Gallerria - A Fine Art Gallery

12/10/2026

The figure is not waiting to be seen.

In Kapil Mani Dixit’s paintings, eyes move beyond the face. They appear across the body, turning the act of looking back towards the viewer.

The Skin Has Eyes brings together Holding Myself, The Eye Beneath the Skin and She Sees Everything, three works shaped by self-awareness, instinct and the quiet tension of being seen.

10/10/2026

The colours you bring home can change how a room feels. 🎨

From bold, expressive palettes to soft, restful tones, art creates a connection between your space and your story. Which colours make you feel most at home?

Explore the psychology of colour and discover how to choose artwork that speaks to you in our latest blog.

Read more at gallerria.com

From an early age, color shapes how many of us experience the world: the blue of the sky, the white of clouds, the green of leaves, and the countless shades of flowers. These everyday encounters become part of our visual memory, connecting color with places, moments, and feelings. For millennia, art...

08/10/2026

Kapil Mani Dixit has spent nearly three decades exploring the human figure. Inspired by his father’s drawings, he studied fine art at the University of Texas at Arlington before returning to Kathmandu in 2008. His focus moved from landscape to what he calls the “humanscape.” Painting from memory allows anatomy to follow emotion. Limbs stretch, proportions shift and imperfections remain visible. For Dixit, the body is where inner experience takes form.

06/10/2026

A compelling work exploring presence, connection and the space between individual and collective experience.

Gathering of the Souls
by Gisela Bolotin

05/10/2026

What happens when the figure you are observing begins to observe you? In Kapil Mani Dixit’s paintings, eyes leave the face and move across the body. Holding Myself, The Eye Beneath the Skin and She Sees Everything explore self-embrace, hidden awareness and outward vision. Here, the body is more than something seen. It watches, remembers and returns our gaze.

The human eye reveals a person’s naked emotion.

03/10/2026

Something stirs beneath the blue.

Drawn by color, movement, perhaps instinct. Chandra Shrestha leaves just enough for the eye to follow and the mind to wander.

01/10/2026

A powerful expression of generosity and equality, Ratnasambhava is associated with the earth element and spiritual wealth. The Varada Mudra, a gesture of giving, sits at the heart of the work.

Ratnasambhava by Bhairaj Maharjan
Acrylic on Canvas | 45 × 45 cm

30/09/2026

A reflection on identity, heritage and the fragile balance between what we inherit and what we preserve.

At the center, a figure holds a single brick, a quiet symbol of foundation and responsibility. The Krishna Temple and layered imagery connect personal existence with the cultural memory of the Kathmandu Valley.

Acrylic on Canvas | 76.2 × 91.4 cm

29/09/2026

There is no single way to read Nepali art. Each artist brings a different story, experience and way of seeing.

28/09/2026

Long before modern comics and cinema, stories in Nepal unfolded across painted scrolls.

Known as Bilampau, meaning “horizontal painting” in Newari, these works presented characters, events, and different moments from a story across one continuous surface.

Unlike Paubha paintings, which are closely associated with worship and meditation, Bilampau placed greater emphasis on visual storytelling. Some surviving examples measure up to 78 feet in length.

Today, Bilampau is rarely practised and remains unfamiliar to many people, even within Nepal.