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Post-Fair Paris 2026 is now open! Neon Parc is thrilled to present a solo exhibition of new textile and bronze works by ...
18/10/2026

Post-Fair Paris 2026 is now open! Neon Parc is thrilled to present a solo exhibition of new textile and bronze works by Teelah George.

Email [email protected] or click the link in bio to request a catalogue. ๐Ÿ’‹

โ€”

For Post-Fair Paris, Teelah George presents a suite of five new textile and bronze works, marking the artistโ€™s international debut outside the Asia Pacific. Developed from a visit to Cologne Cathedral, the works consider the relationship between architecture, light and colour, translating the cathedralโ€™s monumental Gothic structure and luminous stained-glass windows into richly textured abstractions.

George has long been fascinated by cathedrals as spaces of awe, both historically and contemporaneously. Cologne Cathedral holds a particular significance as one of the few major buildings in the city to survive the bombings of the Second World War, it carries within its architecture a layered history of destruction, survival and renewal. During her visit, George became interested in the way light moves through the cathedral, shifting in intensity and colour as it encounters its architectural surfaces.

In the diptych โ€˜Cathedral 1 & 2โ€™ (2026), the Gothic stone faรงade of the cathedral informs a linear structure, punctuated by the spiked edges of the bronze frames. Warm, neutral grounds are interrupted by fields of saturated colour, recalling the high yellow light of the cathedralโ€™s stained-glass windows as it appears to spill and dissolve across surrounding surfaces. Through embroidery, George slows this fleeting phenomenon into a tactile, material form, building each composition through layers of thread, colour and raised stitchwork.

โ€”

Teelah George
๐˜Š๐˜ข๐˜ต๐˜ฉ๐˜ฆ๐˜ฅ๐˜ณ๐˜ข๐˜ญ 1 & 2, 2026
Thread, linen, bronze
146 x 206 x 5 cm (diptych)

Neon Parc at
Post-Fair Paris
74 Rue du Temple
Booth 8
19โ€“24 Oct 2026

Monday, 19 October:
2 โ€“ 6 pm, by invitation only
6 โ€“ 8 pm, public opening

Tuesday, 20 - Saturday, 24 October:
11 โ€“ 7 pm


Please join us tonight, Friday 16 October, from 6โ€“8pm to celebrate the opening of Dale Frank's expansive new sculptural ...
15/10/2026

Please join us tonight, Friday 16 October, from 6โ€“8pm to celebrate the opening of Dale Frank's expansive new sculptural work, ๐˜›๐˜ฐ๐˜ถ๐˜ค๐˜ฉ๐˜ช๐˜ฏ๐˜จ, at Neon Parc Brunswick. All welcome. ๐Ÿฅ‚

Email [email protected] or click the link in bio to request a catalogue.

โ€”

"Options, parallel times and universes. You could be the patient awaiting surgery; equally, you could be the Chief Surgeon, the Chief Surgical Technician, or the robust female Surgical Nurse. There is no confining reality in Time and the Universes, except that which you have created now. The physical death of the human body is the only known certainty in this one-act play."

- Dale Frank, ๐˜›๐˜ฐ๐˜ถ๐˜ค๐˜ฉ๐˜ช๐˜ฏ๐˜จ artist statement, 2026

โ€”

Photo: Andrew Curtis

Dale Frank
๐˜›๐˜ฐ๐˜ถ๐˜ค๐˜ฉ๐˜ช๐˜ฏ๐˜จ
Neon Parc Brunswick
16 Oct โ€“ 14 Nov 2026

Please join us tonight, Thursday 15 October, from 6โ€“8pm to celebrate the opening of Dale Frank's new exhibition of paint...
15/10/2026

Please join us tonight, Thursday 15 October, from 6โ€“8pm to celebrate the opening of Dale Frank's new exhibition of paintings at Neon Parc South Yarra, ๐˜›๐˜ฐ๐˜ถ๐˜ค๐˜ฉ๐˜ช๐˜ฏ๐˜จ. All welcome. ๐Ÿฅ‚

The celebration will continue at Neon Parc Brunswick tomorrow evening, Friday 16 October, 6-8pm, as we open an expansive sculptural work by Dale Frank at the gallery.

Neon Parc South Yarra
Opening Thursday, 15 Oct, 6โ€“8pm

Neon Parc Brunswick
Opening Friday, 16 Oct, 6โ€“8pm

Email [email protected] or click the link in bio to request a catalogue.

โ€”

At Neon Parc South Yarra, a presentation of paintings continues Dale Frankโ€™s longstanding exploration of identity, mortality, and the relationship between physical and psychological worlds through his signature painterly language. Vivid hues expand and collapse across the surfaces in luminous, unpredictable formations. At once intricate and expansive, the works possess a striking physicality that immerses the viewer.

At Neon Parc Brunswick, an expansive installation of sculptures extends these concerns into physical space. ๐˜›๐˜ฐ๐˜ถ๐˜ค๐˜ฉ๐˜ช๐˜ฏ๐˜จ presents a group of four life-size cast figures of the artist himself, incorporating the perspective of time: one figure at 84 years old, others as if 50 and 60 years old. Each figure occupies a different position within a hospital surgical theatre environment: a chief surgeon, a surgical technician, a nurse, and a patient. Surrounded by contemporary functioning medical equipment, the figures, all Frank, appear caught within a moment of suspended options, function, mortality, and time.

โ€”

Dale Frank
๐˜‘๐˜ฆ๐˜ฏ๐˜ฏ๐˜ช๐˜ง๐˜ฆ๐˜ณ ๐˜ข ๐˜ฉ๐˜ช๐˜จ๐˜ฉ ๐˜ด๐˜ค๐˜ฉ๐˜ฐ๐˜ฐ๐˜ญ ๐˜Œ๐˜ฏ๐˜จ๐˜ญ๐˜ช๐˜ด๐˜ฉ ๐˜ต๐˜ฆ๐˜ข๐˜ค๐˜ฉ๐˜ฆ๐˜ณ, ๐˜ฉ๐˜ข๐˜ฅ ๐˜ด๐˜ฆ๐˜น ๐˜ช๐˜ฏ ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ข๐˜ฑ๐˜ข๐˜ณ๐˜ต๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต ๐˜ข๐˜ง๐˜ต๐˜ฆ๐˜ณ ๐˜ค๐˜ญ๐˜ข๐˜ด๐˜ด ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ฎ๐˜ฐ๐˜ด๐˜ต ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ 15 ๐˜บ๐˜ฆ๐˜ข๐˜ณ ๐˜ฐ๐˜ญ๐˜ฅ ๐˜ฃ๐˜ฐ๐˜บ๐˜ด ๐˜ฃ๐˜ฆ๐˜ค๐˜ข๐˜ถ๐˜ด๐˜ฆ ๐˜ด๐˜ฉ๐˜ฆ ๐˜ด๐˜ข๐˜ช๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ๐˜บ ๐˜ณ๐˜ฆ๐˜ฎ๐˜ช๐˜ฏ๐˜ฅ๐˜ฆ๐˜ฅ ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ฐ๐˜ง ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ง๐˜ข๐˜ต๐˜ฉ๐˜ฆ๐˜ณ, ๐˜ฉ๐˜ฐ๐˜ธ ๐˜ด๐˜ฉ๐˜ฆ ๐˜ฉ๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ง๐˜ข๐˜ต๐˜ฉ๐˜ฆ๐˜ณ, ๐˜ฉ๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ง๐˜ข๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ค๐˜ฐ๐˜ฐ๐˜ฌ๐˜ช๐˜ฏ๐˜จ ๐˜ด๐˜ฑ๐˜ข๐˜จ๐˜ฃ๐˜ฐ๐˜ญ ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ๐˜บ ๐˜๐˜ณ๐˜ช๐˜ฅ๐˜ข๐˜บ ๐˜ฏ๐˜ช๐˜จ๐˜ฉ๐˜ต, 2026
Transparent dyes in Easycast, Epoxyglass
200 x 200 cm

Dale Frank
๐˜›๐˜ฐ๐˜ถ๐˜ค๐˜ฉ๐˜ช๐˜ฏ๐˜จ
Neon Parc Brunswick & South Yarra
16 Oct โ€“ 14 Nov 2026

Kait James' nationally touring solo exhibition, ๐˜™๐˜ฆ๐˜ฅ ๐˜๐˜ญ๐˜ข๐˜จ๐˜ด, is now showing at Flinders University Museum of Art (FUMA), u...
11/10/2026

Kait James' nationally touring solo exhibition, ๐˜™๐˜ฆ๐˜ฅ ๐˜๐˜ญ๐˜ข๐˜จ๐˜ด, is now showing at Flinders University Museum of Art (FUMA), until 27 November.

Email [email protected] or DM us to request a catalogue of available works by James.

โ€”

Since 2018, Kait James has been carving out a unique visual language based in the reappropriation of racialised products. Colloquially identified as โ€˜Aboriginaliaโ€™, these mass-produced, commercial objects range from souvenir tea towels and pennant flags to childrenโ€™s dolls and ceramic figurines. Primarily created from the 1950s through to the 1980s for consumption by non-Indigenous tourists, they depict culturally insensitive and racially stereotyped imagery, designs and motifs.

In a practice of subversion, James embroiders into and on top of these products, embedding language and imagery to forge new narratives linked to contemporary political campaigns and debates. Combining autobiography, incisive analysis and wry humour, Jamesโ€™ practice reveals a deep reverence for her culture alongside a glimpse into a shared โ€˜Australianโ€™ First Nations experience.

๐˜’๐˜ข๐˜ช๐˜ต ๐˜‘๐˜ข๐˜ฎ๐˜ฆ๐˜ด: ๐˜™๐˜ฆ๐˜ฅ ๐˜๐˜ญ๐˜ข๐˜จ๐˜ด is a Warrnambool Art Gallery exhibition, curated by Aaron Bradbrook and touring nationally with NETS Victoria.

โ€”

Kait James
๐˜๐˜ข๐˜ญ๐˜ด๐˜ฆ ๐˜—๐˜ณ๐˜ฐ๐˜ง๐˜ช๐˜ต, 2024
Acrylic yarn, cotton, digital printed cotton, felt, high vis material, metallic lycra, plastic straw, enamel pins
160 x 150 x 4 cm

๐˜’๐˜ข๐˜ช๐˜ต ๐˜‘๐˜ข๐˜ฎ๐˜ฆ๐˜ด: ๐˜™๐˜ฆ๐˜ฅ ๐˜๐˜ญ๐˜ข๐˜จ๐˜ด
Flinders University Museum of Art
6 October โ€“ 27 November 2026

.australia .gov.au

New and recent works by Kait James and Nabilah Nordin are featured in Melbourne Sculpture Biennale 2026: ๐˜š๐˜ฐ๐˜ง๐˜ต ๐˜š๐˜บ๐˜ด๐˜ต๐˜ฆ๐˜ฎ๐˜ด, n...
10/10/2026

New and recent works by Kait James and Nabilah Nordin are featured in Melbourne Sculpture Biennale 2026: ๐˜š๐˜ฐ๐˜ง๐˜ต ๐˜š๐˜บ๐˜ด๐˜ต๐˜ฆ๐˜ฎ๐˜ด, now open at Billilla Mansion in Brighton.

โ€”

Melbourne Sculpture Biennale: ๐˜š๐˜ฐ๐˜ง๐˜ต ๐˜š๐˜บ๐˜ด๐˜ต๐˜ฆ๐˜ฎ๐˜ด brings together twenty leading contemporary artists for an exhibition of site-responsive sculpture and installation at Billilla Mansion in Brighton.

๐˜š๐˜ฐ๐˜ง๐˜ต ๐˜š๐˜บ๐˜ด๐˜ต๐˜ฆ๐˜ฎ๐˜ด considers the complex and interconnected systems that shape contemporary life. The participating artists' diverse approaches offer different ways of critically examining these systems, and their impact on people, culture and the environment. Their works reveal systems as both tangible and intangible: structures that organise our lives, distribute resources and power, shape identities and influence our relationships with one another and the environment.

In dialogue with Billillaโ€™s architecture, history and landscape, ๐˜š๐˜ฐ๐˜ง๐˜ต ๐˜š๐˜บ๐˜ด๐˜ต๐˜ฆ๐˜ฎ๐˜ด considers sculpture as a form of storytelling โ€“ one capable of making complex systems visible, material and spatial. The exhibition offers a broad survey of contemporary sculptural practice in Naarm/Melbourne while inviting audiences to consider the often-unseen forces and connections that shape the world around us.

Email [email protected] or DM us to request a catalogue of available works by Kait James and Nabilah Nordin.

โ€”

Photographer: Nicholas Mahady

Kait James
๐˜‰๐˜ช๐˜ช๐˜ฌ, 2026
Digital print on nylon

Kait James
๐˜ ๐˜ฐ๐˜ถ ๐˜ˆ๐˜ณ๐˜ฆ ๐˜ฐ๐˜ฏ ๐˜š๐˜ต๐˜ฐ๐˜ญ๐˜ฆ๐˜ฏ ๐˜“๐˜ข๐˜ฏ๐˜ฅ, 2026
Digital print on nylon

Kait James
๐˜‹๐˜ฆ๐˜ข๐˜ฅ๐˜ญ๐˜บ, 2026
Digital print on nylon

Nabilah Nordin
๐˜‹๐˜ช๐˜ด๐˜ค๐˜ช๐˜ฑ๐˜ญ๐˜ช๐˜ฏ๐˜ฆ, 2023
Wood, epoxy modelling compound, epoxyglass, balloons
200 x 88 x 76 cm

๐˜š๐˜ฐ๐˜ง๐˜ต ๐˜š๐˜บ๐˜ด๐˜ต๐˜ฆ๐˜ฎ๐˜ด
8โ€“25 October 2026
Billilla Mansion
26 Halifax St, Brighton
Free entry
Open Thursdayโ€“Sunday, 11amโ€“5pm



08/10/2026

Final days to view ๐˜—๐˜ถ๐˜ฎ๐˜ฑ ๐˜Š๐˜ฐ๐˜ท๐˜ฆ๐˜ณ, an exhibition of new sculptures by Hugo Blomley at Neon Parc Brunswick.

Email [email protected] or click the link in bio to request a catalogue.

โ€”

A โ€˜pump coverโ€™ refers to a utilitarian cover for outdoor plumbing. Colloquially, however, it has come to denote a hoodie or oversized shirt worn during a warmup or first set. These garments are so named as they are shed to reveal the muscle pump, that is, the temporarily enlarged appearance of muscles due to increased blood flow to the muscle tissue during exercises like weightlifting. The coversโ€™ purpose is theatricalโ€”worn in anticipation of this โ€œrevelationโ€โ€”and practical: to make the body generate more heat and to sweat, thereby boosting vascularity.

Industrial in origin but colloquially appropriated in weightlifting lexicon, the term provides a subtle insight into Hugo Blomleyโ€™s aesthetic sensibility, drawing a link between the body and the machine, playing on veiling, refinement, and anticipated revelation. Like the plinth or the frame, drapery, in Kantian aesthetics, is considered extrinsic to the artwork proper: mere ornamentation supplementary to the work itself. The pump cover finds an analogue in the classical n**e; drapery sheaths the body, the real thing.

โ€“ Excerpt from Tara Heffernanโ€™s exhibition essay, ๐˜›๐˜ฉ๐˜ฆ ๐˜—๐˜ณ๐˜ช๐˜ฎ๐˜ช๐˜ต๐˜ช๐˜ท๐˜ฆ ๐˜ˆ๐˜ญ๐˜จ๐˜ฆ๐˜ฃ๐˜ณ๐˜ข ๐˜ฐ๐˜ง ๐˜™๐˜ฆ๐˜ค๐˜ฐ๐˜จ๐˜ฏ๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ: ๐˜–๐˜ฏ ๐˜๐˜ถ๐˜จ๐˜ฐ ๐˜‰๐˜ญ๐˜ฐ๐˜ฎ๐˜ญ๐˜ฆ๐˜บโ€™๐˜ด โ€˜๐˜—๐˜ถ๐˜ฎ๐˜ฑ ๐˜Š๐˜ฐ๐˜ท๐˜ฆ๐˜ณโ€™, 2026

โ€”

Video by Mighty Films ๐ŸŽฅ

Hugo Blomley
๐˜—๐˜ถ๐˜ฎ๐˜ฑ ๐˜Š๐˜ฐ๐˜ท๐˜ฆ๐˜ณ
Neon Parc Brunswick
11 Sept - 10 Oct 2026

Hugo Blomley

Neon Parc is excited to announce ๐˜›๐˜ฐ๐˜ถ๐˜ค๐˜ฉ๐˜ช๐˜ฏ๐˜จ, a new exhibition by Dale Frank, comprising an expansive sculptural work at Ne...
06/10/2026

Neon Parc is excited to announce ๐˜›๐˜ฐ๐˜ถ๐˜ค๐˜ฉ๐˜ช๐˜ฏ๐˜จ, a new exhibition by Dale Frank, comprising an expansive sculptural work at Neon Parc Brunswick and paintings at Neon Parc South Yarra.

Neon Parc South Yarra
Opening Thursday, 15 Oct, 6โ€“8pm

Neon Parc Brunswick
Opening Friday, 16 Oct, 6โ€“8pm

Email [email protected] or click the link in bio to request a preview catalogue.

โ€”

At Neon Parc South Yarra, a presentation of paintings continues Dale Frankโ€™s longstanding exploration of identity, mortality, and the relationship between physical and psychological worlds through his signature painterly language. Vivid hues expand and collapse across the surfaces in luminous, unpredictable formations. At once intricate and expansive, the works possess a striking physicality that immerses the viewer.

At Neon Parc Brunswick, an expansive installation of sculptures extends these concerns into physical space. ๐˜›๐˜ฐ๐˜ถ๐˜ค๐˜ฉ๐˜ช๐˜ฏ๐˜จ presents a group of four life-size cast figures of the artist himself, incorporating the perspective of time: one figure at 84 years old, others as if 50 and 60 years old. Each figure occupies a different position within a hospital surgical theatre environment: a chief surgeon, a surgical technician, a nurse, and a patient. Surrounded by contemporary functioning medical equipment, the figures, all Frank, appear caught within a moment of suspended options, function, mortality, and time.

โ€”

Dale Frank
๐˜›๐˜ฐ๐˜ถ๐˜ค๐˜ฉ๐˜ช๐˜ฏ๐˜จ [detail], 2026
Fibreglass, human hair, glass, paint
Photo: Andrew Curtis

Dale Frank
๐˜‘๐˜ฆ๐˜ฏ๐˜ฏ๐˜ช๐˜ง๐˜ฆ๐˜ณ ๐˜ข ๐˜ฉ๐˜ช๐˜จ๐˜ฉ ๐˜ด๐˜ค๐˜ฉ๐˜ฐ๐˜ฐ๐˜ญ ๐˜Œ๐˜ฏ๐˜จ๐˜ญ๐˜ช๐˜ด๐˜ฉ ๐˜ต๐˜ฆ๐˜ข๐˜ค๐˜ฉ๐˜ฆ๐˜ณ, ๐˜ฉ๐˜ข๐˜ฅ ๐˜ด๐˜ฆ๐˜น ๐˜ช๐˜ฏ ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ข๐˜ฑ๐˜ข๐˜ณ๐˜ต๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต ๐˜ข๐˜ง๐˜ต๐˜ฆ๐˜ณ ๐˜ค๐˜ญ๐˜ข๐˜ด๐˜ด ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ฎ๐˜ฐ๐˜ด๐˜ต ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ 15 ๐˜บ๐˜ฆ๐˜ข๐˜ณ ๐˜ฐ๐˜ญ๐˜ฅ ๐˜ฃ๐˜ฐ๐˜บ๐˜ด ๐˜ฃ๐˜ฆ๐˜ค๐˜ข๐˜ถ๐˜ด๐˜ฆ ๐˜ด๐˜ฉ๐˜ฆ ๐˜ด๐˜ข๐˜ช๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ๐˜บ ๐˜ณ๐˜ฆ๐˜ฎ๐˜ช๐˜ฏ๐˜ฅ๐˜ฆ๐˜ฅ ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ฐ๐˜ง ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ง๐˜ข๐˜ต๐˜ฉ๐˜ฆ๐˜ณ, ๐˜ฉ๐˜ฐ๐˜ธ ๐˜ด๐˜ฉ๐˜ฆ ๐˜ฉ๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ง๐˜ข๐˜ต๐˜ฉ๐˜ฆ๐˜ณ, ๐˜ฉ๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ง๐˜ข๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ค๐˜ฐ๐˜ฐ๐˜ฌ๐˜ช๐˜ฏ๐˜จ ๐˜ด๐˜ฑ๐˜ข๐˜จ๐˜ฃ๐˜ฐ๐˜ญ ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ๐˜บ ๐˜๐˜ณ๐˜ช๐˜ฅ๐˜ข๐˜บ ๐˜ฏ๐˜ช๐˜จ๐˜ฉ๐˜ต, 2026
Transparent dyes in Easycast, Epoxyglass
200 x 200 cm

Dale Frank
๐˜›๐˜ฐ๐˜ถ๐˜ค๐˜ฉ๐˜ช๐˜ฏ๐˜จ
Neon Parc Brunswick & South Yarra
16 Oct โ€“ 14 Nov 2026

05/10/2026

BOOK LAUNCH: Moya McKenna

Join artist Moya McKenna, and Elspeth Pitt, Senior Curator, Australian Art, National Gallery of Australia, in conversation for the launch of ๐˜”๐˜ฐ๐˜บ๐˜ข ๐˜”๐˜ค๐˜’๐˜ฆ๐˜ฏ๐˜ฏ๐˜ข: ๐˜‰๐˜ณ๐˜ข๐˜ฏ๐˜ค๐˜ฉ ๐˜ญ๐˜ช๐˜ฏ๐˜ฆ at Bookrunner.

Saturday 17 October, 3:30pm
Bookrunner, Dairy Road, Fyshwick
Free / RSVP via Drill Hall Gallery

๐˜”๐˜ฐ๐˜บ๐˜ข ๐˜”๐˜ค๐˜’๐˜ฆ๐˜ฏ๐˜ฏ๐˜ข: ๐˜‰๐˜ณ๐˜ข๐˜ฏ๐˜ค๐˜ฉ ๐˜ญ๐˜ช๐˜ฏ๐˜ฆ is the first comprehensive publication on the acclaimed Naarm/Melbourne-based Australian painter. Since she began exhibiting in the early 2000s, McKenna has established a practice that builds upon a slowly unfolding vocabulary of repeated image fragments. Her work is known for its distinctive emotional edge, one in which finely observed detailsโ€”a particular photograph, a figure or form appropriated from another artistโ€™s work, a cluster of found objects arranged in the studioโ€”are offset by dream-like passages of painted reverie.

The book features an in-depth conversation between McKenna and Jane Devery, Senior Curator, Museum of Contemporary Art Australia, a major essay by writer and art historian Quentin Sprague, and a short story by Franz Kafka, drawn from his posthumous collection, ๐˜›๐˜ฉ๐˜ฆ ๐˜“๐˜ฐ๐˜ด๐˜ต ๐˜ž๐˜ณ๐˜ช๐˜ต๐˜ช๐˜ฏ๐˜จ๐˜ด, and re-printed with permission from New Directions Publishing, New York.

McKenna has shown widely in Australia, and her work is held in public institutions including the Museum of Contemporary Art Australia, Art Gallery of New South Wales, Art Gallery of Western Australia, National Gallery of Victoria, Monash University Museum of Art and Potter Museum of Art at the University of Melbourne.

Published by Drill Hall Gallery Publishing in association with Neon Parc.

Signed copies will be available for sale on the day.

Teelah George's ๐˜›๐˜ฉ๐˜ฆ ๐˜ฃ๐˜ฐ๐˜น๐˜ฆ๐˜ณ ๐˜๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ๐˜ณ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ญ๐˜ฐ๐˜ธ๐˜ฆ๐˜ณ ๐˜๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฏ๐˜ข๐˜ฌ๐˜ฆ๐˜ฅ ๐˜ฎ๐˜ฐ๐˜ต๐˜ช๐˜ง (2019โ€“2020) is included in ๐˜—๐˜ฆ๐˜ณ๐˜ด๐˜ฐ๐˜ฏ๐˜ข๐˜ญ ๐˜Œ๐˜ง๐˜ง๐˜ฆ๐˜ค๐˜ต๐˜ด, n...
04/10/2026

Teelah George's ๐˜›๐˜ฉ๐˜ฆ ๐˜ฃ๐˜ฐ๐˜น๐˜ฆ๐˜ณ ๐˜๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ๐˜ณ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ญ๐˜ฐ๐˜ธ๐˜ฆ๐˜ณ ๐˜๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฏ๐˜ข๐˜ฌ๐˜ฆ๐˜ฅ ๐˜ฎ๐˜ฐ๐˜ต๐˜ช๐˜ง (2019โ€“2020) is included in ๐˜—๐˜ฆ๐˜ณ๐˜ด๐˜ฐ๐˜ฏ๐˜ข๐˜ญ ๐˜Œ๐˜ง๐˜ง๐˜ฆ๐˜ค๐˜ต๐˜ด, now showing at Heide Cottage, Heide Museum of Modern Art.

Email [email protected] or DM us to request a catalogue of available works by Teelah George.

โ€”

Drawing on artefacts from John and Sunday Reedโ€™s Personal Effects Collection, the exhibition places everyday belongings and the tangible traces of life at Heide in dialogue with contemporary creative practices that rework archives, translate personal histories, recontextualise found materials, and probe the instability of memory.

Artists include: Tia Ansell, Darcey Bella Arnold, Kirsten Coelho, Kate Daw, Teelah George, Zac Langdon-Pole, Nusra Latif Qureshi, Jacqueline Stojanoviฤ‡, Isadora Vaughan and Ella Wijt.

โ€”

Teelah George
๐˜›๐˜ฉ๐˜ฆ ๐˜ฃ๐˜ฐ๐˜น๐˜ฆ๐˜ณ ๐˜๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ๐˜ณ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ญ๐˜ฐ๐˜ธ๐˜ฆ๐˜ณ ๐˜๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฏ๐˜ข๐˜ฌ๐˜ฆ๐˜ฅ ๐˜ฎ๐˜ฐ๐˜ต๐˜ช๐˜ง, 2019โ€“2020
Thread, linen and bronze
180 ร— 150 cm

๐˜—๐˜ฆ๐˜ณ๐˜ด๐˜ฐ๐˜ฏ๐˜ข๐˜ญ ๐˜Œ๐˜ง๐˜ง๐˜ฆ๐˜ค๐˜ต๐˜ด
Heide Museum of Modern Art
19 September 2026 โ€“ 29 March 2027


Hugo Blomleyโ€™s major solo exhibition, ๐˜—๐˜ถ๐˜ฎ๐˜ฑ ๐˜Š๐˜ฐ๐˜ท๐˜ฆ๐˜ณ, continues at Neon Parc Brunswick until 10 October 2026. The gallery is...
03/10/2026

Hugo Blomleyโ€™s major solo exhibition, ๐˜—๐˜ถ๐˜ฎ๐˜ฑ ๐˜Š๐˜ฐ๐˜ท๐˜ฆ๐˜ณ, continues at Neon Parc Brunswick until 10 October 2026.

The gallery is open Wedโ€“Sat, 12โ€“5pm.

Email [email protected] or click the link in bio to request a catalogue.

โ€”

๐˜œ๐˜ฏ๐˜ต๐˜ช๐˜ต๐˜ญ๐˜ฆ๐˜ฅ [๐˜Ž๐˜ฐ๐˜ญ๐˜ฅ] cuts across the roomโ€”a vertical slash of gold, dense but animated, tapered at each end. The form eschews flatness, becoming globular and fluidic: an auric mucocutaneous junction, somewhat labial in its asymmetrical, skyward, floret-like flare. Both the green organ-like sculpture and this high-gloss floret resemble ectoplasmic emanations, captured in solid form mid-bloom.

These sculptures can productively be read in relation to Minimalism. Like the postwar artists associated with the movement, Blomley shares the appreciation of solid forms or mass-produced materials with an alien quality. Yet this futuristic non-sculpture is too austere and unimaginative to offer a comfortable affinity. The tension, however, is revealing.

โ€“ Excerpt from Tara Heffernan's exhibition essay, ๐˜›๐˜ฉ๐˜ฆ ๐˜—๐˜ณ๐˜ช๐˜ฎ๐˜ช๐˜ต๐˜ช๐˜ท๐˜ฆ ๐˜ˆ๐˜ญ๐˜จ๐˜ฆ๐˜ฃ๐˜ณ๐˜ข ๐˜ฐ๐˜ง ๐˜™๐˜ฆ๐˜ค๐˜ฐ๐˜จ๐˜ฏ๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ: ๐˜–๐˜ฏ ๐˜๐˜ถ๐˜จ๐˜ฐ ๐˜‰๐˜ญ๐˜ฐ๐˜ฎ๐˜ญ๐˜ฆ๐˜บโ€™๐˜ด '๐˜—๐˜ถ๐˜ฎ๐˜ฑ ๐˜Š๐˜ฐ๐˜ท๐˜ฆ๐˜ณ', 2026

โ€”

Photo: Nicholas Mahady

Hugo Blomley
๐˜—๐˜ถ๐˜ฎ๐˜ฑ ๐˜Š๐˜ฐ๐˜ท๐˜ฆ๐˜ณ
Neon Parc Brunswick
11 Sept - 10 Oct 2026

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