Mennour

Depuis 1999, Kamel Mennour présente au sein de ses quatre espaces parisiens (47, rue Saint-André des Arts, 5&6 rue du Pont de Lodi et 28 Avenue Matignon) le travail d’une quarantaine d’artistes contemporains, jeunes et internationalement consacrés.

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Since 1999, Kamel Mennour presents in his four Parisian galleries (47, rue Saint-André des Arts, 5&6 rue du Pont de Lodi and 28 Avenue Matignon)

the works of more than forty different young contemporary artists who are internationally recognized.

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Mohammad AlFaraj
Lucie Antoinette
Neil Beloufa
Hicham Berrada
Mohamed Bourouissa
Marie Bovo
Daniel Buren
Eugène Carrière
Valentin Carron
Ymane Chabi-Gara
Jean Degottex
Liam Everett
Sidival Fila
Claire Fontaine
Ryan Gander
Alberto García-Alix
Douglas Gordon
Dhewadi Hadjab
Petrit Halilaj
Camille Henrot
David Hominal
Huang Yong Ping
Elizabeth Jaeger
Cameron Jamie
Ann Veronica Janssens
Nina Jayasuriya
Anish Kapoor
Tadashi Kawamata
Idris Khan
Alicja Kwade
Bertrand Lavier
Lee Ufan
Matthew Lutz-Kinoy
The Estate of Maryan
Pierre Molinier
François Morellet
Christodoulos Panayiotou
Gina Pane
Philippe Parreno
Judit Reigl
Robin Rhode
Ugo Rondinone
Zineb Sedira
Mircea Suciu
Shen Yuan

IDRIS KHAN • Congratulations to Idris Khan for the inauguration of “Sky of Hope” at the newly opened Obama Presidential ...
22/06/2026

IDRIS KHAN • Congratulations to Idris Khan for the inauguration of “Sky of Hope” at the newly opened Obama Presidential Center in Chicago. The artist was commissioned to do a site-specific work, contributing to the Center’s vision as a global destination for free public art.

Idris Khan’s work is a massive ceiling painting that overlaps thousands of hand-stamped words. Each word comes from a speech President Obama gave honoring Civil Rights leaders. Layers of stamps create a burst of color above, turning the room itself into part of the artwork.

Already featured in the press:

“Overhead, a monumental artwork by the artist Idris Khan gives the illusion of continued ascent. Words from President Obama’s famed remarks in Selma, Alabama, are stamped and overlapping, sloping upwards as a swath of blue until they reach a rim of light. In Selma, and elsewhere, the former president often spoke about collectively shaping destiny. And that seems to be the final note as you climb up through the museum: the unwritten, wide-open future.”
CNN Style

“The British artist Idris Khan transformed that great room’s ceiling into Sky of Hope, a site-specific installation that consists of thousands of hand-stamped overlapping words in blue radiating from the apex of the white ceiling, also referencing the Selma speech.”
The Art Newspaper

“All of the works relied on feedback from the President and First Lady, none more than Idris Khan’s Sky of Hope, a site-specific painting made up of thousands of hand-stamped words from President Obama’s famous Selma speech, given in 2015 to mark the 50th anniversary of the Civil Rights march from Selma to Montgomery. Virginia Shore contacted Khan, thinking he would be the right person to work on the Center’s highest space. The speech’s words rise along part of the ceiling as it narrows to a skylight.”
Galerie Magazine


Photo. Courtesy The Obama Foundation

19/06/2026

ART BASEL 2026 • Find us at booth C5 at until June 21, 2026, with a selection of artworks by:

Mohammad Alfaraj, Alighiero Boetti, Miriam Cahn, Huguette Caland, Alexander Calder, Eugène Carrière, Ymane Chabi-Gara, Edgar Degas, Sonia Delaunay, Sidival Fila, Lucio Fontana, Léonard Tsuguharu Foujita, Ryan Gander, Alberto Giacometti, Dhewadi Hadjab, Petrit Halilaj, Julien Heintz, Camille Henrot, David Hominal, Elizabeth Jaeger, Anish Kapoor, Tadashi Kawamata, Idris Khan, Yayoi Kusama, Alicja Kwade, Lee Ufan, Matthew Lutz-Kinoy, Roy Lichtenstein, Joan Miró, Joan Mitchell, François Morellet, A.R. Penck, Francis Picabia, Germaine Richier, Ugo Rondinone, Zineb Sedira, Yinka Shonibare, Brooklin A. Soumahoro & Manoucher Yektai.

📩 Contact the gallery by Private Message for more information about the works.


Music: The Dream of Life / Aleph One / courtesy of www.epidemicsound.com

LEE UFAN is featured at our booth (C5) at Art Basel from June 16 to 21, 2026. In the works of the series “From Winds” an...
18/06/2026

LEE UFAN is featured at our booth (C5) at Art Basel from June 16 to 21, 2026.

In the works of the series “From Winds” and “With Winds”, the line is radically freed, taking different directions and not seeking repetition. Like the wind in nature, it becomes an element that can never be fully controlled.

With a broad, paint-laden brush, Lee Ufan applied oblique and flickering marks in rapid succession across a white canvas until the pigment thinned, which typically occurred after the third stroke. Regulating his breath rather than holding it as in earlier works, Lee Ufan’s touching and overlapping brushstrokes obscure the underlying canvas in varying densities of paint across works from this series. This breathing pattern imbued the marks with movement and vitality. Grounding this mark-making in a temporal system of breathwork, the artist reflected his interest in the infinite cyclical nature of time, while articulating his concern with making visible the invisible, as suggested by the titles of the two series.

A major solo presentation of the artist, curated by Jessica Morgan, is currently on view at San Marco Art Centre in Venice, an official Collateral Event of the 61st International Art Exhibition – La Biennale di Venezia.

Concurrently with the Venice presentation, Dia Beacon in Beacon, New York, unveiled a new display of Lee Ufan’s paintings and sculptures—an extraordinary selection of paintings the artist realized between the 1970s and early ’90s, alongside three of his Mono-ha sculptures that extend the conceptual propositions of his works on canvas.

📩 Contact the gallery by Private Message for more information about the work.

Lee Ufan, With Winds, 1989. Pigments on canvas. 193, 7 x 130 cm.
Photo: Paolo Roversi (6), Lorenzo Palmieri (7) and Bill Jacobson Studio (8)

ART BASEL 2026 • Find us at booth C5 at Art Basel from June 16 to 21, 2026, with a selection of artworks by Mohammad Alf...
18/06/2026

ART BASEL 2026 • Find us at booth C5 at Art Basel from June 16 to 21, 2026, with a selection of artworks by Mohammad Alfaraj, Alighiero Boetti, Miriam Cahn, Huguette Caland, Alexander Calder, Eugène Carrière, Ymane Chabi-Gara, Edgar Degas, Sonia Delaunay, Sidival Fila, Lucio Fontana, Léonard Tsuguharu Foujita, Ryan Gander, Alberto Giacometti, Dhewadi Hadjab, Petrit Halilaj, Julien Heintz, Camille Henrot, David Hominal, Elizabeth Jaeger, Anish Kapoor, Tadashi Kawamata, Idris Khan, Yayoi Kusama, Alicja Kwade, Lee Ufan, Matthew Lutz-Kinoy, Roy Lichtenstein, Joan Miró, Joan Mitchell, François Morellet, A.R. Penck, Francis Picabia, Germaine Richier, Ugo Rondinone, Zineb Sedira, Yinka Shonibare, Brooklin A. Soumahoro & Manoucher Yektai.

📩 Contact the gallery by Private Message for more information about the works.

ART BASEL 2026 is now officially open! Find us at booth C5 until June 21, 2026, with a selection of artworks by Mohammad...
18/06/2026

ART BASEL 2026 is now officially open! Find us at booth C5 until June 21, 2026, with a selection of artworks by Mohammad Alfaraj, Alighiero Boetti, Miriam Cahn, Huguette Caland, Alexander Calder, Eugène Carrière, Ymane Chabi-Gara, Edgar Degas, Sonia Delaunay, Sidival Fila, Lucio Fontana, Léonard Tsuguharu Foujita, Ryan Gander, Alberto Giacometti, Dhewadi Hadjab, Petrit Halilaj, Julien Heintz, Camille Henrot, David Hominal, Elizabeth Jaeger, Anish Kapoor, Tadashi Kawamata, Idris Khan, Yayoi Kusama, Alicja Kwade, Lee Ufan, Matthew Lutz-Kinoy, Roy Lichtenstein, Joan Miró, Joan Mitchell, François Morellet, A.R. Penck, Francis Picabia, Germaine Richier, Ugo Rondinone, Zineb Sedira, Yinka Shonibare, Brooklin A. Soumahoro & Manoucher Yektai.

📩 Contact the gallery by Private Message for more information about the works.

GERMAINE RICHIER is featured at our booth (C5) at Art Basel from June 16 to 21, 2026. Created during the years when Germ...
17/06/2026

GERMAINE RICHIER is featured at our booth (C5) at Art Basel from June 16 to 21, 2026.

Created during the years when Germaine Richier was developing her most famous hybrid creatures, this work reflects her interest in the processes of growth, mutation, and adaptation observed in nature. The bodies depicted appear fragile, yet are always imbued with an energy of resistance.

Through this work, Germaine Richier invents a profoundly modern figure of the living. Neither human, nor animal, nor plant, “La Feuille” belongs to a world where categories waver and where all existence appears as the result of a continuous metamorphosis.

📩 Contact the gallery by Private Message for more information about the work.

Germaine Richier, La Feuille, 1948. Dark patinated bronze. Edition 4/8. 141,5 x 37 x 26,5 cm.

Photo 2 by Luc Joubert, around 1955

MANOUCHER YEKTAI is featured at our booth (C5) at Art Basel from June 16 to 21, 2026. This artwork is part of the new Ba...
17/06/2026

MANOUCHER YEKTAI is featured at our booth (C5) at Art Basel from June 16 to 21, 2026. This artwork is part of the new Basel Exclusive initiative.

Created in 1960, this abstract painting bears witness to an essential moment in Manoucher Yektai’s career. Associated with the first generation of New York Abstract Expressionism, the artist was then developing a singular pictorial language that distinguished itself as much through its gestural freedom as through its attention
to the materiality of paint.

At that time, Yektai moved away from the conventions of representation without, however, adhering to a purely formal abstraction. The canvas became above all the site of a physical experience. The thick impastos, applied directly with a palette knife or brush, construct a vibrant surface in which color acquires an almost sculptural
presence. The material no longer serves to represent the world but becomes the very subject of the work.

In this painting, the forms seem to emerge and then dissolve within an unstable space. The colored masses unfold according to a precarious balance, evoking elements of reality that are difficult to identify. The composition retains something organic, as if the painter’s gestures had recorded the rhythms of nature rather than its appearances.
This tension between abstraction and the memory of the real constitutes one of the major characteristics of his work. Whereas some Abstract Expressionists sought the
erasure of all reference to the visible world, Yektai maintained a constant dialogue with the landscape, fruits, flowers, and natural elements that nourish his most celebrated compositions.


Manoucher Yektai, Untitled, 1960. Oil on canvas. 54 x 64,8 cm.

📩 Contact the gallery by Private Message for more information about the work.

HUGUETTE CALAND is featured at our booth (C5) at Art Basel from June 16 to 21, 2026. Created in 1985, “Espace Jaune (Big...
17/06/2026

HUGUETTE CALAND is featured at our booth (C5) at Art Basel from June 16 to 21, 2026.

Created in 1985, “Espace Jaune (Big Fish)” fully embodies this economy of means that became the artist’s signature. Against a vast, luminous yellow background, two intertwined forms appear suspended in a boundless space. The title suggests fish swimming through a liquid expanse, yet, as is often the case with Caland, the imagery remains open to interpretation. The forms may just as readily evoke fragments of the body, marine creatures, or simply abstract presences floating within the field of color.

This work was created during the period when Caland spent time regularly in the Limousin region between 1984 and 1986. Her discovery of these rural landscapes nourished her imagination and renewed her relationship with nature, which became a source of forms, rhythms, and sensations. Without ever yielding to direct description, her paintings convey this heightened attention to the metamorphoses of living things.


Huguette Caland, Espace jaune (Big Fish), 1985. Oil on linen. 45,7 x 61 cm

📩 Contact the gallery by Private Message for more information about the work.

Portrait of Huguette Caland by Mustafa Ariss

JOAN MIRÓ is featured at our booth (C5) at Art Basel from June 16 to 21, 2026. Executed in May 1938, “La Funambule” stan...
16/06/2026

JOAN MIRÓ is featured at our booth (C5) at Art Basel from June 16 to 21, 2026.

Executed in May 1938, “La Funambule” stands at a pivotal juncture in Joan Miró’s career. Rendered with delicate precision, the work distills a world of psychological tension, lyricism, and coded narrative. The palette is restrained yet striking, characteristic of the artist’s work at its most concentrated.

To look at “La Funambule” is to encounter a painter who resists every category. Miró is too readily labeled an abstractionist. He was in truth something altogether different: a poet of the visible world. His signs and colored forms grew from an intense, attentive love of nature. They were then refracted through the prism of an equally intense inner life. His line carries both the precision of a draftsman and the liberty of a dreamer. Forms hover between the meticulously drawn and the almost abstract. Yet to call them abstract would be to miss the point entirely. They depict not the external world, but the architecture of an interior one. In this, “La Funambule” belongs to a painting of exile — an art that seeks to contain an entire world from the most minimal of starting points. The minuscule becomes grandiose. The intimate becomes majestic.

The title itself resonates far beyond its immediate subject. “La Funambule”—the tightrope walker—is Europe in 1938, suspended above an abyss it had not yet named. It is Miró himself.

📩 Contact the gallery by Private Message for more information about the work.

Joan Miró, La Funambule, May 14, 1938. Watercolor, India ink, pencil, and pastel on perforated paper. 41 x 33 cm. Framed: 58.5 x 50 x 3 cm

Adresse

47, Rue Saint-André-des-Arts
Paris
75006

Heures d'ouverture

Mardi 11:00 - 19:00
Mercredi 11:00 - 19:00
Jeudi 11:00 - 19:00
Vendredi 11:00 - 19:00
Samedi 11:00 - 19:00

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