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GALERIE THOMAS und GALERIE THOMAS MODERN a. von Pablo Picasso, Max Ernst und Joan Miró.
Die Galerie Thomas
Vor 50 Jahren von Raimund Thomas im Jahr 1964 gegründet, avancierte die Galerie Thomas in der Maximiliansstraße 25 bald zu einer erstklassigen Adresse für Moderne Kunst und gehört heute zu den international führenden Vermittlern von Werken des Deutschen Expressionismus und der Klassischen Moderne. In den ersten Jahren stand die Avantgarde im Mittelpunkt des Galerieprogramms mit
Ausstellungen von Gotthard Graubner, Yves Klein, Joseph Beuys und Dieter Roth sowie in den 1980er Jahren mit den ‘Neuen Wilden’ aus Berlin und der italienischen ’Transavanguardia’. Aber auch Werke von Paul Klee, Wassily Kandinsky, Alexej von Jawlensky und Lyonel Feininger werden präsentiert, sowie Einzelausstellungen u. Die Galerie Thomas Modern
In der Türkenstrasse 16 widmet sich die Galerie Thomas Modern der Präsentation von avancierten jüngeren Künstlern der heutigen Moderne. Dazu gehören Arbeiten namhafter Künstler der Pop Art, wie etwa Andy Warhol, Jim Dine oder Robert Indiana und Künstler der US-Nachkriegskunst und der Abstract American Art, wie beispielsweise Sam Francis oder Joan Mitchell. Darüber hinaus vertritt die Galerie Thomas Modern individuelle Positionen etablierter deutscher Künstler nach 1945 mit Arbeiten von Georg Baselitz, Anselm Kiefer, Gerhard Richter und Sigmar Polke. Internationale Künstler der jüngeren Szene, wie beispielsweise Peter Halley oder Marc Quinn, runden das Programm ab.
02/08/2024
In the mid-1960s, Mel Ramos developed his iconic style, depicting beautiful, flawless, and seductively n**e women alongside everyday consumer goods. Using a traditional painting technique, Ramos crafted a distinctive Pop Art aesthetic, initially showcased through cartoon heroines.
His artificial female figures shift between pin-up models, film stars, Californian beach beauties, and the girl next door, embodying familiar female archetypes. Ramos’s artistic reflections are both affirmative and playful. While he underscores the phenomenon of equating women with products, his protagonists confidently dominate the consumer world with their iconic femininity.
Mel Ramos
”Almdudler’s Fabulous Blonde,“ 2017
Lithograph on light cardboard
76,4 x 45 cm image / 89,5 x 58 cm paper
(30 x 17.7 in. image / 35.2 x 22.8 in. paper)
For more information, please click on the link in bio or contact us via DM or at [email protected]
Courtesy of Galerie Thomas, Munich 2024 © VG Bild-Kunst, Bonn 2024
01/08/2024
"To become a living example of the potential of art“ is the driving force behind Takashi Murakami’s work.
Murakami leverages his profound understanding of Western art to embed his creations within its framework, using ”Japanese-ness“ as a revolutionary tool in the art world. As an artist, he challenges the distinctions between East and West, past and present, and high art and popular culture.
Takashi Murakami
”Parakita Dob,“ 2001
Color offset lithograph on wove paper
50 x 50 cm (19.7 x 19.7 in.)
For more information please click on the link in bio or contact us via DM or at [email protected]
Courtesy of Galerie Thomas, Munich 2024 © Takashi Murakami /Kaikai Kiki Co., Ltd., 2024
30/07/2024
Peter Halley’s art is rooted in Constructivist Colour Field Painting, with compositions that emphasize the relationship between predominantly rectangular forms and color fields. He enhances his repertoire by incorporating various color qualities and textures and by mixing sand or other particles into his paint, creating a three-dimensional relief effect.
Conceptually, Halley addresses contemporary semiotic systems and forms of communication, particularly digital code systems like the Internet and circuit diagrams. He views this technological structure as a prison of perception, referring to his geometric color fields as "prisons".
Through his bold color contrasts and cultural criticism, Halley fuses a striking aesthetic with profound intellectual depth, establishing him as one of the foremost abstract painters of his generation.
Peter Halley
”Blue, Nine Times,“ 2023
Acrylic, fluorescent acrylic on HI-RND print on aluminium
100 x 83.8 cm (39.4 x 33 in.)
For more information please click on the link in bio or contact us via DM or at [email protected]
Courtesy of Galerie Thomas, Munich 2024 © Peter Halley, 2024
26/07/2024
Celebrating the opening of the 33rd Olympics in Paris today with ”Le peintre à la Tour Eiffel“ by Marc Chagall, a masterpiece that captures the magic of the city and the timeless beauty of the Eiffel Tower.
Chagall often incorporated the Eiffel Tower into his paintings, as it represented more than just a recognizable landmark for him; it encapsulated his initial impressions and the profound impact of his time in Paris.
Marc Chagall
”Le peintre à la Tour Eiffel,“ 1965-1970
Oil on masonite
33 x 24 cm (13 x 9.4 in.)
For more information about the featured artwork, please click on the link in bio or contact us via DM or at [email protected]
Courtesy of Galerie Thomas, Munich 2024 © VG Bild-Kunst, Bonn 2024
24/07/2024
Mel Ramos‘ ”Superman“ is a quintessential example of his contribution to the Pop Art movement, characterized by the appropriation of commercial and popular culture imagery.
In this work, Ramos employs the visual language of comic books, with a superhero depicted in a dynamic, almost heroic pose, highlighting his status as a cultural symbol of strength and virtue.
”Superman“ can be seen as part of Ramos‘ broader critique of and engagement with the themes of commercialism, heroism, and the myth-making machinery of American culture. By elevating a comic book character to the status of fine art, Ramos challenges traditional distinctions between high and low art, urging viewers to reconsider the cultural significance of everyday media.
Today we are remembering the artist who was born on this day, July 24, 1935.
Mel Ramos
”Superman,“ 2006
Lithograph on paper
115 x 85 cm (45.3 x 33.5 in.)
For more information, please click on the link in bio or contact us via DM or at [email protected]
Courtesy of Galerie Thomas, Munich 2024 © VG Bild-Kunst, Bonn 2024
23/07/2024
Known for his carved wooden figures, Stephan Balkenhol often leaves his sculptures partially painted and marked by chisel traces, giving them a raw, tactile quality.
The unicorn, a mythical creature symbolizing purity and grace, is rendered with a sense of grounded realism that contrasts its fantastical nature.
Balkenhol’s work invites viewers to explore the intersection between myth and reality, imbuing the unicorn with a contemporary relevance while maintaining its timeless mystique.
This sculpture, like much of Balkenhol’s oeuvre, challenges traditional perceptions and encourages a deeper contemplation of both the ordinary and the extraordinary.
Stephan Balkenhol
“Einhorn“ (Unicorn), 2020
Bronze, painted
34.5 x 53 x 21.5 cm (13.6 x 20.9 x 8.5 in.)
The artwork is part of our ongoing ”Diversity in Visions“ exhibition, currently showcased at our Munich gallery.
For more information, please click on the link in bio or contact us via DM or at [email protected]
Courtesy of Galerie Thomas, Munich 2024 © VG Bild-Kunst, Bonn 2024
22/07/2024
🥂 Happy Birthday Franz Erhard Walther!
The German artist is born on this day, July 22, 1939.
Even though Franz Erhard Walther’s works, with their simplicity and reduced form, are reminiscent of Minimalism, the artist’s approach is different. He sees his objects as materials for work, which can be used to trigger fundamental experiences. By this, Walther means questions of self-definition, orientation, and the formation of consciousness.
When the artist married Johanna Friesz, a tailor’s daughter, in 1963, it profoundly influenced his artistic work. In the workshop of his in-laws, he encountered cotton fabrics, muslin inlays, and padded linings, which he immediately recognized as new materials for his creations.
Franz Erhard Walther
”Die Formen sind im Kopf“ (The Forms are in the Head), 1969-1990
Textile object, folded
textile 80 x 63 x 2 cm (31.5 x 24.8 x 0.8 in.)
box 86 x 71 x 4 cm (33.9 x 27.9 x 1.6 in.)
The artworks are part of our ongoing ”Diversity in Visions“ exhibition, currently showcased at our Munich gallery.
For more information, please click on the link in bio or contact us via DM or at [email protected]
Courtesy of Galerie Thomas, Munich 2024 © VG Bild-Kunst, Bonn 2024
19/07/2024
In the mid-1960s, Mel Ramos developed his iconic style, portraying beautiful, perfect, and seductively n**e women alongside conventional consumer goods from American mass production.
This traditional painting approach allowed Ramos to create his unique Pop Art aesthetic, initially expressed through cartoon heroines.
His artificial female figures fluctuate between pin-up, film star, Californian beach beauty, and the girl next door, embodying common female projections.
Ramos’s artistic reflections are affirmative and playful, and although he highlights the phenomenon of equating women with products, his protagonists proudly dominate the consumer world with their iconic femininity.
Mel Ramos
“Mint Pattie,“ 2011
Oil on canvas
102 x 76 cm (40.2 x 30 in.)
The artwork is part of our ongoing ”Diversity in Visions“ exhibition, currently showcased at our Munich gallery.
For more information, please click on the link in bio or contact us via DM or at [email protected]
Courtesy of Galerie Thomas, Munich 2024 © VG Bild-Kunst, Bonn 2024
17/07/2024
Otto Piene’s abstract aesthetics and unconventional production methods signify a decisive shift in the treatment of canvas, pushing its material limits beyond traditional paint application. Consistently exploring themes of light, movement, and space, Piene began creating light ballets in 1959, drawing inspiration from elemental natural energies and incorporating smoke and fire into his works.
Fire, in particular, plays a central role in Piene’s artistic development, profoundly influencing the appearance of his creations. Through various manipulations, he introduces a new artistic vocabulary, with the creative process significantly driven by the unpredictability of fire.
Today we are remembering the artist who died on this day, July 17, 2014.
Otto Piene
”Mosquito“, 1979
Fire gouache on cardboard
100 x 80 cm (39.4 x 31.5 in.)
The artwork is part of our ongoing ”Diversity in Visions“ exhibition, currently showcased at our Munich gallery.
For more information, please click on the link in bio or contact us via DM or at [email protected]
Courtesy of Galerie Thomas, Munich 2024 © VG Bild-Kunst, Bonn 2024
15/07/2024
In ”K-FRA FRA (Madria I)“, Georg Karl Pfahler directs the viewer’s attention to a centrally positioned red area, surrounded by three color fields: blue, green, and black. A yellow stripe closes off the right side of the green rectangle, while the black and blue fields, along with the red one, feature rounded edges on one side, revealing white 'empty‘ spaces.
Pfahler skillfully combines chosen colors with the non-colors black and white, creating a composition that juxtaposes light and dark, cold and warm, angular and round elements. This interplay results in a piece brimming with contrasts, conveying a unique presence and intensity.
Georg Karl Pfahler
”K-FRA FRA (Madria I),“ 1987
Acrylic on canvas
78 x 78 cm (30.7 x 30.7 in.)
The artwork is part of our ongoing ”Diversity in Visions“ exhibition, currently showcased at our Munich gallery.
For more information, please click on the link in bio or contact us via DM or at [email protected]
Courtesy of Galerie Thomas, Munich 2024 © VG Bild-Kunst, Bonn 2024
12/07/2024
📌 Plan your visit
Alphonse Mucha. Spirit of Art Nouveau
Sydney
on view through September 22, 2024
The Art Gallery of New South Wales is hosting a major exhibition with over 200 works by Alphonse Mucha, including drawings, photographs, lithographs, sculptures, and paintings from the Mucha Family Collection through the Mucha Foundation in Prague.
Highlights include his iconic posters for actress Sarah Bernhardt and ”The Slav Epic,“ his monumental series of 20 canvases depicting the history and civilization of the Slav people.
Alphonse Mucha
”Study for ‚Fruit” (showing the actress Sarah Bernhardt), 1897
Pastel on paper
69.4 x 44 cm (27.3 x 17.3 in.)
For more information regarding the featured artwork from our gallery’s program, please click on the link in bio or contact us via DM or at [email protected]
Courtesy of Galerie Thomas, Munich 2024
11/07/2024
Imi Knoebel, a master of abstraction, skillfully navigates the boundary between painting and sculpture in his creations. Even in smaller formats, his vibrant pieces captivate viewers and engage with the surrounding space.
Knoebel’s art consists of layers of individual elements, which he continuously reconfigures in novel ways. For him, the interplay of form, color, and materiality is essential not only to his own art but to the nature of art itself. Knoebel brings a playful lightness to the formal rigor of his influences, Russian Suprematist Kazimir Malevich and Dutch Constructivist Piet Mondrian.
Imi Knoebel
“19 Farben 19 Stäbe,“ 1993/2013
Acrylic on plastic sheet
37.5 x 36,5 cm (14.8 x 14.4 in.)
The artwork is part of our ongoing ”Diversity in Visions“ exhibition, currently showcased at our Munich gallery.
For more information, please click on the link in bio or contact us via DM or at [email protected]
Courtesy of Galerie Thomas, Munich 2024 © VG Bild-Kunst, Bonn 2024
08/07/2024
Fritz Winter was a trailblazer in the field of abstraction. As a student of the Bauhaus, a founding member of the artist group ZEN 49, and a pioneer of artistic silk-screen printing in Germany, Winter carved a unique path in the art world. Drawing from his early Bauhaus experiences, he created a distinctive vocabulary of form that set him apart from other Informel artists.
Fritz Winter
”Untitled,“ 1960
Oil on paper
24 x 17 cm (9.4 x 6.7 in.)
The artwork is part of our ongoing „Diversity in Visions“ exhibition, currently showcased at our Munich gallery.
For more information, please click on the link in bio or contact us via DM or at [email protected]
Courtesy of Galerie Thomas, Munich 2024 © VG Bild-Kunst, Bonn 2024
05/07/2024
🍿 Movie recommendation
Münter & Kandinsky
July 5 – 7, 2024
This weekend, the Munich Film Festival is screening ”Kandinsky & Münter,“ a lavishly produced portrait of the two artists and their unique relationship.
Münter and Kandinsky have been integral to our gallery’s program for years, and we’ve successfully placed many of their works in prominent collections.
Featured artworks:
Gabriele Münter
”Häuser in Riegsee“ (Houses in Riegsee), 1909
Oil on cardboard
30 x 40.6 cm (11.8 x 16 in.)
Sold to the Worcester Art Museum, USA
Wassily Kandinsky
”Rapallo - Seascape with Steamer,“ 1906
verso inscribed by Gabriele Münter “Kandinsky”
Oil on canvas
22 x 32,2 cm (8.7 x 12.7 in.)
Sold to the Lenbachhaus Munich, Germany
For more information regarding our Notable Sales please click on the link in bio or contact us via DM or at [email protected]
Courtesy of Galerie Thomas, Munich 2024 © Stephanie Kulbach, CCC Cinema und Television/FILMFEST MÜNCHEN; VG Bild-Kunst, Bonn 2024
02/07/2024
Ugo Rondinone’s work explores perception and space through the lenses of history, the past and present, and the interplay between nature and culture.
He aims to create a poetic experience of these relationships, offering viewers an expanded perspective on their self-awareness.
”Blue Red Yellow Green Pink Mountain“ is part of a series Rondinone began in 2013, featuring stele-like structures or ”mountains“ made from unprocessed, stacked, brightly colored boulders. These sculptures range from a few dozen centimeters to several meters in height, with some reaching monumental proportions.
Ugo Rondinone
”Blue Red Yellow Green Pink Mountain,“ 2019
Painted stone, stainles steel, pedestal
196 x 41 x 34 cm (77.2 x 16.1 x 13.4 in.)
For more information regarding the artwork, please click on the link in bio or contact us via DM or at [email protected]
Courtesy of Galerie Thomas, Munich 2024 © Ugo Rondinone, 2024
01/07/2024
Eduard Bargheer who died on this day, July 1, 1979, was a renowned German painter and printmaker celebrated for his distinctive blend of expressionism and abstraction. His body of work, especially the radiant, mosaic-like watercolors of the 1950s, showcases this artistic fusion.
During this period, Bargheer’s pieces are marked by the abstraction of motifs, woven into intricate, fabric-like compositions. For him, spatial perception shifted from being objective to becoming a dynamic interplay of color and light across the painting’s surface.
Eduard Bargheer
”Südliche Stadt“ (Southern Town), 1956
Watercolour on laid paper
31.4 x 47.8 cm (12.4 x 18.8 in.)
For more information regarding the featured artwork, please click on the link in bio or contact us via DM or at [email protected]
Courtesy of Galerie Thomas, Munich 2024 © VG Bild-Kunst, Bonn 2024
27/06/2024
Plan your visit
Andy Warhol and Keith Haring. Party of Life
, Munich
June 28, 2024 - January 26, 2025
With "Andy Warhol & Keith Haring: Party of Life," Museum Brandhorst unveils the world’s first comprehensive institutional exhibition dedicated to both artists. Borrowing its title from Keith Haring’s birthday celebrations, "Party of Life" encapsulates the 1980s cultural landscape, featuring MTV, discos, voguing, hip-hop, new wave, and graffiti. The exhibition highlights the artistic friendship between Warhol and Haring, showcasing their shared artistic philosophies, collaborative spirit, and inclusive approach to art, aiming to make their messages accessible to a broad audience.
The exhibition opens tonight, June 27, and will be on view through January 25, 2025.
Images:
Andy Warhol and Keith Haring, undated
Polaroid
10.8 x 8.35 cm
Andy Warhol
"Toy Painting, Parrot," 1983
Acrylic and silkscreen on canvas
35.5 x 28 cm (14 x 11 in.)
For more information regarding “Toy Painting, Parrot,” the featured artwork from our gallery’s program, please click on the link in bio or contact us via DM or at [email protected]
Courtesy of Galerie Thomas, Munich 2024 © Collection: Keith Haring Foundation, New York, NY; The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York
25/06/2024
Sam Francis, who was born on this day, June 25, 1923, developed his distinctive style in the 1950s by blending elements of Action Painting and Color Field Painting from Abstract Expressionism with Tachisme and influences from Japanese art and calligraphy.
His paintings are characterized by their rich colors and spontaneous brushwork. Some of his pieces, with their minimalist and focused compositions, invite viewers to engage in quiet contemplation.
In the 1960s, Francis created a unique form of spontaneous and gestural Drip Painting, using circling and splashing movements to guide oil, acrylic paint, or watercolors across his canvases.
During the 1970s, his "Grid Pictures" featured surfaces covered in intricate, meshed structures.
Besides his work on canvas, Francis also explored other techniques such as lithography, etching, and monotyping.
Sam Francis
"Untitled," 1974
Color lithograph
56 x 76 cm (22 x 29.9 in.)
For more information regarding the featured artwork, please click on the link in bio or contact us via DM or at [email protected]
Courtesy of Galerie Thomas, Munich 2024 © Sam Francis Foundation, California / VG Bild-Kunst, Bonn 2024
24/06/2024
💥 Remembering an Iconic Art Moment
The Wrapped Reichstag by Christo and Jeanne-Claude, depicted in this collage, stands as one of the world’s most significant and impressive public artworks.
Conceived in the early 1970s, the project faced over two decades of contentious debate before receiving approval from the German Bundestag in 1994.
The wrapping process, with over 100,000 square meters of silver fabric and 15 kilometers of blue rope, executed by 90 climbers and 120 workers, was integral to the artwork itself.
Displayed for two weeks, starting , June 24, 1995, this monumental installation captivated millions and remains a testament to the power of art in public spaces, symbolizing new beginnings, freedom and democracy, particularly in the context of Germany’s reunification.
Object:
Christo and Jeanne-Claude
”Wrapped Reichstag,“ 1995
Collage, two-part
77.5 x 76.5 cm and 77.5 x 30.5 cm
(30.5 x 30.1 in. and 30.5 x 12 in.)
For more information regarding the featured artwork, please click on the link in bio or contact us via DM or at [email protected]
Courtesy of Galerie Thomas, Munich 2024 © Christo and Jeanne-Claude, VG Bild-Kunst, Bonn 2024
21/06/2024
Celebrating with this very special self portrait by German artist Simon Schubert
The self-portrait is a glass showcase precisely measured to fit the artist‘s body size.
Inside, you’ll find flasks and containers filled with the chemical elements that compose the human body. The quantities match those found in an average 80 kg person, such as 22.4 kg of graphite representing pure carbon.
The artwork poses a profound question: Is this all we are made of?
Simon Schubert
”Photome – Selbstportrait,“ 2015
Mixed media
65 x 200 x 111 cm (25.6 x 78.7 x 43.7 in.)
For more information about the artist, please click the link in our bio, or contact us via DM or at [email protected].
Courtesy of Galerie Thomas, Munich 2024 © Simon Schubert
20/06/2024
☀️ Hello Summer!
Wishing you a wonderful start into this new season - with hopefully lots of sun, sea, ice cream…and preferably no mosquitos!
Image:
Otto Piene
"Mosquito“, 1979
Fire gouache on cardboard
100 x 80 cm (39.4 x 31.5 in.)
For more information about this artwork, featured in our new catalogue "Summer 2024,“ please click the link in our bio, or contact us via DM or at [email protected].
Courtesy of Galerie Thomas, Munich 2024 © VG Bild-Kunst, Bonn 2024
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19/06/2024
📌 Plan your visit
Andy Warhol. Velvet Rage and Beauty
Neue Nationalgalerie, Berlin
On view through October 6, 2024
Although Andy Warhol’s portrayals of consumer goods and celebrities became universally recognized, a newly discovered consistent theme runs through his career, spanning from the late 1940s until his death in 1987: a persistent quest to capture his vision of beauty, predominantly male beauty, culminating in enduring representations of Warhol’s desires.
For the first time is presenting a comprehensive exhibition focused on Warhol’s pursuit of a specific ideal of beauty, highlighting it as a central theme and continuous thread throughout the various phases of his career.
Featuring over 300 pieces, including paintings, prints, drawings, photographs, Polaroids, films, and collages, the exhibition offers an extensive and inclusive insight into a Warhol who, during his lifetime, never truly had a “coming out“.
Andy Warhol
”Ryuichi Sakamoto,“1983
Graphite on HMP paper
80.6 x 60.6 cm (31.7 x 23.9 in.)
For more information regarding the featured artwork from our gallery’s program, please click on the link in bio or contact us via DM or at [email protected]
Courtesy of Galerie Thomas, Munich 2024 © The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York
18/06/2024
Julius Bissier, who died on this day, June 18, 1965, developed a distinctive non-representational style of painting. Influenced by the calligraphy of Far Eastern brush painting and by his friendship with Oskar Schlemmer and Willi Baumeister, he was encouraged to fully embrace abstract painting.
During the 1930s, his work gained more recognition, and he began experimenting with tempera and ink on small formats, a hallmark of his style. From 1955 onward, Bissier focused on these small formats, known as ‚Miniaturen.‘
His later works, including the one presented here, are characterized by meditative qualities and minimalist forms. These pieces often explore themes of nature and spirituality, reflecting his interest in Zen Buddhism and Chinese calligraphy.
Julius Bissier
”A. 30. Aug. 64,“ 1964
Egg tempera on cotton
17.4 x 29.6 cm (6.8 x 11.7 in.)
For more information regarding the featured artwork please click on the link in bio or contact us via DM or at [email protected]
Courtesy of Galerie Thomas, Munich 2024 © Archivio Bissier, Ascona / VG Bild-Kunst, Bonn 2024
14/06/2024
Lyonel Feininger was captivated by the diverse landscapes and meteorological phenomena of the sea. His significant engagement with the sea began during a period when he was transitioning away from the surreal figure paintings of his early career.
Feininger’s artistic fascination with the expansive and ever-changing Baltic Sea was sparked by his initial visit to the bay of Lübeck in 1921. Having grown up in New York near the harbor, Feininger had always been intrigued by boats and ships.
However, it was his first visit to the village of Deep in Pomerania, located at the mouth of the river Rega into the Baltic, that solidified his enduring interest in the sea and coastline.
Lyonel Feininger
”Untitled (Dunes),“ 1953
Watercolour and ink on paper
36.2 x 54.6 cm (14.25 x 21.5 in.)
The artwork is currently featured in our new catalogue “Summer 2024”.
For more information regarding the featured artwork and to browse through the catalogue please click on the link in bio or contact us via DM or at [email protected]
Courtesy of Galerie Thomas, Munich 2024 © VG Bild-Kunst, Bonn 2024
13/06/2024
Discover our “Summer Faces”, a captivating selection of artworks from our new catalogue “Summer 2024”
Emil Nolde
”Young Frisian Girl,“ 1925-1930
Watercolour on Japan paper
46.9 x 34.2 cm (18.5 x 13.5 in.)
Alphonse Mucha
”Study for Fruit,“ 1897
Pastel on paper
69.4 x 44 cm (27.3 x 17.3 in.)
Alexej von Jawlensky
”Abstrakter Kopf,“ 1933
Oil on cardboard
42.5 x 32.3 cm (16.7 x 12.7 in.)
Marc Chagall
”Le peintre à la Tour Eiffel,“ 1965-1970
Oil on Masonite
33 x 24 cm (13 x 9.4 in.)
Richard Pettibone
”Andy Warhol, Marilyn, 1964, L.H.O.O.Q., #1,“ 2002
Oil and silkscreen ink on canvas
18.4 x 17.1 cm (7.2 x 6.7 in.)
Tony Cragg
”Constructor,“ 2007
Stainless steel
116 x 73 x 70 cm (45.7 x 28.7 x 27.6 in.)
Mel Ramos
”Babee,“ 2011
Oil on canvas
91.5 x 73 cm (36 x 28.7 in.)
Marc Quinn
“The Beauty of Healing“, 2014
Concrete
190 x 50 x 50 cm (74.8 x 19.7 x 19.7 in)
For more information regarding the featured artworks and the new catalogue please click on the link in bio or contact us via DM or at [email protected]
Courtesy of Galerie Thomas, Munich 2024 © VG Bild-Kunst, Bonn, Nolde Stiftung Seebüll, Marc Quinn, 2024
11/06/2024
📅 Coming Soon!
GALERIE THOMAS
We are delighted to announce our new exhibition space in Munich’s city center, located in the prestigious FÜNF HÖFE, right next to where we will offer visitors and art enthusiasts an additional focused and high-quality exhibition program.
📍 GALERIE THOMAS FÜNF HÖFE
Theatinerstraße 15
80333 Munich
Follow us and stay connected for exclusive updates and previews.
Courtesy of Galerie Thomas, Munich 2024
07/06/2024
”War Cut“ is a thought-provoking work by German artist Gerhard Richter, created in 2004. This piece uniquely combines visual art with journalistic elements, reflecting Richter’s response to the Iraq War. The work consists of 216 illustrations, featuring abstract paintings that Richter produced between 1987 and 2003, juxtaposed with excerpts from daily newspaper articles about the war.
War Cut II is a special edition of the artist’s book War Cut (both published by Walther König in 2004). For the War Cut II special edition of 2005, each copy has a unique cover painted by Richter. The editions have flexible cardboard covers with red linen covering, and yellow, red, blue, and black offset print.
The editions also contain an index of the printed texts and some short, untitled remarks by Gerhard Richter. Both editions contain 340 pages and 216 illustrations showing details from Abstract Painting (Abstraktes Bild), accompanied by 155 texts taken from the Frankfurter Allgemeine Zeitung of March 20 and 21, 2003 (the beginning of the Iraq War).
“War Cut II” is currently featured in our new catalogue “Summer 2024”.
Gerhard Richter
”War Cut II,“ 2005
Oil on the cover of the artist’s book ”War Cut“ (French edition)
25.5 x 21.8 cm (10 x 8.6 in.)
For more information regarding the featured artwork please click on the link in bio or contact us via DM or at [email protected]
Courtesy of Galerie Thomas, Munich 2024 © Gerhard Richter 2024
.richter
06/06/2024
George Rickey, born on this day, June 6, 1907, is recognized as a leading figure in kinetic art.
His monumental yet delicate stainless steel works are noted for their precise and laconic formal language. Rickey meticulously constructed bent or right-angled lines and planes, achieving a perfectly balanced relationship between them.
His sculptures possess a lightness that let the viewer forget that they were developed on the basis of a great technical knowledge. The elements of his work move with a sense of weightlessness, making every breath of air visible and highlighting the interplay of light and shadow. In Rickey’s mobiles, nature is transformed into art, while simultaneously contrasting with their technical and aesthetic environment.
Sculpture:
George Rickey
”Three Squares Vertical Diagonal II,“ 1986
Stainless steel
Height 129 cm ( 51 in.)
Each square 91.5 x 91.5 cm ( 36 x 36 in.)
For more information regarding the featured artwork, please click on the link in bio or contact us via DM or at [email protected]
Courtesy of Galerie Thomas, Munich 2024 © VG Bild-Kunst, Bonn 2024
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In the mood for outstanding art? Visit us in our gallery space in Munich for our Spring Exhibition, starting today, Feb 1. Dive into works of great artists such as Stephan Balkenhol, Alexander Calder, Alexej von Jawlensky, Alex Katz, Emil Nolde, Max Pechstein, Neo Rauch, Andy Warhol and many more. The gallery is open from Mon-Fri 9am-6pm and Sat 10am-6pm Looking forward seeing you there! The exhibition will be on view through April 27. . For more information head to our website to find out more about the selection of exhibited works. . Courtesy Galerie Thomas, Munich 2024
“Game Byter”, Nam June Paik’s sculpture from 1994, belongs to a group of “robots” in which Paik created mostly anthropomorphic figures out of television screens, playback devices, furniture, cameras and other technical components. Paik not only juxtaposes tradition and modernity, nature and culture, he also shows how noticeably the individual’s and society’s perception of the world has changed and is influenced in general as a result of the media. The sculpture was created at the beginning of the golden age of music videos, when music channels such as VIVA and MTV started their triumph. Paik contrasts the traditional and essentially individual experience of music with the rapid development of those years, which led to the collective, even visual presence of popular music. Taking note of the current transformation in which a significant number of people experience their environment and communication only through the interface of their mobile phones, Nam June Paik’s critique of civilization in form of this “Cyborg”, consisting only of media receivers, seems almost painfully relevant. Today we are remembering the artist, who died on this day, January 29 in 2006. . Sculpture: Nam June Paik "Game Byter", 1994 Metal, Lasermax, three television sets height 123 cm ( 48,5 in.) width 84 cm (33 in.) For more information about the sculpture and the artist please contact the gallery via DM or at [email protected]. . Courtesy of Galerie Thomas, Munich 2024 © Estate of Nam June Paik 2024
In his woodcuts, Bernd Zimmer explores the boundaries of painting and printmaking. Listen to the artist speak about his use of the medium, filmed in our current exhibition of “The Trees”. . For more information, including details and images of woodcuts available for sale contact us via DM or at [email protected]. . Bernd Zimmer. The Trees… Exhibition dates: Oct 27, 2023 – Jan 27, 2024 . Courtesy of the artist and Galerie Thomas, Munich 2024 @atelierberndzimmer #galerie_thomas #berndzimmer #contemporaryart #artinmunich #woodcut #trees #artiststatement
Just arrived: Peter Halley’s new edition “Red, Nine Times”, 2023. The “Nine Times” edition features Halley’s hand-painted textured surface digitally rendered and reproduced using Halley’s signature fluorescent hues. . “I have always been fascinated by new digital technology. I always assumed it would someday be possible to reproduce the texture of paintings or other textured surfaces digitally. But when I first saw a sample of LITO’s realization of the surface of one of my paintings, I was stunned by the accuracy of the texture — as if the future had suddenly arrived. … The new editions are made up of a grid of nine rectangles, all of which have an identical surface created by digitally reproducing a single prototype. I wanted to draw attention to how a unique painterly surface can be infinitely repeated by this new digital technology.” Peter Halley . During the 1980s Peter Halley developed his signature vocabulary of geometric abstraction that has used in his work now for over forty years. A pictorial system of ‘prisons’, ‘cells’ and ‘conduits’ enabled him to produce diagrammatic paintings representing social subjects, such as the impact and legacies of urbanisation and industrialisation within a post-industrial society marked by technological change. . For more information and pricing get in touch via DM or e-mail us at [email protected]. . Image: Peter Halley „Red, Nine Times“, 2023 acrylic, fluorescent acrylic on HI-RND print on aluminium 100 x 83,8 cm (39 3/8 x 33 in.) verso signed and numbered edition of 35 . Courtesy of Galerie Thomas, Munich 2023 © Peter Halley @peterhalleystudio . #peterhalley #galerie_thomas #PeterHalleyEdition #digitaledition
Remembering Antoni Tàpies who was born on this day, Dec 13, in 1923. . “Painting is a return to origins.” - Antoni Tàpies . In this video, Silke Thomas speaks about the work “Materia sobre tel” which was part of the comprehensive exhibition at Galerie Thomas celebrating Antoni Tàpies’s 100th birthday earlier this year. . Follow the link in bio to see more works from the exhibition. Contact us via DM or e-mail for any questions about the works. . Image: Antoni Tàpies “Materia sobre tela”, 1961 oil and sand on canvas 81,3 x 54,5 cm (32 1/8 x 21 1/2 in.) . Courtesy Galerie Thomas © VG Bild-Kunst, Bonn
Last day @ArtBasel Miami Beach! . Catch up with us at the fair or see booth highlights online via the link in our bio. For any questions about exhibited works, please get in touch via DM or via e-mail at [email protected]. . Art Basel Miami Beach Booth A48 Dec 6 – 10, 2023 . Courtesy of Galerie Thomas, Munich 2023. All artworks copyrighted. #galerie_thomas #artbaselmiamibeach #artbasel
🌴 Visit us @ArtBasel Miami Beach, Booth A48, through Dec 10. . See booth highlights online via the link in our bio. For any questions about exhibited works, please get in touch via DM or via e-mail at [email protected]. . Art Basel Miami Beach Booth A48 Dec 6 – 10, 2023 . Courtesy of Galerie Thomas, Munich 2023. All artworks copyrighted. #galerie_thomas #artbaselmiamibeach #artbasel
Listen to Bernd Zimmer speak about his current exhibition in an interview with journalist Markus Stampfl of münchen.tv. . Bernd Zimmer. The Trees… Galerie Thomas Exhibition dates: Oct 27, 2023 – Jan 27, 2024 . The clip is part of a 15-minute interview with the artist (Culture Talk, münchen.tv, Nov 21, 2023). With a big thank you to Markus Stampfl and his team! . @muenchen.tv #galerie_thomas #berndzimmer #münchentv
„Unter Ast...“ is part of Bernd Zimmer’s solo show „The Trees…“ on view at Galerie Thomas through Jan 27, 2024. . „Unter Ast...“. Bernd Zimmer. The Trees… Exhibition dates: Oct 27, 2023 – Jan 27, 2024 . For more information follow the link in our bio and head to exhibitions or contact the gallery via DM or at [email protected]. . Courtesy of the artist and Galerie Thomas, Munich 2023 @atelierberndzimmer #galerie_thomas #berndzimmer #contemporaryart #artinmunich #trees
„Versteck. Marae II“ is part of Bernd Zimmer’s solo show „The Trees…“ on view at Galerie Thomas through Jan 27, 2024. . Bernd Zimmer „Versteck. Marae II“, 1997 acrylic on canvas 160 x 130 cm (63 x 51 1/8 in.) . Bernd Zimmer. The Trees… Exhibition dates: Oct 27, 2023 – Jan 27, 2024 . For more information follow the link in our bio and head to exhibitions or contact the gallery via DM or at [email protected]. . Courtesy of the artist and Galerie Thomas, Munich 2023 @atelierberndzimmer #galerie_thomas #berndzimmer #contemporaryart #artinmunich #trees
„Apfelbaum. Herbstmorgen (für Vincent)“ is part of Bernd Zimmer’s solo show „The Trees…“ on view at Galerie Thomas through Jan 27, 2024. . Bernd Zimmer „Apfelbaum. Herbstmorgen (für Vincent)“, 1979 emulsion and glue paint on canvas 206 x 195 cm (81 1/8 x 76 3/4 in.) . Bernd Zimmer. The Trees… Exhibition dates: Oct 27, 2023 – Jan 27, 2024 . For more information follow the link in our bio and head to exhibitions or contact the gallery via DM or at [email protected]. . Courtesy of the artist and Galerie Thomas, Munich 2023 @atelierberndzimmer #galerie_thomas #berndzimmer #contemporaryart #artinmunich #trees
„Mann im Baum“ is part of Bernd Zimmer’s solo show „The Trees…“ on view at Galerie Thomas through Jan 27, 2024. . Bernd Zimmer „Mann im Baum“, 1982 emulsion paint on canvas 200 x 160 cm (78 3/4 x 63 in.) . Bernd Zimmer. The Trees… Exhibition dates: Oct 27, 2023 – Jan 27, 2024 . For more information follow the link in our bio and head to exhibitions or contact the gallery via DM or at [email protected]. . Courtesy of the artist and Galerie Thomas, Munich 2023 @atelierberndzimmer #galerie_thomas #berndzimmer #contemporaryart #artinmunich #trees
Artist Spotlight: Collin Sekajugo . Collin Sekajugo’s work is part of the group show “Impulse” on view @galerie_thomas through October 21. Born 1980 in Masaka, Uganda, Collin Sekajugo explores issues of social, cultural, economic and political identity in his work. The artist uses stock images, which he manipulates in painterly collages. The strong bond with his East African home country is of great importance to Sekajugo. This is not only revealed in very personal narratives, but also in the use of materials such as polypropylene bags, denim or other found objects that typically occur in his homeland communities. In 2022, works by Sekajugo and Acaye Kerunen were presented in the Ugandan National Pavilion at the Venice Biennale, which received a special mention. . For more information follow the link in our bio and head to exhibitions or contact the gallery via DM or at [email protected]. . IMPULSE. Jenny Carlsson Grip, Matt Mullican, Odili Donald Odita and Collin Sekajugo 9 September - 21 October 2023 . Images: Collin Sekajugo “Stock image 36 - Aging well”, 2022 acrylic, Polypropylene bags and mixed media on canvas ca. 150 x 150 cm (59 x 59 in.) Collin Sekajugo “Stock image 32 - It’s obvious”, 2022 acrylic, barkcloth and mixed media on canvas 179,5 x 100 x 4,5 cm (70 5/8 x 39 3/8 x 1 3/4 in.) Collin Sekajugo “Stock Image 27- We come in Peace: Sirilanka_16”, 2022 acrylic on canvas 65 x 65 x 1.9 cm (25 5/8 x 25 5/8 x 3/4 in.) Collin Sekajugo “Stock Image 27- We come in Peace: Newzealand_7”, 2022 acrylic on canvas 65 x 65 x 1.9 cm (25 5/8 x 25 5/8 x 3/4 in.). Courtesy of the artist and Galerie Thomas, Munich 2023 © Odili Donald Odita @collin_sekajugo #galerie_thomas #impulse #collinsekajugo
Artist Spotlight: Odili Donald Odita . Odili Donald Odita’s work is part of the group show “Impulse” on view @galerie_thomas through October 21. Odita describes his approach as follows: “The organisation and patterning in the paintings are of my own design. I continue to explore in the paintings a metaphoric ability to address the human condition through pattern, structure and design, as well as for its possibility to trigger memory. The colours I use are personal: they reflect the collection of visions from my travels locally and globally.” Having grown up in the USA as the son of African war refugees, Odita combines both Western and African influences. He is committed to Geometric Abstraction and sees himself primarily as a successor to black abstract artists from the 1970s and 1980s. His work can be found in renowned collections such as the Philadelphia Museum of Art, New Orleans Museum of Art, San Francisco Museum of Art or the Pérez Art Museum, Miami. . For more information follow the link in our bio and head to exhibitions or contact the gallery via DM or at [email protected]. . IMPULSE. Jenny Carlsson Grip, Matt Mullican, Odili Donald Odita and Collin Sekajugo 9 September - 21 October 2023 . Images: Odili Donald Odita „Sunrise“, 2022 acrylic latex paint on aluminum-core fabricated acrylic on canvas 101 x 76 cm (39 3/4 x 29 7/8 in.) Odili Donald Odita „Origin Story“, 2022 acrylic latex paint on aluminum-core fabricated wood panel with reconstituted wood veneer 233,7 x 137 x 4,5 cm (92 x 54 x 1 3/4 in.) Odili Donald Odita „Candle Light“, 2023 acrylic on canvas 101 x 76 cm (39 3/4 x 29 7/8 in.) Odili Donald Odita „Daylight“, 2023 acrylic on canvas 101 x 76 cm (39 3/4 x 29 7/8 in.) . Courtesy of the artist and Galerie Thomas, Munich 2023 © Odili Donald Odita @odiliodita #galerie_thomas #impulse #odiliodita
Artist Spotlight: Matt Mullican . Matt Mullican’s work is part of the group show “Impulse” on view @galerie_thomas through October 21. „When I think, I think in pictures.“ Matt Mullican Representing the so-called „Pictures Generation“, Mullican processes images from the mass media in his attempt to conceive and visualise an order of the world. Exploring questions of reality, perception and projection, he has developed a complex system of signs, pictograms and images in his multimedia work, which reveals a wide diversity of materials including paintings and works on paper alongside digital art, installations and performances. The results can be purely abstract - like his „Untitled (Elements)“ - or feature figurative elements, such as the cartoon-inspired works presented in the exhibition. Following a cosmological approach, Mullican has conceived various categories of order to classify the world, each defined with different colours. Everything has a meaning and is symbolically charged. Mullican, who taught time-related media at the Hamburg University of Fine Arts until 2019, received the Possehl Prize for International Art in Lübeck in 2022. Since 1997, MoMA PS1 has presented a long-term installation by Mullican who participated in documenta three times. . For more information follow the link in our bio and head to exhibitions or contact the gallery via DM or at [email protected]. . IMPULSE. Jenny Carlsson Grip, Matt Mullican, Odili Donald Odita and Collin Sekajugo 9 September - 21 October 2023 . Images: Matt Mullican „Untitled (Tintin Explosion with Details)“, 2022 acrylic and oilstick on canvas, diptych 200 x 200 x 4 cm (78 3/4 x 78 3/4 x 1 5/8 in.) (100 x 200 x 4 cm (39 3/8 x 78 3/4 x 1 5/8 in.) each) Matt Mullican „Untitled (Elements 36)“ 2012 oilstick on canvas 50 x 60 cm (19 3/4 x 23 5/8 in.) Matt Mullican „Untitled (12 from 1 picture)“, 2013 acrylic and oilstick on canvas, 12 parts 100 x 360 cm (39 3/8 x 141 3/
#Day4 at Kiaf SEOUL just began! Take a look at a selection of highlights from our booth, on view through September 10, 2023. . Sam Francis "Untitled" (SFF.1704), ca. 1974-1982 acrylic on canvas 38,1 x 45,7 cm (15 x 18 in.) Yosh*tomo Nara "Red Kitty", 1999 oil on canvas on board 27,6 x 37,1 cm (10 7/8 x 14 5/8 in.) Pablo Picasso "Flûtiste assise et dormeuse", 1933 pen and India ink on paper 16,9 x 22,8 cm (6 5/8 x 9 in.) Fernando Botero "Still Life with Playing Cards", 1994 oil on canvas 102,3 x 125,8 cm (40 1/4 x 49 1/4 in.) Gerhard Richter "Untitled (18.3.89)", 1989 oil on paper mounted on artists board sheet 21 x 29,7 cm (8 1/4 x 11 5/8 in.) artist's board 36,2 x 44,2 cm (14 1/4 x 17 3/8 in.) . Follow the link in our bio to see more works online or contact the gallery via DM or at [email protected] for more information. . Kiaf Seoul 2023, Galerie Thomas, booth B10 . Courtesy of Galerie Thomas, Munich 2023 © VG Bild-Kunst © Fernando Botero © Sam Francis Foundation, California © Succession Picasso © Gerhard Richter #galerie_thomas #kiaf @kiaf_official
Opening today, 6 – 9 pm: Impulse. Jenny Carlsson Grip, Matt Mullican, Odili Donald Odita, Collin Sekajugo The exhibition revolves around different concepts of origin and heritage from social, aesthetic, and emotional perspectives. The represented artists extract motifs from their familial environments, expressing them through various languages and styles: whether by creating narratives through painterly collages, purely spectral patterns, or processes of abstraction. . Tap the link in our bio and head to exhibitions to find out more about the artists and see a selection of exhibited works. . The exhibition is part of the kick off of this year’s Open Art and runs through October 21, 2023. . Courtesy of the artists and Galerie Thomas, Munich 2023 @jennycarlssongrip @mattmulican @odiliodita @collin_sekajugo @initiative_muenchner_galerien #galerie_thomas #impulse #openart2023 #openart #contemporaryart #artinmunich
Live on site on #day3 at Kiaf At our booth B10 we are presenting the outstanding works by Neo Rauch, Gerhard Richter and Andy Warhol among others. Watch our video and visit us at our booth here! . Follow the link in our bio to see more works online or contact the gallery via DM or at [email protected] for more information. . Kiaf Seoul 2023, Sept. 6 – 10, Booth B10 . Neo Rauch "Die Fährte", 2007 oil on canvas 248,9 x 200,7 cm (98 x 79 in.) Gerhard Richter, "Abstract Painting (448-6) ", 1979 oil on canvas 78 x 52 cm (30 3/4 x 20 1/2 in.) Andy Warhol "Dominique de Menil", 1969 Synthetic polymer and silkscreen ink on canvas 20,3 x 20,3 cm (8 x 8 in.) Courtesy of Galerie Thomas, Munich 2023 © VG Bild-Kunst © Gerhard Richter #galerie_thomas #kiaf Kiaf SEOUL
Kiaf SEOUL is open through Sunday, September 10! Visit us at the fair or browse a selection of works from our booth here. . Follow the link in our bio to see more works online or contact the gallery via DM or at [email protected] for more information. . Kiaf Seoul 2023, Sept. 6 – 10, Booth B10 . Kazuo Shiraga "Yúsekai", 1992 gouache on paper 75 x 54,6 cm (29 1/2 x 21 1/2 in.) Gerhard Richter Abstract Painting (448-6), 1979 oil on canvas 78 x 52 cm (30 3/4 x 20 1/2 in.) Neo Rauch "Die Fährte", 2007 oil on canvas 248,9 x 200,7 cm (98 x 79 in.) Andy Warhol "Isabelle Adjani", 1986 silkscreen on paper, collaged 80,3 x 61 cm (31 5/8 x 24 in.) Sam Francis "Untitled" (SF86-764), 1986 acrylic on BKF Rives paper 76,2 x 57,5 cm (30 x 22 5/8 in.). Courtesy of Galerie Thomas, Munich 2023 © VG Bild-Kunst © Sam Francis Foundation, California © Gerhard Richter © The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York #galerie_thomas #kiaf Kiaf SEOUL
Kiaf SEOUL 2023 is opening its gates today and we are very pleased to welcome our VIP guests at our Booth B10! We are presenting works by the following artists: Fernando Botero, Marc Chagall, Sam Francis, Peter Halley, Anselm Kiefer, Takashi Murakami, Yoshimoto Nara, Neo Rauch, Gerhard Richter, Andy Warhol and others. We are also looking forward to welcome all FRIEZE SEOUL VIP card holders today. . Watch our video and have a closer look at our works! . Founded in 2002, Kiaf SEOUL is the first and largest international fair in South Korea, which is not only the face of a growing international art metropolis, but continues a vibrant dialogue between the Asian and global art markets. . Follow the link in bio to see more works online or get in touch via DM or [email protected] for further information. . Kiaf Seoul 2023, Sept. 6 – 10, Booth B10 . Marc Chagall "Les amoureux au carré vert", 1975 oil on canvas 60 x 73 cm (23 5/8 x 28 3/4 in.) Sam Francis “Composition”, 1990 acrylic and paper collage on paper 57,2 x 81,3 cm (22 1/2 x 32 in.) Jan Miró „Chanteur Mongol“, 1971 bronze 24 x 24 x 23,5 cm (9 1/2 x 9 1/2 x 9 1/8 in.) Neo Rauch "Die Fährte", 2007 oil on canvas 248,9 x 200,7 cm (98 x 79 in.) Peter Halley "The Division", 2022 acrylic, fluorescent acrylic and Roll-A-Tex on canvas 203 x 171 x 10 cm (80 x 67 1/2 x 3 7/8 in.) Takashi Murakami “Van Gogh”, 2001 acrylic on canvas on wood 100,3 x 100 cm (39 1/2 x 39 3/8 in.) Courtesy of Galerie Thomas, Munich 2023 © VG Bild-Kunst © Sam Francis Foundation, California © Peter Halley © Takashi Murakami #galerie_thomas #kiaf #samfrancis #peterhalley Kiaf SEOUL Frieze
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