Galerie Nordenhake

Galerie Nordenhake Berlin, Stockholm, México City

Galerie Nordenhake GmbH, Berlin
Lindenstrasse 34, DE-10969 Berlin
Tel: +49 30 206 1483
Fax: +49 30 206 14848
Tues-Sat 11 am - 6 pm
E-mail berlin[at]nordenhake[dot]com

Galerie Nordenhake AB, Stockholm
Hudiksvallsgatan 8, SE-113 30 Stockholm
Tel: +46 8 21 18 92
Fax: +46 8 31 18 95
Tues-Fri 11 am - 6 pm
Sat 12 am - 4 pm
E-mail stockholm[at]nordenhake[dot]com

Galerie Nordenhake México S de RL de

CV
C/ Colima 159, Col.Roma Norte, 06700, CDMX
Tel: +52 5513138371
Tues-Sat 11 am - 6 pm
E-mail mexico[at]nordenhake[dot]com

23/07/2026

50 YEARS: 1976 - 2026⁠
Galerie Nordenhake Mexico City⁠
July 7, 2026 – August 22, 2026⁠
Monterrey 65, Roma Nte, Mexico.
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Toni Sadurní, partner and director of Mexico’s City space, talks to us about artists practice and the exhibition process.

The exhibition in Mexico City takes part as a major celebration that brings together historical pieces and newly commissioned works by by Iñaki Bonillas, José Eduardo Barajas, Elena Damiani, Naufus Ramírez-Figueroa and Jerónimo Rüedi, functioning as both an exhibition and a living archive, it traces the history of the gallery and its founder, Claes Nordenhake, from its inception in Malmö, in 1976, to the present day. Rather than following a chronological framework, the exhibition centers on the artists, their work and interwoven relationships cultivated by the gallery over 5 decades.
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Video credit:

Bruno Ruiz

16/04/2026

ektor garcia
En la boca del lobo ⁠
Galerie Nordenhake Mexico City ⁠
March 20, 2026 — May 09, 2026⁠
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In this video, Director and partner Toni Sadurní explores ektor garcia’s exhibition En la boca del lobo at Galerie Nordenhake Mexico City. Toni discusses how the artist’s residency in Tzintzuntzan, Michoacán, informs a body of work that revisits long-standing processes—such as constructing textiles from punctured bicycle inner tubes—alongside new explorations in carved cantera stone, pine, and intricate crochet weavings of copper wire and natural wool.

The exhibition centers on the human hand as a primordial tool for transmuting matter. Learned alongside local artisans, hands carved in eucalyptus or woven in popotillo, palm, and chuspata do more than reference the body; they reclaim the identity of artisanal labor. By using these traditional materials, garcia honors the craftsmanship of the region while elevating the act of manual creation.

Defined by the juxtaposition of the seemingly irreconcilable—metal and ceramics, industrial rubber and delicate fibers—garcia’s practice operates between extremes. En la boca del lobo functions as a series of thresholds between the interior and the exterior, taking its title from the colloquial warning about entering a place of imminent danger.
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Video credit:

Bruno Ruiz

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Berlin

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