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Mennour

Accueil
France
Paris
Mennour

www.mennour.com

Depuis 1999, Kamel Mennour présente au sein de ses quatre espaces parisiens (47, rue Saint-André des Arts, 5&6 rue du Pont de Lodi et 28 Avenue Matignon) le travail d’une quarantaine d’artistes contemporains, jeunes et internationalement consacrés.

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Since 1999, Kamel Mennour presents in his four Parisian galleries (47, rue Saint-André des Arts, 5&6 rue du Pont de Lodi and 28 Avenue Matignon) the works of more than forty different young contemporary artists who are internationally recognized.

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Mohammad AlFaraj
Lucie Antoinette
Neil Beloufa
Hicham Berrada
Mohamed Bourouissa
Marie Bovo
Daniel Buren
Eugène Carrière
Valentin Carron
Ymane Chabi-Gara
Jean Degottex
Liam Everett
Sidival Fila
Claire Fontaine
Ryan Gander
Alberto García-Alix
Douglas Gordon
Dhewadi Hadjab
Petrit Halilaj
Camille Henrot
David Hominal
Huang Yong Ping
Elizabeth Jaeger
Cameron Jamie
Ann Veronica Janssens
Nina Jayasuriya
Anish Kapoor
Tadashi Kawamata
Idris Khan
Alicja Kwade
Bertrand Lavier
Lee Ufan
Matthew Lutz-Kinoy
The Estate of Maryan
Pierre Molinier
François Morellet
Christodoulos Panayiotou
Gina Pane
Philippe Parreno
Judit Reigl
Robin Rhode
Ugo Rondinone
Zineb Sedira
Mircea Suciu
Shen Yuan

25/09/2026

DHEWADI HADJAB • On the occasion of the Pope’s visit to France and Paris today, we are delighted to share images of Dhewadi Hadjab’s permanent installation of two of his works at the Église Saint-Eustache in Paris.

At the invitation of the Église Saint-Eustache in 2024, Dhewadi Hadjab has created two monumental paintings on the theme of the conversion of Saint Paul, which joined the church’s rich décor. Profoundly humanistic, these two paintings create a new link between classicism and modernity. They draw on classical tradition while placing the figure in a contemporary context.

The two paintings can be seen in each vestibule of the church’s west façade.

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Dhewadi Hadjab, Me voici, Seigneur !, 2024. Oil on canvas. 310 x 256 cm
Dhewadi Hadjab, Je tombai à terre et j’entendis une voix, 2024. Oil on canvas. 310 x 256 cm

24/09/2026

DHEWADI HADJAB / THE ARMORY SHOW • Now open: our solo booth (106) of Dhewadi Hadjab’s work at The Armory Show in New York.

For his first solo presentation in North America, Dhewadi Hadjab reveals at The Armory Show the third act of a corpus conceived as an ongoing theatrical performance or ballet.

As in both previous acts, this exhibition presents a new series of oil paintings that represent an anonymous, androgynous non-professional dancer in their attempt to move freely and conduct an improvised choreography, beyond control. From sequences of photographs he carefully orchestrates, Dhewadi Hadjab selects the most enigmatic posture to realistically translate in oil paint.
Having mastered the chiaroscuro technique by attentively studying the great masters—the Baroque period with Caravaggio, Neoclassicism with Jacques-Louis David, Romanticism with Eugène Delacroix—he undertakes a study of drapery, an element he is particularly drawn to as it dictates its own form and carries the unretrievable trace of its own memory.

With “Act III, Extend”, Dhewadi Hadjab invites us to extend our bodies beyond the limits of the familiar, and explores the variation of one composition through the fragmentation of a series, building suspense to reveal the acts that are yet to come.
— Megan Macnaughton megan louise macnaughton

Meet our team and the artist at booth 106 at the Javits Center until September 27, 2026.

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Photo.

23/09/2026

Mennour is pleased to announce the opening of a new address at 26 Avenue Matignon, in the heart of one of the historic districts of the Parisian art market. This new location opens a new chapter in the history of the gallery founded by Kamel Mennour in 1999 and affirms its position in the modern and contemporary art market.
With ten years of programming at Matignon in its first space, and in the continuity of its work on historic artists from Eugène Carrière to Alberto Giacometti, Mennour is expanding with a new large-scale space by taking over the space of Galerie Malingue—one of the great Parisian dealers specializing in the masters of the Pont-Aven School, Impressionist artists, and the avant-gardes of the first half of the 20th century, redesigned by Pierre Yovanovitch.

To open this new chapter, Kamel Mennour wanted a manifesto exhibition, “L’insaisissable nature du réel”, curated by Christian Alandete, bringing together some of the greatest artists of modernity at a pivotal moment in the history of post-war modern art. Featuring works by leading artists such as Constantin Brancusi, Alberto Giacometti, Jean Arp, Lucio Fontana, Yves Klein, Germaine Richier, Joan Miró, Judit Reigl, Günther
Uecker, Joan Mitchell, Helena Vieira da Silva and Lee Ufan, drawn from major private collections, foundations, and museums such as MoMA, this exhibition marks the start of an ambitious program of the greatest modern artists.

JEAN ARP, CONSTANTIN BRANCUSI, LUCIO FONTANA, HELEN FRANKENTHALER, ALBERTO GIACOMETTI, YVES KLEIN, YAYOI KUSAMA, LEE UFAN, JOAN MITCHELL, LOUISE NEVELSON, JUDIT REIGL, GERMAINE RICHIER, RICHARD SERRA, GÜNTHER UECKER, MARIA HELENA VIEIRA DA SILVA, MANOUCHER YEKTAI
L’INSAISISSABLE NATURE DU RÉEL
Inaugural exhibition curated by Christian Alandete
New space 26 avenue Matignon, Paris

🟦 Opening: October 19, 2026, 6-8pm

22/09/2026

Mennour is delighted to announce its programme of exhibitions for October in Paris. We look forward to welcoming you to three new solo exhibitions across our Left Bank spaces, as well as to the opening of our new space at 26 avenue Matignon on the Right Bank.

ANISH KAPOOR
Solo exhibition
6 rue du Pont de Lodi, Paris

YINKA SHONIBARE
The Wind, the Earth and the Fire
5 rue du Pont de Lodi, Paris

BROOKLIN SOUMAHORO
Let there be
47 rue Saint-André-des-Arts, Paris

🟥 Exhibition Opening & Cocktail Reception: October 16, 2026, 6-8pm

JEAN ARP, CONSTANTIN BRANCUSI, LUCIO FONTANA, HELEN FRANKENTHALER, ALBERTO GIACOMETTI, YVES KLEIN, YAYOI KUSAMA, LEE UFAN, JOAN MITCHELL, LOUISE NEVELSON, JUDIT REIGL, GERMAINE RICHIER, RICHARD SERRA, GÜNTHER UECKER, MARIA HELENA VIEIRA DA SILVA, MANOUCHER YEKTAI
L’INSAISISSABLE NATURE DU RÉEL
Inaugural exhibition curated by Christian Alandete
New space 26 avenue Matignon, Paris

🟥 Opening: October 19, 2026, 6-8pm

21/09/2026

AMINE HABKI’s first solo exhibition at the gallery, “Please mind the gap”, is on view until October 3, 2026 at 5 rue du Pont de Lodi, Paris.

“For his first solo exhibition at Mennour, Amine Habki borrows his title from the audible and written warning phrases used in the New-York subway and the London underground to think about movement, as much in its concrete as in its contemplative dimension.

The title “Please Mind the Gap” comes from a poem written by the artist in which he asks to respect the boundaries of our bodies, and by extension of our private lives. Picking up the threads so to speak, to become aware of the gap created by the plurality of our experiences, the divergence of our struggles and the disparity of our privileges.

His works question the way our bodies collectively occupy the cracks and how the act of wandering makes up our emotional cartographies.”
— Megan Macnaughton megan louise macnaughton

This show is part of the Mennour Emergence exhibition cycle for the 2025–2026 season, at the gallery’s space at 5 rue du Pont de Lodi, Paris.
 

18/09/2026

DHEWADI HADJAB / THE ARMORY SHOW • Mennour is pleased to participate in The Armory Show in New York with a solo booth by Dhewadi Hadjab, from September September 24 to 27, 2026.

For his first solo presentation in North America, Dhewadi Hadjab reveals at The Armory Show the third act of a corpus conceived as an ongoing theatrical performance or ballet. As in both previous acts, this exhibition presents a new series of oil paintings that represent an anonymous, androgynous non-professional dancer in their attempt to move freely and conduct an improvised choreography, beyond control. From sequences of photographs he carefully orchestrates, Dhewadi Hadjab selects the most enigmatic posture to realistically translate in oil paint. Having mastered the chiaroscuro technique by attentively studying the great masters—the Baroque period with Caravaggio, Neoclassicism with Jacques-Louis David, Romanticism with Eugène Delacroix—he undertakes a study of drapery, an element he is particularly drawn to as it dictates its own form and carries the unretrievable trace of its own memory. With “Act III, Extend”, Dhewadi Hadjab invites us to extend our bodies beyond the limits of the familiar, and explores the variation of one composition through the fragmentation of a series, building suspense to reveal the acts that are yet to come.
— Megan Macnaughton

See you next week at booth 106!

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Music: Smile / Shiruky / courtesy of www.epidemicsound.com

07/09/2026

DANIEL BUREN • À l’été 2026, le musée des impressionnismes Giverny invite Daniel Buren à investir les espaces du musée.

Avec « Plantations, travaux in situ, 2026 », Daniel Buren propose une création inédite, qui s’étend des jardins à l’intérieur du musée, faisant dialoguer l’environnement de Giverny et les œuvres de la collection. Un siècle après la disparition de Claude Monet, l’artiste prolonge certaines intuitions fondamentales des peintres impressionnistes, intéressés par les effets changeants de la couleur et de la lumière dans la nature. Mais là où Monet et Caillebotte peignaient les frémissements de l’eau, des paysages ou du ciel, Buren inscrit ses œuvres dans l’espace même où nous nous déplaçons, faisant de la perception un phénomène mouvant et toujours renouvelé. Semées dans le paysage de Giverny, ses Plantations créent de grandes perspectives de couleurs – teintées de bleu, de jaune, de noir, de rouge et de violet – qui viennent s’inscrire dans le cadre verdoyant de la colline et des jardins, et qui se prolongent à l’intérieur des salles. Au sein des galeries, l’exposition d’une sélection d’œuvres issues de la collection du musée côtoie le travail de Buren et nous invite à une immersion dans la nature et dans la création artistique.

Commissariat : Cyrille Sciama, Directeur général du musée des impressionnismes Giverny, conservateur en chef du patrimoine, et Sylvie Patry, conservatrice générale du patrimoine au musée d’Orsay

Jusqu’au 1er novembre 2026

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Vidéo-souvenir : Daniel Buren (né en 1938), Plantations, travaux in situ, musée des impressionnismes Giverny, 2026. © DB / ADAGP, Paris, 2026 / Photos et vidéos aériennes © TimeLapse Go’

04/09/2026

FRIEZE SEOUL 2026 • Visit us at Frieze Seoul until September 5 and discover a selection of artworks by Alighiero Boetti, Daniel Buren, Alexander Calder, Eugène Carrière, Sidival Fila, Léonard Tsuguharu Foujita, Alberto Giacometti, Petrit Halilaj, Julien Heintz, Camille Henrot, Anish Kapoor, Tadashi Kawamata, Idris Khan, Yayoi Kusama, Alicja Kwade, Bertrand Lavier, Lee Ufan, Matthew Lutz-Kinoy, Francis Picabia & Ugo Rondinone.

📍Find our team at booth C19!

📩 Contact the gallery by Private Message for more information about the works.

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Views of the booth by

03/09/2026

RYAN GANDER and HICHAM BERRADA are both nominated for the seventh and eighth High Line Plinth commissions in New York. In fall 2026, High Line Art will select a shortlist of artists to move to the next stage of the proposal process.

Public feedback is integral to the proposal process: please share your thoughts on both artworks on thehighline.org by September 8, 2026

Ryan Gander’s two-part installation “Time Piece (for everyone, everywhere, forever)” features a large, double-sided digital clock displaying 88:88 in fluorescent yellow, with a flashing colon that marks passing seconds. An additional black totem at the base cycles through 500 time-based statements. Modeled after commercial signage, the installation presents time as something measured, experienced, and observed rather than precisely fixed.

Hicham Berrada’s “Hydrophane” opal is a silica-based mineraloid that absorbs water and reveals shifting color when exposed to light. “Hydrophane” presents an actual opal housed in a small crystal box at its base, where it is continuously filmed. This live, rotating image is projected onto large screens above, where the magnified image transforms into a prism-like field of refracted color.

02/09/2026

FRIEZE SEOUL 2026 • Mennour is pleased to come back to Frieze Seoul from September 2 to 5, 2026, with a selection of artworks by Alighiero Boetti, Daniel Buren, Alexander Calder, Eugène Carrière, Sidival Fila, Léonard Tsuguharu Foujita, Alberto Giacometti, Petrit Halilaj, Julien Heintz, Camille Henrot, Anish Kapoor, Tadashi Kawamata, Idris Khan, Yayoi Kusama, Alicja Kwade, Bertrand Lavier, Lee Ufan, Matthew Lutz-Kinoy, Francis Picabia & Ugo Rondinone.

Find our team at booth C19!

Adresse

47, Rue Saint-André-des-Arts
Paris
75006

Heures d'ouverture

Mardi	11:00 - 19:00
Mercredi	11:00 - 19:00
Jeudi	11:00 - 19:00
Vendredi	11:00 - 19:00
Samedi	11:00 - 19:00

Site Web

http://www.mennour.com/

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