giulia Ricci _ Revisited
Online Viewing Room continues until July 11th (link in bio)

Ten years after Sarah Chilvers and Giulia Ricci first showed together at our former Margaret Street space, this online showcase brings their work into renewed conversation. It looks back at that earlier exhibition while presenting recent works that reflect how both artists have continued to develop precise, thoughtful and deeply personal approaches to abstraction.

At first glance, Chilvers and Ricci share an interest in systems, repetition and the discipline of working on paper. Yet their works are never simply exercises in order. Each artist uses structure as a way of allowing something less predictable to emerge. Control is present, but it is tested by chance, movement, time and the changing conditions of the world around them.

Continue reading and explore an extended conversation between Sarah Chilvers & Giulia Ricci on our website. (link in bio)

Works
1. Sarah Chilvers, Untitled - D1, 2026
2. Giulia Ricci, Rastrum Drawing #26, 2026
3. Sarah Chilvers, Untitled - D2, 2026
4. Giulia Ricci, Rastrum Drawing #30, 2026
5. Sarah Chilvers, Untitled - D7, 2026
6. Giulia Ricci, Rastrum Drawing #21, 2025
7. Sarah Chilvers, Untitled - D16, 2026
8. Giulia Ricci, Rastrum Drawing #29, 2026

Beat Zoderer _ HAIKU _ Three-Layered Concrete PoemsContinues until July 11th (by appointment - please DM)Bartha_contempo...
18/06/2026

Beat Zoderer _ HAIKU _ Three-Layered Concrete Poems
Continues until July 11th (by appointment - please DM)

Bartha_contemporary is pleased to present a new body of work by Swiss artist Beat Zoderer, continuing one of the most distinctive practices in contemporary geometric abstraction. The paintings from the HAIKU series demonstrate the artist’s enduring ability to reconcile conceptual precision with visual spontaneity, creating works that are at once rigorously constructed and unexpectedly lyrical.

The title of the series refers to the Japanese poetic form, whose brevity and clarity conceal remarkable emotional and intellectual depth. Rather than illustrating haiku, Zoderer adopts its structural economy as a conceptual framework. Each painting is composed of three successive translucent layers of paint, carefully superimposed within irregular and shifting grid structures. The resulting compositions are restrained yet visually complex, revealing an extraordinary richness through reduction.

Throughout his career, Zoderer has challenged the ideal of mathematical perfection that characterised much twentieth-century geometric abstraction. In Switzerland, concrete art found some of its clearest and most influential expressions in the work of Max Bill, Camille Graeser, Verena Loewensberg and Richard Paul Lohse, whose commitment to order, proportion and systematic construction shaped a decisive chapter in post-war abstraction. Zoderer works in close dialogue with this legacy, yet approaches it with a freer, more inquisitive sensibility, allowing intuition, humour, touch, and irregularity to unsettle its stricter conventions.

See link in bio for exhibition website.

Video 1 & 2 installation at Bartha_contemporary, June 2026
Image 3 Beat Zoderer, Haiku, 2026, Acrylic on wood panel, with artist’s frame, 102 × 102 × 2.2 cm | 40 1/5 × 40 1/5 × 9/10 in

27/04/2026

Lucinda Burgess, Atlantic Series (2026)

Created during the artist’s residency on the Atlantic coast of Ireland at the Josef and Anni Albers Foundation, this series of six works on handmade Japanese paper allows seawater, salt, and humidity to act directly on the surface. Ink washes interact with mineral deposits and atmospheric moisture, leaving delicate traces of immersion, drying, and transformation.

Rather than depicting the landscape, the works register the Atlantic itself as an active force. Each piece becomes a quiet record of time, exposure, and the subtle agency of natural processes.

On view in Morphosis at Bartha_contemporary, extended until May 16th, by appointment.

In Morphosis, colour is neither a stable surface nor a purely optical phenomenon; it is a record of immersion, a negotia...
08/04/2026

In Morphosis, colour is neither a stable surface nor a purely optical phenomenon; it is a record of immersion, a negotiation between fibre and mineral, intention and atmosphere. Through this subtle expansion of relational thinking into the domain of material transformation, Burgess situates her work within a lineage of disciplined inquiry while pressing it toward a contemporary sensitivity attuned to ecology, duration, and the quiet labour of preservation.

Ahead of Lucinda Burgess forthcoming exhibition ‚Morphosis‘ we recently published a Journal about her recent residency at the Albers Foundation on the Atlantic coast of Ireland. (link in bio)

🖼️ Lucinda Burgess _ Morphosis _ 9.4. - 3.5.26
Open Day in the company of the artist _ Saturday 18.4. _ Noon - 4 PM
burgess

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