PATRICIA LOW CONTEMPORARY

PATRICIA LOW CONTEMPORARY Established in Gstaad in 2005, Patricia Low Contemporary is a Swiss art gallery specialising in Cont Moritz.

Established in Gstaad in 2005, Patricia Low Contemporary is a Swiss gallery specializing in Contemporary art. The focus is primarily on introducing the most prominent international artists to our audience, with an emphasis on the legacies of Neue Wilde, Contemporary German Painting, Young British Art, Contemporary Photography, Post-Feminism, and Pop. Pivotal artists who have exhibited in the galle

ry at the height of their careers include André Butzer, Sylvie Fleury, Peter Halley, Axel Hütte, Bjarne Melgaard, Jonathan Meese, Marc Quinn, Anselm Reyle, Katharina Sieverding, Gavin Turk, and Thomas Zipp. In December, 2011, Patricia Low Contemporary expanded by opening a second larger space in St. Both Alpine galleries are centrally located and ideal for viewing cosmopolitan world-class art while providing inspiration to artists, curators, and clients alike. The program has also evolved to include newly emerging positions in contemporary art such as Gabriel Vormstein, Sebastian Hammwöhner, and Nathan Mabry. PLC offers an innovative, diverse, and multi-platformed program of solo and curated group exhibitions running concurrently at each venue. The gallery participates in select international art fairs while also advising on secondary market works by key figures such Damien Hirst, Robert Indiana, Takashi Murakami, and many others. Major artists – including Thomas Zipp and Marilyn Minter – have organized group exhibitions at the gallery, providing insight into their influences, thought processes, and creative networks. Patricia Low Contemporary has a strong commitment to facilitating the artistic process and actively encourages innovative practice. From 2007 to 2009 the gallery ran the Maison Jaune residency program in Gstaad, where invited artists created site-specific work; though the residency is now on hiatus, the chalet location is still used by many of the gallery artists as a studio retreat. From 2009 to 2012 the gallery held operations in Geneva, presenting strong exhibitions from the roster of gallery artists and dynamic group shows such as Pop my Cherry a critically hard-hitting exhibition focusing on the glamour of pop.

We hope you have a wonderful summer break, and look forward to welcoming you to our next show featuring Mario Testino.
08/08/2026

We hope you have a wonderful summer break, and look forward to welcoming you to our next show featuring Mario Testino.

“People often tell me the paintings look much better in person… I am definitely not making paintings to look good on a s...
05/08/2026

“People often tell me the paintings look much better in person… I am definitely not making paintings to look good on a screen.” - Daniel Crews-Chubb

Through video, we can share glimpses of the layered surfaces and physicality of The Belt of Venus. But as Crews-Chubb suggests, these are paintings that continue to unfold in person.

Visit The Belt of Venus at Patricia Low Contemporary Venice, only until August 15.

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‘The Belt of Venus I’, 2026
Oil, acrylic, charcoal, ink, spray paint, sand and collaged fabrics on canvas
200 x 251cm

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OPENING HOURS:
Monday: Closed
Tuesday - Saturday: 10am - 1pm, 2pm - 6pm
Sunday: Closed

Dorsoduro 2793, Venezia, Italy

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📸: The Inventive

If you’re in the Hamptons over the summer, don’t miss the guided tour of the Po***ck Krasner House and Studio. Charles w...
04/08/2026

If you’re in the Hamptons over the summer, don’t miss the guided tour of the Po***ck Krasner House and Studio. Charles who gives the tour makes it all come alive, as his great aunt was Po***ck’s mother. The barn which served as Jack’s studio until his death bares the marks of his paint on the floorboard. And that of Lee’s on the walls. She moved into it after his death and had the original wooden floors covered in linoleum. When it www lifted, the Jack’s traces were preserved and looking at where the floor meets the walls feels like looking at Jack and Lee…
Images 1-2 studio walls and floor
Images 3-5 Jack’s paints and floor
Images 6-7 Lee’s paint and shoes
Image 8 The barn studio
Image 9 The house
Image 10-13 A small original Po***ck and Lee’s shells, interiors
Image 14 view of the pond

Have you been to Mendel’s? The Hamptons most unexpected Judaica store Joel Mesler Let there be light
02/08/2026

Have you been to Mendel’s? The Hamptons most unexpected Judaica store Joel Mesler
Let there be light

Barry X Ball’s Pietà (2011–22), presented as part of The Shape of Time.Carved from translucent pink Iranian onyx, ‘Pietà...
30/07/2026

Barry X Ball’s Pietà (2011–22), presented as part of The Shape of Time.

Carved from translucent pink Iranian onyx, ‘Pietà’ reimagines Michelangelo’s unfinished ‘Pietà Rondanini’ through contemporary technologies. Working from highly detailed digital models, Ball uses CNC milling alongside traditional hand-finishing, preserving traces of both machine and maker within the stone.

Rather than concealing the process, Ball allows the sculpture to retain its milling lines, drawing unexpected parallels between digital fabrication and the visible marks left by Michelangelo’s hand. The result is a work that collapses distinctions between old and new, craftsmanship and technology, precision and imperfection.

Throughout The Shape of Time, Ball invites us to reconsider how sculpture carries history, not as something fixed, but as a material that continues to evolve.

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Barry X Ball
Pietà
2011–2022
Translucent white Iranian onyx, stainless steel, ABS plastic
197.5 × 71.3 × 73.8 cm
After Pietà Rondanini (1552–1564)
Michelangelo Buonarroti
Museo Pietà Rondanini, Castello Sforzesco, Milan

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Barry X Ball
THE SHAPE OF TIME
Basilica di San Giorgio Maggiore
Venice
9 May to 22 November 2026

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27/07/2026

“Mythology has always interested me and often informs the work. Venus has been depicted countless times throughout history, and I like the idea of my figures existing as broken memories of these icons, references that shift and mutate through the painting process.”

In The Belt of Venus, Daniel Crews-Chubb approaches mythology as something fluid rather than fixed. Familiar figures are not recreated but reimagined, surfacing as fragmented memories that transform through layers of paint, collage and gesture. References to art history remain present, yet are continually broken apart and rebuilt, allowing each work to exist somewhere between recognition and reinvention.

Featuring excerpts from Sleek Magazine.

For further information on works, please get in touch with the gallery directly.

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Daniel Crews-Chubb
THE BELT OF VENUS
Patricia Low Contemporary, Venice
May 6 - August 15 2026

OPENING HOURS:
Monday: Closed
Tuesday - Saturday: 10am - 1pm, 2pm - 6pm
Sunday: Closed

Dorsoduro 2793, Venezia, Italy

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YVETTE GUILBERT (2013 to 2025) by American artist Barry X Ball revisits Medardo Rosso’s 1895 portrait of the celebrated ...
23/07/2026

YVETTE GUILBERT (2013 to 2025) by American artist Barry X Ball revisits Medardo Rosso’s 1895 portrait of the celebrated French cabaret performer Yvette Guilbert, one of the sculptor’s most recognisable works.

Carved from translucent pink Iranian onyx, Barry X Ball translates Rosso’s fleeting, impressionistic surface into a luminous stone that reveals remarkable depth and precision. While remaining faithful to the spirit of the original, the work demonstrates Ball’s commitment to extending the possibilities of sculpture through advanced technology, hand craftsmanship, and extraordinary materials.

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YVETTE GUILBERT
2013 to 2025
Translucent pink Iranian onyx with white Vietnamese marble, stainless steel, wood, acrylic lacquer, steel, nylon and plastic.

After Medardo Rosso’s Yvette Guilbert (1895), from the collection of Ca’ Pesaro, Galleria Internazionale d’Arte Moderna, Venice.

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Barry X Ball
THE SHAPE OF TIME
Basilica di San Giorgio Maggiore
Venice
9 May to 22 November 2026

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20/07/2026

In an image-saturated digital age, Daniel Crews-Chubb insists on painting as a physical object rather than a flat surface.

Built through dense layers, raw texture and monumental scale, his works demand bodily engagement, shifting as the viewer moves around them. Figures emerge from and dissolve back into the material, resisting instant recognition and the speed of the screen. Instead, Crews-Chubb asks us to look slowly: allowing the eye to search, the mind to construct and the painting to remain unresolved.

The exhibition runs until the end of August at Patricia Low Contemporary, Venice. For more information on works available, please get in touch with the gallery directly.

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📹: .in.culture

Adresse

Gstaad
3780

Öffnungszeiten

Dienstag 11:00 - 19:00
Mittwoch 11:00 - 19:00
Donnerstag 11:00 - 19:00
Freitag 11:00 - 19:00
Samstag 00:00 - 17:00

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+41337448804

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