21/10/2026
With one month until Ngarn Wa’ngal: Art of the gum tree closes, we thought we’d take a closer look at the ways artists have drawn inspiration from the gum tree to create jewellery.
Here, necklaces crafted from eucalyptus materials and forms explore memory, identity, adornment and our enduring connection to place.
Take a look at these wearable art pieces as part of Ngarn Wa’ngal: Art of the gum tree. Open Tuesday to Saturday, 11am to 5pm.
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Image 1: Installation view of Ngarn Wa’ngal: Art of the gum tree, Potter Museum of Art, the University of Melbourne, 2026. Featuring Jess Dare, No More Time 2026, courtesy of the artist. Photography by Christian Capurro.
Image 2: Installation view of Ngarn Wa’ngal: Art of the gum tree, Potter Museum of Art, the University of Melbourne, 2026. Featuring Nikki Browne, STOP KILLING COUNTRY 2022, courtesy of the artist. Photography by Christian Capurro.
Image 3: Installation view of Ngarn Wa’ngal: Art of the gum tree, Potter Museum of Art, the University of Melbourne, 2026. Featuring Peter Tully, Gumnut necklace c.1981. Powerhouse collection. Gift of David McDiarmid, 1995. Photography by Christian Capurro.
Image 4: Installation view of Ngarn Wa’ngal: Art of the gum tree, Potter Museum of Art, the University of Melbourne, 2026. Featuring Maree Clarke, Gumnut necklace c. 1988; Gumnut necklace c. 1993; Gum necklace c. 1988. Koorie Heritage Trust, Narrm / Melbourne. Photography by Christian Capurro.